Cultural & Performance Art
folk traditions and creative discovery
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Dance, Movement, and Cultural Work
Live Art and Photography modeling
Collaborative or solo movement or dance research, support, and performances
Poetry writing, readings, and recitations
Ritual/Ceremonial choreography and facilitation
Tarot and tasseomancy
Apothecary consultations, remedies, and apprenticeships
Pay What You Can rates for LGBTQ+ & BIPOC clients
Site-specific work and commissions available
UNBOUND DANCE/OYFGEBUNDENERHAYT TANTZ
July 18, 2025, Wild Hearts Anomaly Poetry Open Mic, Wild Heart Herb House, Haskell Gardens, New Bedford, MA
July 19, 2025, Motion State Arts Cabaret Jete for FringePVD, Wilbury Theatre Group Providence, RI
DANCING IN PLACE
Aneshia Savino and Juli Schneider performing Dancing in Place April 2024, Metamorphosis Dance Company, Pawtucket, RI
Photo by Liya Hoshi
Three distinct industrial/immigrant neighborhoods, currently municipal and state-owned properties, mirror the absence of the physical and social fabric my family and hundreds of others once lived in. Using photography, the architectural landscape of Route 18, blended with family memories, dear friends' artistry, and primary resource research, I offer choreography that remembers the Italian and Jewish neighborhoods that Urban Renewal transformed.
COLLABS AND POETRY
Synesthesia collaboration with Alyn Carlson, photo by Liya Hoshi
Aneshia reading "It lurks beneath..." at Wild Hearts Anomaly Poetry, photo by Liya Hoshi
Aneshia reading "Recognition" at Gallery X, June 2025 photo by Sarah Mulvey
"Recognition combusts when history’s mirror is broken
A retelling that’s distracted, impacted, refracted light is unfocused
Being seen requires good lighting, a stage, and, gods please,
A willing audience excited to also be seen
Learned that at the Z,
New Bedford High School, Block D
Popped cherries at 20 Cent Fiction, oh, Rocky!
Being seen’s not just drama, the high-performance arts,
Survivors of Colonization, the Red and Lavender Scare, to start
Civil Rights Protest Leaders and AIDs caregivers grew beyond their scars"
-Excerpt from "Recognition" written for DATMA's Being Seen 2024-2025
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