When we first met, her world and her words were a mystery to me, but she sung and I listened nonetheless. Srey Thy exuded grace and charm and had a way of expressing her thoughts and feelings through her songs. Seeing her sing her early songs along with her gentle swaying and Khmer dance style stays with me, resonating in her way, a way of great beauty coming straight from the heart and soul.
The Khmer Magic Music Bus (KMMB) programme was inspired by the misunderstanding surrounding Khmer traditional musical instruments among Cambodian youth in both rural and urban areas, triggering concerns about the loss of Khmer traditional arts.
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A group of artists and art enthusiasts pursued launching the KMMB to raise awareness about arts and, hopefully, keep Cambodian young people engaged in preserving the endangered form of traditional music
Therefore, instead of wasting time travelling hours by bus to distant provinces without any activities, they decided to bring Khmer musicians to play traditional music instruments, with the aim of introducing the art form to the students.
In 2017, the KMMB joined CLA and became a project under the program of Community Engagement and Outreach with the goals to engage with people who have limited access to arts opportunities and experiences, particularly those in rural areas. This is accomplished through village concerts and tours conducted throughout the year, Community Arts Demonstrations, and on-site presentations.
One day after returning from performing in a music show on the bus at Oddar Meanchey province, Seyma and her team realised that it is not only foreign students and teachers who do not know about Khmer musical instruments, but also Cambodians.
Then, there were no set dates for the KMMB event, or the target bus stops or how many days it would take place for. This set the CLA team on a mission to find remote schools and communities who have never seen or heard Khmer traditional music.
Sometimes, villagers ask the KMMB team to travel from one province to another while enjoying dancing and singing Khmer music along the way, Seyma said, recapping happy moments with villagers while organising KMMB across Cambodia.
One day, Seyma conducted a music demo at a public school in Ta Khmao, near Phnom Penh City. She realised that even students living in urban areas lacked knowledge about Khmer traditional musical instruments, despite the numerous media platforms providing information about them.
As a senior artist in the field and someone who loves to sing Khmer traditional songs and be part of KMMB, Seyma also raised grave concerns over the misunderstanding of the names of these instruments, as well as the fact that Khmer traditional music seems less likely popular among Cambodian youth compared to the modern instruments.
However, the only way to plant the seeds of loving Khmer traditional music is to organise musical events as much as possible nationwide, giving youth, and others, the opportunity to absorb knowledge and understand its value.
The KMMB Monthly Music Demo, is a bi-monthly program where Cambodian artists will present different genres of music, as well as other art forms, that allow the public, especially young people, to engage in art activities.
Sokhorn and the CLA team welcome other programs to showcase their works in their space if they believe it would be impactful and suitable to do so. The space can accommodate up to 80 audience members.
However, the program aims to provide Phnom Penh residents with the opportunity to experience various genres of music, including some that are rare or endangered. The chance for artists to share their stories is another crucial aspect of this bi-monthly programming.
Tha Sreynuth, 33, who works at the Embassy of Japan in Cambodia as a specialist in the Culture and Information Section, took part in the KMMB Monthly Music Demo in the City performance, Skor Pork (Pork Drum), at the CLA office in Phnom Penh for the first time.
We believe this will cater to a wide range of artistic disciplines and generations, from master artists to young creatives, and from traditional to contemporary arts. The Connected Canopy is set to be officially presented to the community by January 2025. Stay tuned for more updates!
The strategy of using music to build identity has a strong basis in social science. Social groups form their identity largely through shared experience, and music provides a particularly powerful tool for creating such an experience.
Accordingly, music plays an important role in politics around the world, and has been used by governments and citizens alike for both noble and sinister motives. The collection of Khmer Rouge songs still held in the archives of the Documentation Center of Cambodia (DC-Cam) provides a particularly valuable resource for understanding this phenomenon.
This left them with primarily old, traditional Khmer music with which to promote the new, modern identity. Like the traditional music they imitate, Khmer Rouge songs were transmitted orally and survive today in the DC-Cam archives primarily in the form of recorded live performances.
Even a brief perusal of the songs reveals clearly contrasting styles. Many songs feature gracefully balanced melodies, but others contain shorter phrases with more melodic variation and a marching-like character.
Still others feature simpler melodies with more extravagant ornamentation. As with the instrumental ensembles, these styles likely borrow from traditional or outside sources in order to complement the lyrics.
Still today, the use of music for creating social identity in political campaigns is a common tool. Visceral, engaging and compelling, music has the capacity to connect with people like no other medium, for both good and evil.
Then Pol Pot came to power and all promoters of anything vaguely western were rounded up, captured and tortured. Sinn Sisamouth was made to walk in circle, around and around until he collapsed and died of exhaustion.
Today thanks to YouTube and the patient curation work of American based Cambodians such as Darren Kham (Subscribe to his YouTube account) much of the music has been rescued and in many cases digitally restored so that the golden days of popular music, and the heart rending vocals of Sinn Sisamouth have been preserved.
When I fell in love for the first time, it was like, everything is possible and everything is sweet and happy and awesome, and this song made my first love even deeper like an ocean and wider like the universe. But then, like everything in this world, it ends, though my memory of this song remained as wonderful as it was then.
One of the people quoted in the documentary is the lead singer for the modern group Dengue Fever, Chhon Nol. Dengue Fever represents an interesting phenomenon: the group is based in the USA and founded after their lead guitarist visited Cambodia and discovered the 60s pop sound. Well worth listening to: their songs such as Tiger Phone Card capture perfectly the well crafted Cambo-Pop sound of that era.
When it comes to planning a special event or party, finding the right live music entertainment can make all the difference. ACE Music Booking Agency makes it very easy to find the best musicians playing Khmer music!
Booking live music is a great way of providing memorable event entertainment with live Khmer musician performances. There is no shortage of available local talented musicians performing music in Khmer language ready to make your event entertainment a success. Don't settle for a 'okay' event - book a great Khmer musician for hire and make it truly unforgettable.
Why not experience the musical talent of a Khmer musician for your event entertainment. It's completely free to get prices from musicians performing music in Khmer language. Request quotes from Khmer musicians to book the live music that fits your needs and budget, even on last minute.
So, before you book any Khmer musicians you might be asking how much does it cost to hire a Khmer musician. Pricing will depend on how long you want the Khmer musicians to perform and if there are any extra requirements. You can detail what you have in mind for the musical entertainers on your request. This will help you find the best Khmer musicians for hire to fit your budget. You can check the typical price guide for hiring Khmer musicians.
The Khmer musicians on ACE will be happy to play a song request for you. You should keep in mind the type of song you have requested and the style of the Khmer musician you have chosen. Some local and international talents may not fit the music style depending on their instruments or equipment. This can help you to decide between busker style singer-songwriters or professional gigging bands.
On average, most live music performers do! You are welcome to discuss this with the Khmer musician you are booking. Some Khmer musicians for hire will work very hard on a particular series of songs. They would also link many songs together into a medley. These Khmer musicians to hire will have a routine to last the entire evening which they have perfected. Then it becomes very difficult for them to change the order of songs to include your choice. But, they may still be able to perform a special song for you. Other professional Khmer musicians will be happy to play any song you request. Providing you give them enough notice. Many international Khmer musicians travel the world with hundreds of songs in their repertoire. They may know the songs you want already! In both cases, don't be afraid to ask. It is important you get exactly the live music you want to hire for your wedding, venue, or event entertainment. 152ee80cbc