Reis, L. C. (2024). Giving a voice to sex workers in Au cœur du bois (Drexel, 2021). In A. Van de Wiele & C. Salmon (Eds.), Marginal Paris: Representing the shadows of the city of light (pp. 188–209). Brill. https://brill.com/display/title/62489?language=en. ISBN 978-90-04-51761-5. (52)
Reis, L. C. (2023a). Cligès [by Chrétien de Troyes]. In M. Ailes, M. Siôn Lampitt, T. Unwin, & D. Williams (Eds.), French writing and culture: Old French to the Middle Ages. The literary encyclopedia (Vol. 1.5.2.01). https://www.litencyc.com/php/sworks.php?rec=true&UID=41176 (51)
Reis, L. C. (2023b). François Ozon (1967–). In M. Abecassis, M. Block, & F. Chaplin (Eds.), The art of directing: A concise dictionary of France's film directors (pp. 407–10). Peter Lang. https://doi.org/10.3726/b19439 (50)
Reis, L. C. (2022a). Review of the film Tout s’est bien passé/Everything Went Well (2021) by François Ozon. French Review: The Journal of the American Association of Teachers of French, 96 (1), 283. https://doi.org/10.1353/tfr.2022.0191 (49)
Reis, L. C. (2022b). La Grande Sophie "stands out" in the French alternative music scene. In M. Abecassis, M. Block, & F. Chaplin (Eds.), An anthology of French and francophone singers from A to Z, 2nd edition: "Singin' in French" (pp. 472–75). Cambridge Scholars Publishing. ISBN 978-1-5275-8122-7. (48)
Reis, L.C. (2022c). Nolwenn Leroy [Nolwenn le Magueresse] (1982–): The globetrotting, multilingual, up-rooted Breton chansonnière [updated]. In M. Abecassis, M. Block, & F. Chaplin (Eds.), An anthology of French and francophone singers from A to Z, 2nd edition: "Singin' in French" (pp. 519–23). Cambridge Scholars Publishing. ISBN 978-1-5275-8122-7. (47)
Reis, L. C. (2021a). Review of the film Été 85/Summer of 85 (2020), by François Ozon. French Review: The Journal of the American Association of Teachers of French, 94(4), 285–86. https://doi.org/10.1353/tfr.2021.0234 (46)
Reis, L. C. (2021b). From faits divers to grandes affaires: Giving voice to sexual abuse survivors in Grâce à Dieu. In L. Bourdeau (Ed.), Refocus: The Films of François Ozon (pp. 195–211). Edinburgh University Press. ISBN 978-1-4744-7991-2. (45)
Reis, L. C. (2020). Goodbye, 'temporary' transvestites – Hello, new girlfriend! Ozon's transgenre and transgender crossovers in Une nouvelle amie (2014). French Screen Studies, 20(1), 42–66. Published online, ahead of print, 16 November 2018, on Studies in French Cinema. DOI: 10.1080/14715880.2018.1535822. (44)
Reis, L. C. (2019a). Review of the film Grâce à Dieu/By the Grace of God (2018), by François Ozon. French Review: The Journal of the American Association of Teachers of French, 93(2), 253–254. DOI: https://doi.org/10.1353/tfr.2019.0069. (43)
Reis, L. C. (2019b). Review of Le roman d'aventure médiévale entre convention et subversion (XIIe–XIIIe siècles): Accidents de parcours, by Sylvie Meyer [Paris: Honoré Champion, 2018]. French Review: The Journal of the American Association of Teachers of French, 93(1), 209–210. DOI: https://doi.org/10.1353/tfr.2019.0111. (42)
Reis, L. C. (2019c). Review of the book Medieval Narratives of Alexander the Great: Transnational Texts in England and France, by Venetia Bridges [Droz, 2018]. Arthuriana: The Journal of Arthurian Studies, 29(3), 105–106. https://www.jstor.org/stable/27125816. (41)
Reis, L. C. (2018). Review of the book Philippe de Mézières et l'Europe: nouvelle histoire, nouveaux espaces, nouveaux langages, by Joël Blanchard & Renate Blumenfeld-Kosinski [Droz, 2017]. French Review: The Journal of the American Association of Teachers of French, 92(2), 223–224. DOI: https://doi.org/10.1353/tfr.2018.0028. (40)
Reis, L. C. (2017a). Nolwenn Leroy [Nolwenn le Magueresse] (1982–): The globetrotting, multilingual, up-rooted Breton chansonnière. In M. Abecassis & M. Block (Eds.), An anthology of French and francophone singers from A to Z: "Singin' in French" (pp. 403–406). Cambridge Scholars Publishing. ISBN 978-1-5275-0354-0. Publisher's book-description page. (39)
Reis, L. C. (2017b). Review of the book Toucher des yeux: nouvelles poétiques de l'ekphrasis, by Ginette Michaud et al. French Review: The Journal of the American Association of Teachers of French, 91(1), 230–231. DOI: https://doi.org/10.1353/tfr.2017.0386. (38)
Reis, L. C. (2016a). Speaking scenarios and L2 French composition. Academic Exchange Quarterly, 20(2), 5–13. http://rapidintellect.com/AEQweb/sum2016.htm. Selected for Editors' choice open access: http://rapidintellect.com/AEQweb/5708l6.pdf. (37)
Reis, L. C. (2016b). Review of "Contez vous qui savez de nombre...": Imaginaire marchand et économie du récit au Moyen Âge, by C. F. Clamote Carreto. French Review: The Journal of the American Association of Teachers of French, 89(3), 212. DOI: https://doi.org/10.1353/tfr.2016.0344. (36)
Reis, L. C. (2015a). Review of the book Jean-Paul Sartre: la littérature en partage, by Yan Hamel (Ed.). French Review: The Journal of the American Association of Teachers of French, 89(1), 258. DOI: https://doi.org/10.1353/tfr.2015.0194. (35)
Reis, L. C. (2015b). Review of the book Les dehors de la littérature: du roman populaire à la science-fiction, by Marc Angenot. French Review: The Journal of the American Association of Teachers of French, 88(4), 260–261. DOI: https://doi.org/10.1353/tfr.2015.0307. (34)
Reis, L. C. (2014a). Review of Photobiography: Photographic Self-Writing in Proust, Guibert, Ernaux, Macé, by A. Kawakami. Forum for Modern Language Studies, 50(4), 508. DOI: 10.1093/fmls/cqu054. Extract. (33)
Reis, L. C. (2014b). The cliché, the discourse, and desire of the other in Madame Bovary. The Explicator, 72(1), 57–60. DOI: 10.1080/00144940.2013.875882. The Explicator is published by Taylor & Francis, Inc., Philadelphia, PA. In lieu of an abstract, here's the first page: http://www.tandfonline.com/doi/full/10.1080/00144940.2013.875882#.U6CGdvldXeI. (32)
Reis, L. C. (2014c/2013a). An "other" scene, an "other" point of view: France's colonial family romance, Protée's postcolonial fantasy, and Claire Denis' "screen" memories. Studies in European Cinema, 10(2/3), 119–131. DOI: 10.1386/seci.10.2-3.119_1. Issue published January 7, 2014 with the cover date of September 2013. SEC (ISSN: 17411548) is published by Taylor and Francis, Inc. Abstract. (31)
Reis, L. C. (2013b). The medieval forms and meanings of Francois: The political and cultural vicissitudes of an ethnonym. French Studies Bulletin: A Quarterly Supplement, 34(3), 58–61. DOI:10.1093/frebul/ktt019. FSB is published by Oxford University Press on behalf of the Society for French Studies, UK. Extract. (30)
Reis, L. C. (2013c). The "other" medieval French Alexander: Arthurian orientalism, cross-cultural contact, and transcultural assimilation in Chrétien de Troyes's Cligés. Romanische Forschungen: Vierteljahrsschrift für romanische Sprachen und Literaturen/Quarterly for Romance Language and Literature, 125(3), 353–366. DOI: 10.3196/003581213807731975. Abstract | Jstor preview and full text. (29)
Reis, L. C. (2012a). Review of the book Lovely violence: The critical romances of Chrétien de Troyes, by Jørgen Bruhn. French Studies: A Quarterly Review, 66(2), 232–232. DOI:10.1093/fs/kns028. Extract.(28)
Reis, L. C. (2012b). Review of the book Thinking through Chrétien de Troyes, by Zrinka Stahuljak, Virginie Greene, Sarah Kay, Sharon Kinoshita, & Peggy McCracken. French Studies: A Quarterly Review, 66(3), 383–383. DOI: 10.1093/fs/kns129. Extract. (27)
Reis, L. C. (2012c). Sartre's and Oyono's Black Orpheus: Returning (to the question of) the gaze in Une vie de boy. French Review: The Journal of the American Association of Teachers of French, 85(4), 696–708. Jstor Preview and full text. (26)
Reis, L. C. (2012d). Paratexts to Frida Kahlo's œuvre: The relationship between the visual and the textual, the self and the other, in the self-portraits and diary entries. Forum for Modern Language Studies: The Journal of Literary, Cultural, and Linguistic Studies from the Middle Ages to the Present, 48(1), 99–111. DOI: 10.1093/fmls/cqr040. FMLS is published by Oxford University Press on behalf of the Court of the University of Saint Andrews, Scotland, UK. Abstract. (25)
Reis, L. C. (2011a). Clergie, clerkly studium, and the literary history of Chrétien de Troyes's romances. Modern Language Review, 106(3), 682–696. Modern Language Review is the flagship journal of the Modern Humanities Research Association [MHRA], UK. Published online, http://www.mhra.org.uk/publications/Modern-Language-Review-106-3, and in print 1 July 2011.| Jstor preview and full text. (24)
Reis, L. C. (2011b). The paratext to Chrétien de Troyes's Cligés: A reappraisal of the question of authorship and readership in the prologue. French Studies: A Quarterly Review, 65(1), 1–16. DOI:10.1093/fs/knq178. French Studies is published by Oxford University Press on behalf of the Society for French Studies, UK. Abstract. (23)
Reis, L. C. (2011c/2010a). Concesiones malinchistas: Teresa de la Parra’s identification with Doña Marina. Neophilologus: An International Journal of Modern and Mediaeval Language and Literature, 95(4), 579–591. DOI: 10.1007/s11061-010-9220-6. Published online 7 August 2010 (Springer Online FirstTM) and in print October 2011 | Abstract. (22)
Reis, L. C. (2010b). The invisible, the unclean, the uncanny: The feminine black Other in Lispector's The passion according to G. H. The Explicator, 68(2), 73–76. DOI:10.1080/00144941003723915. Extract. (21)
Reis, L. C. (2010c/2009a). From aural reception to visual paratext: The reader in the manuscripts of Chrétien de Troyes's romances. Neophilologus: An International Journal of Modern and Mediaeval Language and Literature, 94(3), 377–389. DOI:10.1007/s11061-009-9171-y. Published online August 2009 (Springer Online FirstTM) and in print July 2010. Abstract. (20)
Reis, L. C. (2009b). Odd couple(t)s: (The) Guiot (copy) and (the) Chrétien (corpus). French Studies Bulletin: A Quarterly Supplement, 30(3), 61–63. DOI:10.1093/frebul/ktp023. Extract. (19)
Reis, L. C. (2009c). From conversation to composition: Creating communicative contexts for global competence [Abstract]. 2010 Kentucky Foreign Language Conference. (18)
Reis, L. C. (2008). The boy's point of view in Claire Denis's Chocolat (1988) [Abstract]. 2009 Kentucky Foreign Language Conference. (17)
Reis, L. C. (2007a). Writing in L2 French: A handbook. For the Faculty, 14(1), 11–12. (16)
Reis, L. C. (2007b). Scénarios communicatifs: Performing role plays in French (2nd ed.). Columbus, OH: Bilingual Editions Bilingues/LR. (15)
Reis, L. C. (2006). Scénarios communicatifs: Performing role plays in French. Columbus, OH: Bilingual Editions Bilingues/LR. (14)
Reis, L. C. (2005). G. H., Janair, and the mulata: Race and gender in Lispector's The passion according to G. H. Notes on Contemporary Literature, 35, 7–9. (13)
Reis, L. C. (2004). Nursemaids. In E. C. Zegura (Ed.), A Rabelais encyclopedia (p. 171). Westport, CT: Greenwood Press. Limited preview at Google books. (12)
Reis, L. C. (2002). Artifacts of adultery: Flaubert's use of kitsch in Madame Bovary. French Studies Bulletin: A Quarterly Supplement, 23(4), 10–13. DOI: 10.1093/frebul/23.85.10. Abstract. (11)
Reis, L. C. (2001a). Clarice Lispector. In C. M. Tompkins & D. W. Foster (Eds.), Notable twentieth-century Latin American women: A biographical dictionary (pp. 165–169). Westport, CT: Greenwood Press. Limited preview at Google books.(10)
Reis, L. C. (2001b). Entretien avec Frédéric Monneyron: Le mythe littéraire, transformations et déformations. The Forum, 23(2), 8–10. (9)
Reis, L. C. (1998a). Le prologue au Livre des trois vertus de Christine de Pizan. Romance Notes, 39(1), 47–52. Jstor preview and full text. (8)
Reis, L. C. (1998b). Mallarmé, je pense à toi. Tropos, 24(1), 55. (7)
Reis, L. C. (1997a). Review of the book Racine et Heidegger, by Alfred Bonzon. French Review: The Journal of the American Association of Teachers of French, 70(3), 466–467. Jstor preview and full text. (6)
Reis, L. C. (1997b). The role of nursemaids in the awakening of Gargantua's sexuality. French Studies Bulletin: A Quarterly Supplement, 18(4), 11–13. DOI: 10.1093/frebul/18.65.11. FSB is published by Oxford University Press on behalf of the Society for French Studies, UK. Extract. (5)
Reis, L. C. (1997c). Narrative and exemplum: The case of Juan Valera's Pepita Jiménez. South Atlantic Review, 62(2), 29–38. SAR is the journal of the South Atlantic Modern Language Association of America (SAMLA). Jstor preview and full text. (4)
Reis, L. C. (1996a). Review of the book Renaissance women writers, by A. Larsen & C. Winn (Eds.). Romance Quarterly, 43(2), 128. DOI: 10.1080/08831157.1996.10545340. Extract. (3)
Reis, L. C. (1996b). The chapters 11, 12, and 13 of Rabelais's Gargantua: The stages of the hero's cognitive and linguistic development. Romance Notes, 36(2), 201–207. Jstor preview and full text. (2)
Reis, L. C. (1993). To C.S.B. Omnibus (spring–summer), 8. (1)