In the Independent interview, Davis said that 2002's "Untouchables" was the KORN album he was most proud of. He explained: "We spent a lot of money making that record and it took us two years to make; I remember we spent a month just getting drum sounds. [Michael] Beinhorn is my favorite producer ever. He's just got a great ear and he's not afraid to tell you if you suck."

I did much thinking in those last few months before my father died. Dad meant more to me than anyone else in the world. I remember sitting in the hospital waiting room in the last days--a thousand thoughts racing through my mind. Why is he dying? Why haven't I been closer to him? Why haven't I spent more time with him? Why didn't I go to Israel with him when he wanted me to? Why didn't I learn more about him? Why? Why? Why!

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My father, Abram Korn, survived over five years in Nazi concentration camps and ghettos. He left the camps, but the memories never left him. He tried to block them out, but couldn't. Many years after the war, they would still come to the surface in his dreams. I remember waking to his screams in the night; I knew that he'd had another nightmare. My mother, my brother, my sister and I would be in the camps with him in those terrifying dreams. My father suffered with insomnia for all of his adult life. As much as he wanted to sleep, he was afraid that he would just wake up--back in the camps.

We must educate ourselves and our children about the Holocaust. We can never learn enough. Should the tell-tale events begin to occur, it is only through an educated awareness that we can prevent another Holocaust from occurring in the future. That is why we must remember the Holocaust. That is why we must realize the depths of depravity to which man is capable of sinking. That is why we must learn to shun leaders who teach anti-Semitism and hatred, no matter how much good they seem to do in the world. That is why we need to document as many first-hand survivor accounts as possible, before these survivors are no longer here to tell their stories. That is why I feel it is so important to get Abe's Story into as many readers' hands as possible.

In the last few years, younger metal musicians have been cribbing the nu style. Code Orange, Tallah, Vein.fm, Cheem and Tetrarch are not only scene leaders, but have stretched the sound by expanding perceptions of who makes this music; even pop singers like Rina Sawayama have gone all-in on songs like "STFU!" (I'm not made of stone: These bands inspired me to reconsider the likes of Papa Roach, Coal Chamber, Filter, Snot and Slipknot, not to mention rekindle my love for P.O.D. and Deftones.) That recombined nostalgia can sometimes have a disingenuous halo effect on how we remember, but it's also a crucial lesson in what we take away from music. 0852c4b9a8

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