Among well-known Black gospel music composers and practitioners have been the Rev. C.A. Tindley, composer of “I’ll Overcome Someday,” which may have served as the basis for the anthem of the American civil rights movement, “We Shall Overcome”; Reverend Gary Davis, a wandering preacher and guitar soloist; Thomas A. Dorsey, a prolific and best-selling songwriter whose works included, most notably, “Precious Lord, Take My Hand”; and the Reverend C.L. Franklin of Detroit (father of soul music singer Aretha Franklin), who issued more than 70 albums of his sermons and choir after World War II. Important women in the Black gospel tradition have included Roberta Martin, a gospel pianist based in Chicago with a choir and a school of gospel singing; Mahalia Jackson, who toured internationally and was often broadcast on television and radio; and Sister Rosetta Tharpe (1915–73), whose guitar and vocal performances introduced gospel into nightclubs and concert theatres.
Over the years, gospel music has diversified into various genres including traditional gospel, gospel blues, and gospel rap, among rap. Today, gospel music continues to thrive both within religious communities and in mainstream music.