A Demon for Trouble is a 1934 American black-and-white action/adventure/romance short film directed by Robert F. Hill and produced by A. W. Hackel for Supreme Pictures. It stars Bob Steele, Don Alvarado, Gloria Shea, and Nick Stuart and was released in the United States on August 10, 1934.[1]

I was excited for \u201CThe Black Demon\u201D as I really enjoyed director Adrian Grunberg\u2019s previous films \u201CGet the Gringo\u201D and \u201CRambo: Last Blood.\u201D This despite the fact that Grunberg\u2019s movies do disturbingly tend to portray Mexicans as either sinners or saints with no middle ground or nuance \u2026 and \u201CThe Black Demon\u201D is no exception.

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It does seem to be a very fitting and evocative title, which is perfect for this film. What was your inspiration behind this story, was it something you just came up with or if you have personally witnessed fame and fashion devour innocent souls?

That is why there is so much contrast in working with lightness and shadow right? In a lot of your films. Who makes these color choices if you can only see the extremes and you are only working with contrasts? Is that done be the DP or your art director?

Jesse stays at a seedy motel for most of the movie. She comes back from a date night to an intruder in her room. The was one of the best scenes, by far: LA dusk-light is silent, a close-up of how hard it is to get that door open, then an amorphous dark shape moving like liquid throughout the room. This is the only time in the entire movie where Jesse shows fear and we are so scared for her. We know she has no family, and now the safe space she rented for herself has been taken. She has to rely on terrifying Keanu-Reeves-as-Hank to clear out her room. Here we get a hint that he also has trouble getting that door open. The intruder is an effing mountain lion. Like seriously, how did it get in there?! That is only partially answered later, hinting that Jesse left her sliding door open, allowing the predator to get inside.

The Black Demon had the potential to be intriguing, but unfortunately, it falls flat on multiple fronts. The initial premise of the story held promise, but as the film progresses, it becomes evident that the execution leaves much to be desired.

Now we land at The Neon Demon. Refn moves away from stories of violent men to start telling stories about violent, pretty women in a horror film that gives him one of his best chances at wedding his aesthetic concerns to storytelling possibilities. Does it work?

It is said that there is a short film from the 19th century that, when viewed, causes its audience to behave in erratic and violent ways. This documentary is an investigation into the history of this film and the truth behind it.

Like most films that cross my path, Fury of the Demon is one that I knew nothing about before pressing play. The back cover claimed it was a documentary and seeing that word was all that I needed to know for me to willingly dive right in.

Fury of the Demon is expertly designed and filmed as a 100% true documentary. Sure, this can be said about all mockumentaries, but never before now have I been so utterly fooled into actually believing the material at hand.

Writer and director, Fabian Delage, is brilliant. Having recently watched his film Cold Ground, and thoroughly enjoying it, I was convinced that he was a filmmaker to keep an eye on. Now, after my viewing of this film, I am even more convinced that this is the case.

Fury of the Demon delves into the history of revolutionary French filmmaker, Georges Mlis, and how he changed film as we know it. A real life film director and illusionist, Mlis was a master of special effects, using illustrations, puppets, and sleight of hand to wow audiences for years.

If you are at all interested in the supernatural, myths, or a history of cinema, this film is one you do not want to miss. Whether true or not, Fury of the Demon is a must watch from a fantastic filmmaker.

Jules (Fiona Dourif) spent her childhood conjuring dead souls until one of them murdered her sister, which caused her to cut off all direct communication with spirits. As an adult, she uses her psychic abilities to find authentic hauntings for The Skeleton Crew, a group of filmmakers who investigate and document paranormal phenomena.

The performances, special effects work, and makeup are very impressive for a low-budget film, but their execution falls flat when paired with stereotypical, underdeveloped characters and a cliche plot.

The cinematographer was invited to join the ASC in 2018. She was later profiled here, and discussed her work in the ASC Award-nominated film Honey Boy (2019) here. She and Refn would collaborate again on a marketing campaign for Hennessy.

One of my main goals for the Sundance Film Festival this year is to see all of the horror movies that they have to offer. If you've been an avid reader of the site over the years, then you know I'm a huge horror movie buff.

It Follows was the first horror movie that I've seen so far. I heard a lot of great things about it before seeing it, I liked what I saw in the trailers, and lots of people have said it's one of the scariest movies they've seen in years. So the hype was built!

Well, the people who said those things must not watch that many horror movies because this one wasn't as terrifying as people made it out to be. I was way excited for this movie, but it ultimately let me down.

The concept for the film was awesome, and the idea behind it was freakin' brilliant, I just did not think that it was executed properly. The movie literally revolves around a sexually transmitted demon that follows the people who it becomes attached to, and its purpose is to kill them. The demon can look like anyone, and it just slowly walks and follows the person it's attached to. It's a pretty frightening concept, and it had some genuinely creepy moments that I enjoyed, but it's not a very terrifying flick. It seems like it would be pretty easy to evade the demon if you were always paying attention. But since the story follows a bunch of stupid teenagers who don't pay attention, the demon is always catching up to them, and they are, of course, scared for their lives. The only way they can get rid of the monster is to have sex with someone else. Having sex passes the demon on to that other person, but if the demon kills that person, it comes right back to its previous target.

Like I said, I loved the concept and it could have been a brilliant horror movie. It started out really strong, the opening scene was energetic, scary, fun, and I thought we were in for an amazing movie. But as the movie went on and the characters just got more and more ridiculously stupid, it lost me. Then it came to the climactic ending, which wasn't very climactic at all. The characters came up with the most absurd way to try and kill this thing, and they didn't think it through very well. I didn't care for how the movie ended because it didn't really have an ending. There was absolutely no closure. I know how I would have ended the movie, and it's a lot more satisfying than what we got. I won't spoil anything for you, but if you're a horror fan you'll probably roll your eyes.

Another problem the movie had was its pacing. Even though it had a strong beginning, it became really drawn out and slow. At one point the demon went away for way too long. They should have kept the energy and fear level up, but it lost that about halfway through the film and didn't really pull me back in after that.

On top the the concept, I really liked the music used in the film, the tone, and the way it was shot. You were always looking in the background of the film to see if anything was coming, and it was always fun when you caught something. It had a very John Carpenter type vibe to it that I appreciated, but I'm sure it would have been much better had Carpenter directed it. The movie definitely would have worked much better as a short film. 

In the end, I didn't hate the movie, but I didn't love it either. I was expecting more, and I came out of it a little disappointed. That's my fault for buying into the hype I was hearing. I just have to remember that not everyone is as big a horror movie fan as I am, and people get scared a lot easier than I do. 

The movie already has a release date of March 3rd, 2015, so you'll have the opportunity to see it in theaters if you want to. I would say go see it just to experience the concept, but be ready for a weak ending.

The movie was directed by David Robert Mitchell and stars Maika Monroe, Keir Gilchrist, Daniel Zovatto, Jake Weary, Olivia Luccardi, and Lili Sepe, all of whom did a fine job. Here's the official film description:

So Drive was a very commercial film, whereas Only God Forgives was something that would fit in like an art house cinema, where on the scale does Neon Demon fit?

It is called a horror film, but all the elements of it, like the vanity and the jealousy and the need for fame, are such realistic, universal aspects. What is more important to you to get across to your audience?

worst horror movie of all time. the way they revel the climax is total waste. not scary and not even close to having a 1 star review. this story is boring but could make a better version of it. i cant belive i took time of my life to see this so call horror film..

I was really disappointed in his early effort Bronson, but Only God Forgives (his follow up to Drive) is enjoyable. Granted, the story is a bit weak, but the visuals elevate the film; making it a bit better than it should have been. And that's the same with Refn's latest film, this time in the horror genre, The Neon Demon. There's an immense amount of style, but not a lot of substance. 589ccfa754

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