Prelude
[1] fragility (0:00)
[2] passion (1:15)
[3] socialite (2:05)
Piano fantasy by Thalberg
[5] plea
[6] farewell
[4] love*
Duet: Un di felice, eterea
[4] a shy declaration of love (tenor 0:00, theme at 0:38), met with [3] the friendzone (soprano 1:28)
Soprano cantabile-cabaletta: Ah, fors'è lui... Sempre libera
[4] emerging love (theme at 2:43 and 5:06), conquered by the desire for pleasure (8:00, contrasting offstage tenor's love theme at 8:57)
Duet: Dite alla giovine...Non amarlo ditegli
Baritone aria: Di Provenza il mar
[5] plea
Soprano-led concertato: Alfredo, Alfredo, di questo core
proclaiming undying love through pathos
sombre, pentatonic, beyond Bel Canto
Prelude (1857)
[0] the Doge
[1] reunion
[2] uprising
[3] reconciliation
Piano réminiscences by Liszt
[4] sea: an ever-present symbol*
[2]
[3]
[5] death
Il lacerato spirito
bass romanza with orchestra postlude: grief and shame
Come in quest'ora bruna
soprano romanza: moon and stars shimmering on the sea
Vieni a mirar la cerula marina tremolante
tenor-soprano duet: unclouded affection
Orfanella il tetto umile... Figlia! A tal nome io palpito
baritone-soprano duet with orchestra postlude: the joy of father-daughter recognition [1]
Plebe, patrizi, popolo
baritone-centered concertato: universal peace
Parla, in tuo cor virgineo
tenor-soprano duet: doubt and reassureance
Ah quel padre tu ben vendicasti... Perdon, Amelia
baritone-tenor-soprano terzetto: revelation, remorse, and relief [with 1, 3]
Piango, perché mi parla
bass-baritone duet: enemies reconcile [3]
Gran Dio, li benedici
concertato: death and mourning [5]
An opera of ideas, unified by recurring melodic patterns
Overture
[1] destiny*
[2] vengeance
[3] hope
[4] forgiveness
Seguirti fino agli ultimi
soparano-tenor cabaletta: the lovers' fatal delay
È tardi
soprano-tenor-bass terzetto: fate knocks on the door [1a]
Son giunta... Madre pietosa Vergine
soparano romanza (minor-to-major): hope and comfort [1b][3]
Sull'alba il piede all'eremo
bass-sopararno cabaletta: forgiveness [4]
La Vergine degli Angeli
ensemble with cello and harp: prayer
La vita è inferno all'infelice ... O tu che in seno agli angeli
tenor romanza with clarinet prelude (lyrical poetry): remembrance
Solenne in quest'ora
tenor-baritone duet: brotherhood
Le minacce, i fieri accenti
tenor-baritone duet: insult and forbearance [2]
Pace, pace, mio Dio
soprano aria with harp arpeggio: from melancholy to terror [1c]
Non imprecare, umiliati
bass-soprano-tenor terzetto: death and ruin
the intimate conflict of love and loyalty in a grand opera
Overture (1872)
[1] Aida: repressed yearning* (chromatically ascending)
[2] priest (descending)
[3] plea
[4] Amneris
Celeste Aida
tenor romanza: Radames's conflict
Quale insolita gioia... Vieni, o diletta, appressati
mezzo-tenor-soprano terzetto: Amneris's love (an orchestral hint), jealousy, and Aida's secret confession of love [4][1a]
Ritorna vincitor... Numi pietà
soparano romanza: Aida's conflict [1b][3]
Gloria all'Egitto, ad Iside
concertato: satisfaction versus dismay [2]
O patria mia
soparano romanza: homesickness [1c]
O terra addio
soparano-tenor duet (lyric repetition): farewell to life
Reference
Budden, J. (1992). The Operas of Verdi. Oxford University Press.
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