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Get ready to face off against the undead in Left 4 Dead, the cooperative first-person shooter that pits you and your friends against hordes of zombies. With its fast-paced, intense gameplay, Left 4 Dead is a thrilling experience that will keep you on the edge of your seat.

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The old king lies dead in a gambling hall, just two gems left in the coffers. Bandits wait on the borders, ready to strike. The farms and mines have fallen silent. You must rebuild the kingdom before the borders fall! All you have left to lose is a pair of dice.

iRinger also includes a bunch of special effects to add to your ringtones: delay, reverse or boost are some of them. They're all available in a special collapsible window on the left side of the program's main interface. Once the ringtone has been properly edited, all you have to do is click 'Export' and it will be saved as an M4R file, ready to be imported into iTunes and synced with your iPhone.

The main character of the adventure is Thomas Rogan, an AMS agent who receives a call from Sophie, his fiance, asking him from Europe to come and save her. Accompanied by his partner "G," Thomas arrives at the mansion where the rescue request came from and quickly finds that it is full of dead scientists and zombies. They quickly discover that the cause of this was a biochemist named Roy Curien. The villain is obsessed with finding the secrets of life and death and with them, creating the ultimate lifeform. So, intending to save the young woman and stop the scientist, the heroes begin their adventure.

On the arcade, players could use a light gun, but in the PC version, we use a mouse. The characters progress through the stages automatically, stopping once they find enemies, and moving to a generally static camera. When doing this, the opponents will try to attack the heroes, so the players must react quickly and shoot them until there are none left, and they can move on. While this is happening, they can also shoot and kill zombies or items for extra points, but they cannot be damaged until the camera stops again. Each level has a boss, unlike regular enemies, they have a life bar, a weak point, and different mechanics to face each one of them. Finally, three different endings will be unlocked based on the players' scores.

The graphics and sound effects of the title are very well achieved. The color palette is usually cold in the labs or dominated by different browns outside them, rotating between technology and decrepitude caused by the plague of the undead. On the other hand, the lively and intense colors take the game out of the sphere of terror and make it much more vivid and friendly to any kind of audience. Music and sound effects contribute significantly to this feeling. The soundtrack is oriented to rock, and even the songs with scary or mysterious rhythms are intensified and generate more adrenaline than fear. The sounds produced by hitting a shot are almost caricatured and create a pleasant sensation for the player. The latter goes hand in hand with the ease of killing enemies and the dismemberment caused by each impact, empowering the protagonists.

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The app's interface is simple and user-friendly, making it easy to search for and add new anime to your list. You can also create custom lists to organize your anime by category or status. One of the standout features of Animeland is the ability to sync your list across multiple devices, so you can pick up where you left off no matter where you are.

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Bryant (Michael Jai White), a man with a mysterious past moves to a small Mexican border-town to start over and live the simple life. While there, he reluctantly befriends a troubled local teen who has recently lost his mother and is being recruited by the local street gang. Bryant keeps the boy on the straight and narrow by introducing him to martial arts and taking on the role of mentor, teacher and father-figure. As the story unfolds we learn that Bryant is much more than a man who moved to Mexico to live the simple life. Bryant is running from a complex, violent past that he believes he left behind. As his past catches up with him, he is forced into a life and death struggle to clear his name, save the boy and get back all that he left behind.

After a nuclear attack in Tokyo, the female population is attacked by infected males who have become sex-crazed zombies, hungry for human flesh. Officeworker Momoko and nurse Nozomi seek shelter in a Shinto Shrine, where they meet housewife Kanae and school girl Tamae. With no choices left to them, the group of girls decides to take a stand and arm themselves with assault rifles and explosives to fight off hordes of horny zombies. What is the secret to killing the zombies for good?

Following a nuclear attack in Tokyo, a nurse and several other women find themselves as well as any woman in the city under attack by zombified men looking to rape any woman around them and must find a way of stopping their violent outbursts to get away alive.

This one wasn't that bad but did have its flaws. When it tried to, there was some rather fine work here where it manages to showcase the rather intense and explicit work involved in a rather ordinary manner. The cause of the outbreak and how it affects the population makes for a rather creepy premise and there's some rather chilling work here showcasing the rather ugly truth for all involved here, from the opening beatdown and her eventual revenge to the different flashbacks showing each of the girls getting their own run-ins with the crazed hordes from the hospital room massacre to the aborted job interview where her attacker turns on her and the situation with the housewife being used by her husband and her friends which are all rather dark action scenes against the theme of seeing the women being raped and having the others around them either save them or let it happen. That these generate into battles with zombies gives this the kind of graphic bloodletting usually required here with the method utilized for getting rid of the men, and the regular means of dispatch give this even more rather brutal scenes with the evisceration and bloodshed coming from some rather fun encounters here. Once it comes to showing the women fighting back and taking up arms supported by the military forces left, there's a nice amount of action to be had here as this one goes for the fun of the gunfighting and hand-to-hand tactics to stave off the swarms around them, letting the furious action take over again and brings about some great times here. Given that these result in some really brutal and bloody sequences with all the usual craziness expected here, this goes a long way to redeeming this one. While these did work, it does have some issues. The film's biggest problem is the fact that there's such a hard subject matter to take into account here as the film attempts to support the theory that women are there simply to have men have sex with them as the chemical only affects men. Turning them into sex-crazed maniacs rather than flesh-eating hordes who will attack any and all women as often as they want wherever they want sends quite a strong message and the continuous sequences showing multiple men abusing and raping women in incredibly explicit and sexual means doesn't come off in the best light. That often blurs the line between exploitation and outright misogyny at times, especially within the rape at the TV station which is left on showing the girls getting raped in full-on close-up simply for the sake of the nudity and it leaves a much more brutal and ugly tone in this one than there really should be. As well, once it leaves the exploitative subject matter there's a big flaw in how long that goes in between attacks as the mid-section of the film doesn't feature anything as the girls are stuck in their hideout watching the events of the world play out around them doesn't generate any kind of really interesting action to play out. It's somewhat dull in these sections, and that results in some serious pacing issues. With some really dodgy and lame CGI in places, these here really take this one down.

Rated Unrated/NC-17: Continuous Explicit Rape, Extreme Graphic Violence, Continuous Full Nudity and Graphic Language.

Exposure to radiation causes men to turn into zombie rapists, whose victims die from their toxic ejaculate. Four women women try to survive the outbreak, seeking shelter in a Shinto temple.

With such an outrageous title and concept, one might assume that, with Rape Zombie: Lust of the Dead, director Naoyuki Tomomatsu is taking an OTT satirical swipe at Japan's obsession with sexual violence. Several scenes inspired by Dawn of the Dead, in which intellectuals and feminists debate the nature of the epidemic, go some way to support the idea. I'm not convinced, though: I'm guessing that the real purpose of the film is to get lots of Japanese girls naked and to throw in some cheap gore effects.

And, boy, are they ever cheap: rubbishy After Effects CGI blood splats (the only way to kill a zombie is to shoot it in the penis!) and rubbery prosthetics abound, with some even worse effects saved for the apocalyptic nuclear aftermath ending, in which North Korea bombs Japan (and a lesbian couple have a baby-no man involved?!?!)

As a zombie film this is a total failure, the shuffling undead (moving slowly because their trousers are round their ankles?) look really cheap; as soft-core titillation, it's a little more successful, with plenty of female nudity (as the zombies get their rape on) and some girl on girl sex to set the pulse racing.

If you enjoy trashy Asian exploitation, Lust of the Dead is just about worth a watch, but it's far from essential. 4.5 out of 10, rounded up to 5 for IMDb.

*My mistake: there seems to be five of these films so far! 0852c4b9a8

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