There is a song I used to listen too. It took that clip everyone has heard before (Monster, How should I feel? Creatures lie here... looking through the window.) But the version I am looking for has like album art that is mostly yellow. It seems 2 guys are rapping (if you could call it that) because most of what they say is something like "I'm a motherfucking monster". It is clear it was made to highlight the saying and the beats. I have been trying to find it forever

"The Monster" is a song from American rapper Eminem's album The Marshall Mathers LP 2 (2013) featuring a guest appearance from Barbadian singer Rihanna. The song was written by Bebe Rexha, Eminem, Rihanna, Aalias, Jon Bellion, Maki Athanasiou, and Frequency, with the latter also handling production. Released on October 29, 2013, as the fourth single from the album, "The Monster" marks the fourth collaboration between Eminem and Rihanna, following "Love the Way You Lie" (2010), its sequel "Love the Way You Lie (Part II)" (2010), and "Numb" (2012), and is a hip-hop and pop song, with lyrics that describe Eminem pondering the negative effects of his fame while Rihanna comes to grips with her inner demons.


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Upon release, the song was met with positive reviews from music critics, who compared the song to "Love the Way You Lie". "The Monster" has successfully charted worldwide, topping the charts in twelve countries including Australia, Canada, France, Ireland, New Zealand, Russia, Switzerland, the United Kingdom and the United States' Billboard Hot 100. It also marks Eminem's first number one on the US Hot R&B/Hip-Hop Songs chart and has reached the top ten in Austria, Belgium, Italy and Spain.

In 2010, Eminem and Rihanna released their first official collaboration titled "Love the Way You Lie". The song received both critical and commercial success and topped the US Billboard Hot 100 chart for seven consecutive weeks.[1] By the end of the year, 854,000 copies of the song were sold in the UK, making "Love the Way You Lie" the country's biggest-selling song of 2010.[2] The same year, a sequel to the single, titled "Love the Way You Lie (Part II)" was released as part of Rihanna's fifth studio album Loud; it mainly views matters from the female protagonist perspective.[3] In November 2012, Eminem and Rihanna collaborated again on "Numb", which was included on Rihanna's seventh album Unapologetic.[4]

The Senior Director of A&R for Shady Records, Riggs Morales started looking for potential songs to be included on Eminem's eighth studio album. When the producer of "The Monster", Frequency played the song for Morales he "freaked out" and asked for the verses to be stripped and ProTools sessions to be sent to Eminem.[5] When Eminem heard the demo he then added his own verses and adjusted the instrumental portion(s) of the track. However, he left the background vocals sung by Rexha intact. On September 11, 2013, Rihanna wrote on her Twitter account that she had recorded a "#monster" hook for one of her favorite artists.[5] On October 22, Eminem revealed the track listing for his eighth studio album, The Marshall Mathers LP 2, including "The Monster" on which Rihanna was credited as a featured artist.[6] Shortly after premiering the song, Eminem spoke of working with Rihanna again to MTV News: "The perception of the record, what it's saying, I thought it would be a good idea to have her on it because I think people look at us like we're both a little nuts. That's one of the things that I was telling her in making the record: I think that people look at us a little crazy."[7]

The song was generally well received by critics. Writing for the IBTimes, Tarun Mazumdar reacted positively to it, praising its "memorable lines" and Rihanna's "soulful" vocals and rating it 3.5 out of 5.[8] Amy Sciaretto of PopCrush gave it the same rating and noted that "it's not nearly as powerful or affective as the previous partnership, but it's not supposed to be."[9] Allan Raible of ABC News also enjoyed the song, calling it "a career highlight" and a "personal rhyme about his history."[10] About.com's Bill Lamb had similar thoughts, opining that Eminem's introspection "lends the song engaging power" while also praising Rihanna's vocals.[11] Idolator's Mike Wass noted that while it did not meet the standard of the duo's previous collaboration, the song was still "undeniably catchy and hook-filled enough for top 40 radio success."[12] Keith Murphy of Vibe praised the lyrical content of the song but otherwise found the single lackluster.[13] Jim Farber of The New York Daily News found it inferior to Eminem's previous single, "Rap God" and too similar to "Love the Way You Lie", but appreciated that "at least Em gets off some good lines in the new song."[14] XXL positioned it at number 19 on their list of the best songs of 2013.[15] Atlanta Black Star described the song as sounding "like an old school rap song as it blends genres with Eminem's rap vocals, rock guitars, and Rihanna's pop-style singing of the chorus."[16]

The song concurrently opened at number one on the US Digital Songs chart, with sales of 373,000. The feat marked Eminem's ninth chart topper, giving him the third-most leaders in the tally's history, behind Katy Perry (9), and Rihanna, who increased her total to 13. The track also entered the US Radio Songs chart at number 31, marking Eminem's second-best entry position following "Just Lose It" (number 17, 2004). In the same issue, "The Monster" debuted atop the Hot R&B/Hip-Hop Songs chart, marking Eminem's first number one on the chart of his career, and Rihanna's third. Furthermore, the song entered at number one on the US Rap Songs chart, marking the sixth and fourth leaders for Eminem and Rihanna, respectively.[18]

The song topped the Hot 100 in its sixth week on the chart, after previously spending four consecutive weeks at number two. The song's ascent to number one marked Rihanna's 13th US number one, tying her with Michael Jackson for the fourth most number ones in the chart's 55-year history. Additionally, Rihanna became the fastest solo artist to achieve 13 chart-toppers, surpassing the previous record held by Mariah Carey (seven-years, eight-month and 19 days), with only the Beatles reaching 13 number ones more quickly. The song also rose to number one on the Billboard Radio Songs chart, marking Rihanna's twelfth and Eminem's third number one on the chart. Rihanna also passes Mariah Carey for the most number ones on the Radio Songs chart with the single's number one peak. For Eminem, he ties Sean Combs and Ludacris for the most Hot 100 number ones among rappers, with five each.[19][20] The song has sold 3,844,000 digital copies in the US as of June 2015.[21]In Canada, the song debuted at number one on the Canadian Hot 100, selling 54,000 downloads, making it Eminem's highest selling debut week in Canada for a single since his song "Berzerk," which sold 50,000 downloads in its debut week.[22]

Released on December 16, 2013, the song's accompanying music video, Eminem's third to be directed by the American filmmaker Rich Lee,[26][27] depicts Rihanna as Eminem's therapist in a session, as previous videos from his career are shown and referenced including "Mockingbird", "My Name Is", "Lose Yourself", "3 a.m.", "The Way I Am" and the 2001 Grammy Awards performance of "Stan" with Elton John.[28] The video was well received and earned three nominations at the 2014 MTV Video Music Awards, in the categories for "Best Male Video", "Best Collaboration" and "Best Direction".[29] Eminem and Rihanna performed the song live at the 2014 MTV Movie Awards.[30]

"Some Kind of Monster" is a song by American heavy metal band Metallica from their studio album St. Anger. The song was released as a single on July 13, 2004. "Some Kind of Monster" was Nominated for Grammy Award for Best Hard Rock Performance in 2005 but lost to Velvet Revolver for the song "Slither".

The name "Some Kind of Monster" came from vocalist/guitarist James Hetfield describing the lyrics to producer Bob Rock being about a Frankenstein creature or "some kind of monster". Thus, it was also used as a title for the 2004 documentary about the recording of St. Anger and the turmoil surrounding it. Hetfield has previously described the entity that is Metallica - the burden of fame and life in general - as monstrous.

The song's birth and development are well detailed in the homonymous documentary as well. It was one of the first songs put together for the album. It would later be released as the final single and music videos of St. Anger, and would be shortened considerably from the album version. The video contains old footage of Metallica concerts as well as a performance of the song in Metallica's San Francisco headquarters which is included in its entirety on the St. Anger DVD. In some regions, such as the US, the EP was bundled with a T-shirt featuring the artwork.

On the documentary's DVD extras there are a couple of sections entitled "Tough Riff", that show Hetfield teaching one of the song's main riffs to Kirk Hammett, who appeared to have trouble figuring it out.

"Monster" is a song credited to American singer and recording artist Michael Jackson, featuring American rapper 50 Cent, released on Jackson's first posthumous album, Michael, on the 2010 edition. The song was allegedly written by Michael Jackson, Eddie Cascio, James Porte, and its rap part was written by Curtis Jackson. Along with "Breaking News" and "Keep Your Head Up", the song was allegedly recorded in the Porte/Cascios' basement in 2007. These tracks have been controversial since their release, with Jackson's fans and family members doubting their authenticity.

On August 21, 2018, the California Court of Appeal heard the oral argument for the appeal. It was incorrectly reported that Sony Music had conceded that the three songs "Breaking News", "Keep Your Head Up" and "Monster" featuring 50 Cent was indeed performed by an impersonator, Jason Malachi and not Michael Jackson, however, Sony's lawyer Zia Modabber stated that "no one has conceded that Michael Jackson did not sing the songs".[1] Due to the controversy, the scheduled single was canceled. On July 6, 2022, Jackson's estate and Sony Music removed the song from streaming services Spotify and Apple Music amid allegations that the vocals are not Jackson's. e24fc04721

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