文化庁アートクリティック事業 トークイベント「美術史と批評の現在——日本の内／外から考える」、Yumiko Chiba Associates、2024年12月15日。

‘Japanese Ex-War Painters in the Postwar American Art World’, Rethinking Transcultural Interactions in Visual Art, University of Copenhagen, 15 April 2024.

Co-organiser and co-chair of the panel 'The Warring Face of Realism: Cross-media Approach to Japanese War Art, 1931-1945' (with Sungji Park), CAA 113th Annual Conference, New York Hilton Midtown, 14 February 2025.

‘Takai Teiji’s “North Advancement” and the Manchuria-Mongolia Settlement Youth Volunteer Corps', CAA 113th Annual Conference, New York Hilton Midtown, 14 February 2025.

‘Takai Teiji and the Fate of Avant-Gardism during the Second Sino-Japanese War’, 9th Conference of the European Network for Avant-Garde and Modernism Studies: Avant-Garde and War, Jagiellonian University, Kraków, 17 September 2024.

‘From War Painter in Imperial Japan to Diasporic Painter in Postwar United States: The Case of Kawabata Minoru’s Art and Troubled Trajectory’, Third International Workshop on Japanese Diaspora, Hoover Institution Library & Archives at Stanford University, 10 September 2024.

‘Japanese War Paintings, Intra-Empire Travels, and “Grassroots Fascism”: Okada Kenzō and Kawabata Minoru during the Second World War’, 3rd Conference of European Association for Asian Art and Archaeology, University of Ljubljana, 14 September 2023.

‘Why Have There Been No Great Women CALLIGRAPHERS? A Feminist Intervention in the History of Modern Japanese Calligraphy’, 17th International Conference of the European Association for Japanese Studies, Ghent University, 18 August 2023.

‘Abstracting Wartime Past: The Transwar Art and Careers of Inokuma Gen’ichirō, Kawabata Minoru, Okada Kenzō, and Takai Teiji’, 19th EAJS Workshop for Doctoral Students, KU Leuven, 16 August 2023.

‘From Fairyland to Battlefield: Japanese Painters' Involvement in Creating War Propaganda Magazines and Books for Children’, 13th International Symposium for Young Researchers in Translation, Interpreting, Intercultural Studies and East Asian Studies, Universitat Autònoma de Barcelona, 30 June 2023.

‘Situating War Propaganda Magazines and Books for Children as Objects of Art Historical Research: The Case of Takai Teiji’, Young Scholars’ Symposium in Asian Art 2023 – New Perspectives on Asian Art and Material Culture, Rijksmuseum, Amsterdam, 17 June 2023.

‘Ink as a Tool for Asserting Her Creative Freedom: Shinoda Tōkō’s Abstract Ink Painting in Twentieth-Century Japan’, 11th Forum for East Asian Art History in German-speaking Countries, University of Vienna, 19 May 2023.

‘From Western-Style Painters in Japan to Diasporic Japanese Painters in the United States: The Question of Cultural Identity in the Art of Okada Kenzō and Kawabata Minoru’, Global New Voices 2022: Art, Identity and the Body (online; graduate conference organised by the Doctoral and Early Career Research Network for the Association for Art History), 17 November 2022.

‘Painting Two Empires: Okada Kenzō and Kawabata Minoru under the Empire of Japan and Pax Americana’, 5th EU-Japan Young Scholars Workshop / 2022 International New Generation Workshop “Japanese Transnationalism and Empire”, Centre Européen d'Etudes Japonaises d'Alsace, Colmar, 6 November 2022.

‘Floating in the World: Historicising Shinoda Tōkō’s Radical Individualism in Twentieth-Century Japan’, panel ‘Culture Materialized: Reconceptualizing Materiality in Contemporary Japanese Art’ (co-panelled with Dr Stephanie Su, Dr Eriko Tomizawa-Kay, and Dr Eugenia Bogdanova-Kummer), British Association for Japanese Studies Annual Conference 2022, University of Manchester, 7 September 2022.

‘International Aspiration and Nationalist Struggle in Postwar Japanese Art, with a Focus on Okada Kenzō and Kawabata Minoru’, 10th Forum for East Asian Art History in German-speaking Countries, University of Zurich, 17 June 2022.

‘Utilising National Borders: Okada Kenzō, Kawabata Minoru, and the “Return to Japan” in New York’, 1st Swiss Asia Society Japan Conference “Borders, Thresholds, Barriers in Japan”, University of Geneva, 6 June 2022.

‘Kenzo Okada and the Postwar Globalisation of the Art World’, Emerging Perspectives in Art History and Visual Culture | UG and PG Masters Conference (graduate conference organised by the Association for Art History), University of Edinburgh, 19 March 2020 (conference cancelled due to COVID-19).

‘Abstracting Wartime Past: The Transwar Art and Careers of Inokuma Gen’ichirō, Kawabata Minoru, Okada Kenzō, and Takai Teiji’, Ishibashi Foundation Digital Futures: Archives of Postwar Japanese Arts in Europe Project Workshop, Sainsbury Institute for the Study of Japanese Arts and Cultures, Norwich, 11 July 2023.

‘Hidai Nankoku and Shinoda Tōkō in the Netherlands: Report on a Visit to the Archive of the Kröller-Müller Museum’, Ishibashi Foundation Digital Futures: Archives of Postwar Japanese Arts in Europe Project Workshop, Sainsbury Institute for the Study of Japanese Arts and Cultures, Norwich, 10 July 2023.

​‘Interrelationship  between Handwriting/Painting and Printing in Japanese Art (13th to 20th Century)’ (poster presentation with Prof Melanie Trede and Ioana-Adina Bădescu), Abschlussveranstaltung des SFB 933 'Materiale Textkulturen', Universität Heidelberg, 6 May 2023.

‘Ink as a Tool for Asserting Her Creative Freedom: Shinoda Tōkō in Twentieth-Century Japan’, Collaborative Research Center 933 'Material Text Cultures' work meeting, Universität Heidelberg (online), 16 January 2023.

‘Painting World Powers across the Transwar Period: Okada Kenzō and Kawabata Minoru under the Japanese Empire and Pax Americana’, DoktorandInnen-Kolloquium: Japanische Kunst, Universität Heidelberg (online), 13 December 2022.

‘Japanese Oil Painters, Intra-Empire Travels, and “Grassroots Fascism”: Okada Kenzō and Kawabata Minoru during the Second World War’, ExamenKolloquium IKO, Universität Heidelberg (online), 25 November 2022.

‘Japanese Émigré Artists in Postwar New York: Kawabata Minoru, Okada Kenzō, and Shinoda Tōkō’, British Association for Japanese Studies/Japan Foundation Postgraduate Workshop 2022, University of East Anglia, 25 February 2022.

‘Shinoda Tōkō: Ink, Abstraction, and Radical Individualism’, DoktorandInnen-Kolloquium: Japanische Kunst, Universität Heidelberg (online), 2 November 2021.