Despite a generally negative reception for Rebirth,[6] "Drop the World" received more positive reviews. "Drop the World" was arguably the most anticipated song from the album due to its guest feature from Eminem.[7] In a review of the album, NME called the song the only highlight of Rebirth. The article discussed the meaning behind the song, noting that Lil Wayne simply avoids answering a question commonly asked by successful hip hop musicians: "How do you deal with 'real issues' when you've got enough money to buy your old neighborhood a hundred times over?" The magazine notes that, in the song, Lil Wayne avoids commenting on this question, and instead focuses his energy on "being so pissed off you have to get in a spaceship, pick the world up and drop it on some poor girl's 'fucking head.'" Ultimately, the article concludes the song only serves as a "what-could-have-been" demonstration for the album.[2] Writing for Fairfax New Zealand's Stuff.co.nz website, Chris Schulz was less than impressed with "Drop the World", claiming that, even with Eminem, the song was unexceptional.[8]

I started thinking about this song today when the news broke that Chester Bennington of Linkin Park had died, by apparent suicide. Lil Wayne and Linkin Park have never worked together, but I imagine them being mutual fans. If there's an obvious antecedent to the music Lil Wayne made on Rebirth, it's Linkin Park. "Drop the World" could pass for a Linkin Park song on a songwriting level: It has the same blend of tortured-soul angst and anthemic, cathartic reaction to that angst that made songs like "In the End" and "Numb" such massive hits. "I'ma pick the world up and I'ma drop it on your fuckin' head" is pure screaming release, an affirmation of pain and a rejection of it at the same time. And Eminem, a master of these kinds of wrenchingly frank stadium bangers in his own right, offers a mini hook that drives the point even further home:




Lil Wayne Drop The World