Over the past several decades, the typology and classification of non-maze labyrinths has developed from descriptive and historical cataloguing toward increasingly structural and topological approaches. Expanded documentation and comparative research have revealed a wider range of labyrinth forms and relationships, while topological analysis has provided ways to distinguish invariant path structure from variable style and expression.
At the same time, labyrinth typology continues to face persistent problems: common names may refer to different structures, the same structure may be known by multiple names, type and style are often conflated, and existing classification systems may use inconsistent or opaque criteria. This website presents ongoing research into the structure, classification, comparison, and representation of non-maze labyrinths, including the development of the Pattern Analysis, Typology, and Holarchy (PATH) framework.
Pattern Analysis, Typology, and Holarchy (PATH) provides a framework for analyzing, classifying, comparing, and representing non-maze labyrinths. It brings together complementary structural approaches while addressing persistent problems of terminology, type and style conflation, and inconsistent or unclear classification criteria.
The PATH conceptual model distinguishes underlying structure, topological type, and labyrinth expression. Complementary analytical and generative processes connect these concepts and help clarify the distinction between invariant path topology and variable form or realization, including recognizable styles, specific designs, materials, and other details of instantiation.
Pattern analysis examines structural relationships within and among labyrinth types and provides methods for identifying recurring patterns and underlying organization. Approaches include circuit permutations, axis configurations, symmetry transformations, component composition, recurring subpatterns, series, and related structural characteristics.
PATH classifies viable non-maze labyrinths through an explicit hierarchy of structural criteria, from broad distinctions to individual topological types. This provides a consistent basis for identifying and comparing labyrinth structures independently of common names, visual style, or historical category.