Label ~UPD~

Placing heading elements within a interferes with many kinds of assistive technology, because headings are commonly used as a navigation aid. If the label's text needs to be adjusted visually, use CSS classes applied to the element instead.

An element with a type="button" declaration and a valid value attribute does not need a label associated with it. Doing so may actually interfere with how assistive technology parses the button input. The same applies for the element.

Label

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An element with a type=\"button\" declaration and a valid value attribute does not need a label associated with it. Doing so may actually interfere with how assistive technology parses the button input. The same applies for the element.

Labels are key/value pairs that are attached toobjects such as Pods.Labels are intended to be used to specify identifying attributes of objectsthat are meaningful and relevant to users, but do not directly imply semanticsto the core system. Labels can be used to organize and to select subsets ofobjects. Labels can be attached to objects at creation time and subsequentlyadded and modified at any time. Each object can have a set of key/value labelsdefined. Each Key must be unique for a given object.

Labels are key/value pairs. Valid label keys have two segments: an optionalprefix and name, separated by a slash (/). The name segment is required andmust be 63 characters or less, beginning and ending with an alphanumericcharacter ([a-z0-9A-Z]) with dashes (-), underscores (_), dots (.),and alphanumerics between. The prefix is optional. If specified, the prefixmust be a DNS subdomain: a series of DNS labels separated by dots (.),not longer than 253 characters in total, followed by a slash (/).

If the prefix is omitted, the label Key is presumed to be private to the user.Automated system components (e.g. kube-scheduler, kube-controller-manager,kube-apiserver, kubectl, or other third-party automation) which add labelsto end-user objects must specify a prefix.

The API currently supports two types of selectors: equality-based and set-based.A label selector can be made of multiple requirements which are comma-separated.In the case of multiple requirements, all must be satisfied so the comma separatoracts as a logical AND (&&) operator.

Equality- or inequality-based requirements allow filtering by label keys and values.Matching objects must satisfy all of the specified label constraints, though they mayhave additional labels as well. Three kinds of operators are admitted =,==,!=.The first two represent equality (and are synonyms), while the latter represents inequality.For example:

The former selects all resources with key equal to environment and value equal to production.The latter selects all resources with key equal to tier and value distinct from frontend,and all resources with no labels with the tier key. One could filter for resources in productionexcluding frontend using the comma operator: environment=production,tier!=frontend

Similarly the comma separator acts as an AND operator. So filtering resourceswith a partition key (no matter the value) and with environment differentthan qa can be achieved using partition,environment notin (qa).The set-based label selector is a general form of equality sinceenvironment=production is equivalent to environment in (production);similarly for != and notin.

LIST and WATCH operations may specify label selectors to filter the sets of objectsreturned using a query parameter. Both requirements are permitted(presented here as they would appear in a URL query string):

For instance, different applications would use different values for the app label, but amulti-tier application, such as the guestbook example,would additionally need to distinguish each tier. The frontend could carry the following labels:

Sometimes you may want to relabel existing pods and other resources before creatingnew resources. This can be done with kubectl label.For example, if you want to label all your NGINX Pods as frontend tier, run:

A record label, or record company, or simply records, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information.[1]

Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets.

Record labels are often under the control of a corporate umbrella organization called a "music group". A music group is usually affiliated to an international conglomerate "holding company", which often has non-music divisions as well. A music group controls and consists of music-publishing companies, record (sound recording) manufacturers, record distributors, and record labels. Record companies (manufacturers, distributors, and labels) may also constitute a "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group.

In 2012, the major divisions of EMI were sold off separately by owner Citigroup: most of EMI's recorded music division was absorbed into UMG; EMI Music Publishing was absorbed into Sony/ATV Music Publishing; finally, EMI's Parlophone and Virgin Classics labels were absorbed into Warner Music Group (WMG) in July 2013.[7] This left the so-called Big Three labels.

Record labels and music publishers that are not under the control of the big three are generally considered to be independent (indie), even if they are large corporations with complex structures. The term indie label is sometimes used to refer to only those independent labels that adhere to independent criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure.

On occasion, established artists, once their record contract has finished, move to an independent label. This often gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists such as Dolly Parton, Aimee Mann, Prince, Public Enemy, among others, have done this. Historically, companies started in this manner have been re-absorbed into the major labels (two examples are American singer Frank Sinatra's Reprise Records, which has been owned by Warner Music Group for some time now, and musician Herb Alpert's A&M Records, now owned by Universal Music Group). Similarly, Madonna's Maverick Records (started by Madonna with her manager and another partner) was to come under control of Warner Music when Madonna divested herself of controlling shares in the company.

Some independent labels become successful enough that major record companies negotiate contracts to either distribute music for the label or in some cases, purchase the label completely, to the point where it functions as an imprint or sublabel.

A label used as a trademark or brand and not a company is called an imprint, a term used for the same concept in publishing. An imprint is sometimes marketed as being a "project", "unit", or "division" of a record label, even though there is no legal business structure associated with the imprint. A record company may use an imprint to market a particular genre of music, such as jazz, blues, country music, or indie rock.

Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact represent a standard artist/label relationship. In such an arrangement, the artist will control nothing more than the usage of the name on the label, but may enjoy a greater say in the packaging of their work. An example of such a label is the Neutron label owned by ABC while at Phonogram Inc. in the UK. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was devoted almost entirely to ABC's offerings and is still used for their re-releases (though Phonogram owns the masters of all the work issued on the label).

However, not all labels dedicated to particular artists are completely superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by a bigger company. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. There are many examples of this kind of label, such as Nothing Records, owned by Trent Reznor of Nine Inch Nails; and Morning Records, owned by the Cooper Temple Clause, who were releasing EPs for years before the company was bought by RCA.

If an artist and a label want to work together, whether an artist has contacted a label directly, usually by sending their team a demo,[10] or the Artists & Repertoire team of the label has scouted the artist and reached out directly, they will usually enter in to a contractual relationship.

A contract either provides for the artist to deliver completed recordings to the label, or for the label to undertake the recording with the artist. For artists without a recording history, the label is often involved in selecting producers, recording studios, additional musicians, and songs to be recorded, and may supervise the output of recording sessions. For established artists, a label is usually less involved in the recording process. ff782bc1db