Twilight is the reissued version of the 1998 album The Race of a Thousand Camels by English rock band Ba, released on 21 March 2001. During the recording of this album, the band consisted of Alex Caird, Ben Henderson, Jasmine Rodgers, Steve Rodgers, Lee Sullivan, and Paul Turrell.
The soundtrack was chosen by music supervisor Alexandra Patsavas;[4] while the score, Twilight: The Score, was composed by Carter Burwell.[5] The soundtrack album was released by Patsavas' Chop Shop label in conjunction with Atlantic Records.[6] It debuted at #1 on the Billboard 200, having sold about 165,000 copies in its first week of release, 29% of which were digital downloads.[7] Twilight: The Score was made available for digital download on November 25, 2008, and the album was released to stores on December 9, 2008.[8]
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The Twilight soundtrack debuted at #1 on the Billboard 200, selling 165,000 copies in its first week, according to Nielsen Soundscan.[7] Twilight is the first soundtrack to hit #1 in advance of its film's release since the 8 Mile soundtrack in 2002.[25] The album was certified double platinum on April 16, 2009.[26] After a re-release of the album in a "Deluxe Edition" in March, 2009, it climbed from #14 to #3 on the Billboard 200, selling 74,000 copies.[27][28][29] It remained on the Billboard 200 for 48 consecutive weeks. As of April 2014, the album has sold 2,807,000 copies in the US.[30]
Carter Burwell composed and orchestrated the score for Twilight over a 9- to 10-week period, and it was recorded and mixed in about 2 weeks in late September 2008.[83] He began the score with a "Love Theme" for Bella and Edward's relationship, a variation of which became "Bella's Lullaby" that Robert Pattinson plays in the film and that is included on the Twilight Original Motion Picture Soundtrack.[83] The original theme is featured throughout the film, and serves to "play the romance that drives the story".[83] Another theme Burwell composed was a "Predator Theme", which opens the film, and is intended to play Edward's vampire nature.[83] Other themes include a bass-line, drum beat and distorted guitar sound for the nomadic vampires, and a melody for the Cullen family.[83] Twilight: The Score was released digitally on November 25, 2008, and in stores on December 9.[8] The score album had sold 218,000 copies in the United States as of June 2010.[84]
The Twilight soundtrack was a huge hit, becoming the best-selling soundtrack in the US since Chicago and receiving a Grammy nomination. Rock band Paramore wrote the lead single Decode for the album, which premiered on Twilight author Stephanie Meyer's website and won a Teen Choice Award.
I remember somehow coming across a thread where someone gave a link to the full picture that is used on the cover of Terror Twilight without the band/album name.... Would have been years ago and I can't find it anywhere! Does anyone know the name/artist behind the original artwork?
The album itself is melodic, emotional, and perfectly captures the human struggles of identity and belongingness. The lyrics of every song are as deep as they are beautiful and each track makes for a meaningful listen.
The Handsomes usually concentrate on fashioning a mythological tableau of ordinary and forsaken characters, emphasizing the dark and brutal side of life in a way that recalls some of Nick Cave's work, but tempering it with a touch of humor that makes it all very unthreatening. Twilight also succeeds where their previous album, In the Air, often failed, by crafting a set of slowly evolving tracks that act as perfect vehicles for the duo's brand of story telling. Brett's delivery is slow and lumbersome, and soon enough, you find yourself easily wrapped into the tales these two tell.
And of course, there are other fantastic songs on the album, too. "A Dark Eye" and "Peace in the Valley Once Again" are imaginative ventures into the past and future that create a romantic idealization of nature that reminds me of some of Neil Young's more imaginative tracks on Rust Never Sleeps. "A Dark Eye" is an Appalachian fantasy that takes you through the singer's thoughts as he sits in his car in a parking lot: "In that parking lot where a prairie once grew/ And through the tall grass the buffalo flew/ I heard something crying way down below/ Where sewer lines snake around Indian bones." "Peace in the Valley," meanwhile, writes the epitaph of urban sprawl in a visionary account of the disintegration of a shopping mall and western civilization: "All the mirrors cracked in half when wild horses galloped past/ And morning doves built their nests on the escalator steps/ And there was peace in the valley once again." "Gravity" is the mystical story of the fantasies of a mad blind man whose potatoes speak to him. "The White Dog" is a delusional account of nightmarish fear and paranoia. Do you see a theme here?
There are some throwaway tracks on the album that I feel totally indifferent towards, and most of them are backed by Rennie's keyboard playing which at times leans toward campy. But you've got to understand the Handsome Family. Few other bands could give such a sympathetic catalog of deceased childhood pets as "So Long": "So long to my dog Snickers who ate Christmas tinsel/ So long to Mr. Whiskers who jumped out of a window/ And to the family of gerbils who chewed out of their cage/ And to the little brown rabbit I ran over by mistake/ So long, so long, I'll see you on the other side."
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Twilight Meets The Twilite Tone - Special High, Still Loving You, and Pains of Love. , and , . Purchasable with gift card Buy Digital Discography $18.53 USD or more (30% OFF) Send as Gift Twilight "Still Loving You" LP Record/Vinyl + Digital Album  Limited RepressÂ
 Includes unlimited streaming of Still Loving You via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. $(".buyItem .bd").last().bcTruncate(TruncateProfile.get("buyItem"), "more", "less"); Sold Out  Share / Embed  1. Play My Game 03:16 buy track 2. Just A Kiss Away 03:28 buy track 3. Give Love A Try 02:54 buy track 4. Come With Me 03:13 buy track 5. Scorpittiarus 03:35 buy track 6. We'll Be Special 03:10 buy track 7. Still Loving You 04:27 buy track 8. Love's The Way 02:37 buy track 9. Straight To The Heart 03:15 buy track 10. You Know It's Me 03:17 buy track 11. Love's High 01:41 buy track about Still Loving You, by Twilight, was originally released in 1981. Housed in a low-fi generic album cover, this very polished, professionally produced record sounds like it was made by a super talented band. Strains of Earth Wind and Fire, George Duke and Roy Ayers, flow through a collection of tunes that effortlessly blend soul, disco, funk, Latin and Brazilian vibes. But looks, as evident with the LP cover, can be deceptive. Twilight was not a band. In fact, with the exception of a guest horn section and one guest vocal, Twilight was, and still is, Lawrence Ross; one man with a clear vision of what his music should sound like, and how he would make it on his own. $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released May 11, 2010Â
L. Ross, Double Star Music / Ubiquitunes, BMI $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags 80s boogie funk r&b soul boogie funk twilight Vallejo Shopping cart subtotal USD taxes calculated at checkout Check out about Twilight Vallejo, California
Twilight: Original Motion Picture SoundtrackLabelChop Shop/Atlantic RecordsComposer(s)Carter BurwellArtist(s)VariousProducerAlexandra Patsavas
Paul KatzCD Info1 discLength45:30ReleaseNovember 4, 2008The Twilight Original Motion Picture Soundtrack debuted at #1 on the Billboard albums sales chart, having sold about 165,000 copies in its first week of release. 29%, or 48,000, were digital downloads. Twilight scored the second biggest digital week for a soundtrack since Nielsen SoundScan began tracking album download sales in 2004.
Some copies of the album have a sticker that states: "Includes many tracks previously unavailable on CD." This is an error. All of the songs have previously been released on CD, but it's possible that some alternative master tapes were used. Most notably, this set is the only CD release containing a correct recording of Acquiring The Taste (song) without the defective "bend" found in most other copies.
Gentle Giant were not afraid to take chances, and it shows. From the wah-wah violin in Plain Truth to the percussion ensemble in Edge Of Twilight to unspecified electronic devices found lying around the studio (River), Gentle Giant kept their recorded works full of surprises. Their lyrics drew material from such diverse sources as mythology (Pantagruel's Nativity and The Advent Of Panurge), poetry (Knots), and sailor songs (Wreck). Their first concept album, Three Friends, dealt with the pains of childhood playmates who grow apart as they grow up, moving "from class to class." Serious music? For certain. But the band members knew how to laugh at themselves too, even naming one of their compilation albums Pretentious - For the Sake of It.
This compilation brings together Gentle Giant's first four albums - Gentle Giant, Acquiring The Taste, Three Friends, and Octopus - plus their sixth, The Power and the Glory. The band's lineup changed little over their 11 years together. Drummer Martin Smith left after Acquiring the Taste, and Malcolm Mortimore took over for Three Friends. Following a motorcycle accident, Mortimore was replaced by hard-bashing John Weathers. Phil Shulman left after Octopus, and the other five members remained for seven more studio albums and two live albums. be457b7860
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