Alone, Max says Kim told her about his prowess and asks how much for a lap dance. Mike says he is retired, but ultimately says $60,000 when pushed. Max says $6,000 with no 'happy ending'. The dance is very passionate, and they wake up together the next day.

Mike and Max argue about the ending of the show. She wants him to personalize it and finish with a happy ending. She also would really like him to dance in it, but he reiterates he is retired and will not go on stage. The show gets shut down again, so Max confronts Roger. He reminds her that their separation agreement includes a clause that she does not tarnish his family name.


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The opening act starts the same as Isabel Ascendant, but the protagonist is offered only two possible life choices, marry the rich aristocrat or the poor one with a heart of gold. So, she calls her imaginary friend from her childhood, the unicorn, breaks the fourth wall and then talks about modern feminist ideas about what choices women should be afforded, using a golden mic that drops from above. Then Isabel's male counterparts strip off their formal attire and the other dancers are presented one by one. They have sexier and sexier numbers until the last few, Victor is asked to remove Zadie for the most "adult".

After a lap dance number for three of the more mature audience members, Mike partners with a ballet dancer for the final number. The piece, set in the rain, is reminiscent of moments shared between him and Max. Once the show is over, Mike finds Max and they kiss.

Set mainly in London, Magic Mike's Last Dance brings a significant change in setting compared to the other movies set in Miami, Florida. Similarly, Magic Mike's Last Dance only brings back Tatum as the titular character and features new actors and dancers. As such, the setting in the new Magic Mike is not the only change compared to the two previous Magic Mike movies. However, as a sequel, some elements remain consistent with the rest of the Magic Mike franchise, including the Magic Mike's Last Dance soundtrack. Here's every song on the Magic Mike's Last Dance soundtrack:

The Magic Mike's Last Dance soundtrack does not disappoint and becomes a key part of the film, as Magic Mike's Last Dance heavily relies on dance sequences. In particular, this is evident in the way music and dancing are both a key part of Mike and Max's blossoming relationship, as well as the rest of the Magic Mike's Last Dance cast's performances. The music takes on a whole new relevance in the film as both the audience in Magic Mike's Last Dance and those watching it get to see the show Mike has been working on for the whole movie.

"Careful" by Lucky Daye: The sultry R&B/soul song "Careful" accompanies Channing Tatum's first dance scene of Magic Mike 3. When the party is over, Mike gives Max an acrobatic lap dance on the notes of "Careful" by Lucky Daye, which was released solely for the Magic Mike's Last Dance soundtrack.

"Alien Trance" by Xyrex: The dance/electronic band Xyrex had the honor of underscoring a scenic moment in Magic Mike's Last Dance. After Max convinces Mike to go with her to London, the 1995 track "Alien Trance" by Xyrex in the Magic Mike's Last Dance soundtrack plays as the film features an overview of London.

"Spoiler" by Baloji: The Belgian rapper Baloji uses a funky beat to display a montage of prospective dancers trying to impress Max and Mike for her upcoming show. In London, Max and Mike hold auditions with "Spoiler" by Baloji playing in the background, with some good results and some less memorable entries.

"Mercy" by Jacob Banks: Later at the Rattigan Theater, Mike, Max, and the rest of the dancers watch a solo performance from one of the other dancers. The slow but powerful "Mercy" by Jacob Banks accompanies his choreography, which Max eventually criticizes Mike harshly for.

"Permission" by Ro James: The song "Permission" from the Magic Mike's Last Dance soundtrack plays several times during the rehearsals sequence at the Rattigan and toward the end of the movie. First it plays as a dancer strips for Salma Hayek's Max and Mike praises his performance. It also plays as Mike demonstrates to the dancer how it should be done, and then again near the end of the film when Edna and other women are getting a lapdance on stage.

"Kurz-Entspannungversion" by Theo Werdin: After Max and Mike extend the stage to better accommodate the performance, the City of Westminster threatens to put sanctions on the pair due to alterations made to a historical building without prior approval. Therefore, they concoct a plan to sway the only woman on the board to their side, Edna Eaglebauer. The group puts on a special dance for Edna on a bus, underscored by "Kurz-Entspannungversion" by Theo Werdin, and it proves quite effective.

"Suavemente (House Remix)" by Fred Perry: Most notably, "Suavemente (House Remix)" by Fred Perry plays as Mike and Max dance together on the stage in front of the other dancers. Their number is a hit for the team, garnering rambunctious applause that's punctuated by Edna walking in.

"Juice" by Young Franco & Peli: The next song in the show is "Juice" by Young Franco & Peli. It underscores two dancers as they perform on stage and perform a crowd-pleasing number with a couple of ladies from the audience.

"Boys Better" by The Dandy Warhols: The dancers perform a quick outfit change and the 90s track "Boys Better" by The Dandy Warhols accompanies a small montage. The song sees the dancers performing several numbers as Mike's show is clearly going much better than expected and sees some promising crowd reactions.

"Open Up" by Gallant: As Mike and a ballerina perform a dance where they both strip, retracing the key moments of Mike and Max's relationship, the song "Open Up" by Gallant plays. The moment shows how Mike truly emotes through dance, and it turns out to be a moving performance for Max.

"Pony" by Ginuwine: At the end of Magic Mike's Last Dance, the show continues with "Permission" by Ro James once again, but the final number of Mike's outstanding revue is "Pony" by Ginuwine. The titular R&B single is a near-perfect tune for a bombastic finale, though Channing Tatum doesn't dance to "Pony" as he does in the other films.

"Don't Be Afraid" by Diplo & Damian Lazarus feat. Jungle: The Magic Mike's Last Dance soundtrack includes two different songs that underscore the ending credits. The first is the 2021 dance electronic song "Don't Be Afraid" by Diplo & Damian Lazarus feat. Jungle.

The Magic Mike's Last Dance soundtrack is one of the elements that inevitably makes a film and Magic Mike's Last Dance songs perfectly fit its story and the atmosphere of the film. In fact, Magic Mike's Last Dance uses a similar soundtrack as that of the previous films, with pop using and party songs that some of the audience will be familiar with. However, despite reusing certain songs that were successful in the Magic Mike franchise, like Pony, the songs in Magic Mike's Last Dance seem less impactful compared to the two previous Magic Mike films. As such, the Magic Mike's Last Dance soundtrack is arguably less successful than earlier installments.

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"I truly hate having discussions about who would win one-on-one," Bryant said. "You heard fans saying, 'Hey, Kobe, you'd beat Michael one-on-one.' And I feel like, yo, what you get from me is from him. I don't get five championships here without him because he guided me so much and gave me so much great advice."

In the next clip, a camera crew walks into Jordan's hotel room prior to a road game during the '97-98 season, and he sounds like a man who has grown tired of the spotlight, like a player who is ready to leave the game.

Eric Woodyard: Honestly, is anyone surprised? Michael Jordan doesn't like Isiah Thomas even after all these years. Today's segment proved that yet again. After all these years, MJ also finally addressed the reason behind Thomas' not making the Dream Team -- and although he wasn't directly behind it, he certainly didn't vouch for Thomas to play on the team, either. The "No Isiah Thomas questions" comment from him was actually funny. This was the first time I've heard MJ praise Thomas as the second-greatest floor general behind Magic Johnson. I actually was more surprised by that. These are real-deal competitors even to this day.

Mike Schmitz: I would have loved to see Toni Kukoc in today's NBA, as his game was perfectly suited for modern basketball. A 6-foot-10, fluid point forward loaded with creativity, Kukoc would be a triple-double machine with Luka Doncic-level freedom, constant high ball screens and never-ending space to operate, likely leaving him with a much different legacy. On top of that, his transition would have been far easier, given the international flavor in the NBA now compared to back then. But it was Kukoc, one of the most accomplished European prospects of all time, who helped pave the way for prospects such as Doncic. A three-time Euroleague Final Four MVP and two-time FIBA Eurobasket MVP, Kukoc remains a hero for young European prospects and the gold standard for longtime international scouts.Eric Woodyard: This episode really increased my respect for veteran journalist Sam Smith. It takes a lot of guts to expose some of the things that he reported in his book "The Jordan Rules." Honestly, I don't know if many reporters would've been strong enough to share those things concerning a megastar such as Michael Jordan during an era when everyone wanted to "Be like Mike." 2351a5e196

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