Art Song

Spring 2021

MUSC 403 Composition Seminar

This course aims to familiarize beginning composers with the fundamental techniques, principles, and discipline of the art and craft of music composition (within the notated Western art-music tradition) applicable to a broad range of idioms and styles, from concert pieces, songwriting, film scoring, and video game music. This seminar will include a specific focus on “Art Song.” Students will study and apply principles of notation, motive, rhythm, melody, counterpoint, harmony, form, orchestration, timbre, transformation, and text through creative assignments. In this interactive, laboratory-style course, students will have the opportunity to perform each other’s work and hear their work performed by professional musicians. Through a combination of composing, listening, score analysis, reading, performance, improvisation, as well as socratic dialogue, students will be empowered to apply introductory knowledge of the necessary skills to take the leap into the unknown and realize their own musical ideas through music composition.

Library

Linfield University Libraries
Music Resources
Naxos Login

Listening

Listening Spreadsheet
Listening Journal, Form
Listening Journal, Doc

SCORE study

IMSLP (Public Domain Scores)
Boosey & Hawkes
Issuu Scores on Demand
UCLA Repository of Contemporary Scores

ART SONG study

Copland, Twelve Poems of Emily Dickinson >>
Vaughan Williams, Songs of Travel >>
Beach, I Shall Be Brave >>
Beach, Hermit Thrush at Eve, Hermit Thrush at Morn >>
Britten, Winter Words >>

Textbook

Spring 2021 Project: Art Songs for Soprano and Piano

Art Songs

This semester, we will have the opportunity to compose new songs for soprano and piano!

FIRST DRAFT DEADLINE: FEB. 22

FINAL DRAFT DEADLINE: MARCH 8

PERFORMANCE: April 2, 2021, 7-8 p.m.

Lacroute Composer Readings and Chamber Music Masterclass Program Recital

Friday, April 2, 2021, 7 – 8pm

Event will be hosted online

Featuring Arwen Meyer, soprano, and Susan McDaniel, piano.

Note about attendance:

Current Linfield University students, faculty and staff may attend in person in Delkin Recital Hall, Vivian Bull Music Center.

Community members may view the concert virtually, platform TBA.

PARAMETERS:

  • Compose a new piece for soprano and piano between {{3 and 7 minutes in duration}}

  • You must choose an existing poem or poems in the public domain (you may not write your own text)

PERFORMERS:

    • Arwen Myers, soprano

        • Info about Arwen's voice

    • Susan McDaniel, piano

Score and Parts

  • Your fully notated score and parts should include:

      • Pitch and rhythm

      • Meter

      • Mood indication and tempo marks

      • Dynamics

      • Articulations

      • Technique indications, as needed

      • Pedal Markings

      • Lyrics with dictionary-approved syllables

  • Your score and parts should be:

      • legible

      • fully notated and input into notation software (available in the Composers Studio)

spring 2021 Music events

Subject to change, but keep these dates in mind to fulfill the six-concert requirement for lessons!


  • Fear No Music Residency:
    Composers should attend all of these events (bold = counts for concert credit)

    • 2/1 at 4:30 - Masterclass during IPS

    • 2/1 at 7:30 - James Shields Clarinet and Bass Clarinet Recital, Virtual

    • 3/1 at 7:30 - Amelia Lukas Flute Recital, Virtual

    • 3/18 at 4:30 - Virtual Masterclass with Monica Ohuchi, piano; Kenji Bunch, viola and composer

    • 3/18 at 7:30 - Kenji Bunch, Viola/Composer & Monica Ohuchi, Piano Recital, Virtual

    • 4/5 at 7:30 - Jeff Payne Piano Recital, Virtual

  • TBA: Composer Readings
    Including two recitals and joint VIPS with guests
    (3/29-4/2)

  • 4/7 at 4 p.m: Chamber Recital - update

  • 4/9-10: Dance Showcase

  • 4/15 at 7 pm: Opera and Musical Theater Workshop

  • 4/16 at 7 pm: CJ Turley Senior Project with the Linfield Concert Choir

  • 4/20 at 7 pm: Spring Band Concert (tentative)

  • 4/22 at 5 pm: Pedro Graterol, viola

  • 4/26: Student Symposium Honors Recital

Campus Days Off: 2/9, 3/10, 4/8

Last Day of Classes: 4/22

Composer Readings SCHEDULE in Progress

SCHEDULE:

  • Arwen Myers, soprano: "Meet and Greet" during Composition seminar the week of JANUARY 25 (REQUIRED)

  • FIRST DRAFT DEADLINE: FEB. 22 (REQUIRED)

  • FIRST DRAFT READING: MARCH 1 (REQUIRED)

  • Arwen Myers, soprano & Susan McDaniel, piano: "Revisions" session during composition seminar, the week of March 1 with final drafts due the following week

  • FINAL DRAFT DEADLINE: MARCH 8 (REQUIRED)

  • Tuesday, MARCH 30, 4:30 - vocal performance master class (REQUIRED)

  • Tuesday, MARCH 30 at 5:30 - talk during the instrumental performance seminar (REQUIRED)

  • PERFORMANCE-READING: APRIL 2, 2021, 7-8 p.m. (REQUIRED)

Week 1

What is an art song?

Read: Marit MacArthur and Lee Miller. After Scansion: Prosody, Deforming, and Listening to Poetic Prosody >>
Listen to the "After Scansion" podcast >>

Semester Goals Chart: fill in your semester goals

Composition Assignment:

  • Listening with score/recording to Copland's Twelve Poems of Emily Dickinson

  • Choosing texts

Listening (upload link to your semester goals chart)

Week 2


Composition Assignment:

  • Listening with score/recording to Vaughan Williams' Songs of Travel and Amy Beach, I Shall be Brave, and "Hermit Thrush"

  • Annotate, analyze, begin memorization of your text

  • Begin setting first verse, stanza etc. with piano accompaniment in notated score form (can be rough sketches)


Week 3


Composition Assignment:

  • Listening with score/recording to Britten's Winter Words

  • Annotate, analyze, complete memorization of your text

  • Complete setting first verse, stanza etc. with piano accompaniment in NOTATED SCORE form (can be rough sketches)