Under duress in the territory he formerly dominated, Giuliano (and sometimes Pisciotta) surrendered most of his independence, and retreated to the protection of a Mafia branch in Castelvetrano, near the south coast, headed by Nicola 'The American' Piccione, repatriated from a successful career in the United States. The bandit's primary residence while in the Castelvetrano region was the home, in the heart of the city, of Gregorio de Maria, a childhood friend of Piccione's subordinate Giuseppe 'Pino' Marotta.[53] De Maria, an erudite and reclusive attorney, formed a bond with Giuliano as the bandit's intellectual mentor.[54]

The DNA tests showed a 90% likelihood that the skeleton belongs to Giuliano. The DNA match between the skeleton and Giuliano's relations means that Sicilian prosecutors are now archiving the probe they opened in 2010 into the possibility that someone was murdered and passed off as Giuliano.[99]

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My parents each come from families of eight children. So I grew up with lots of relatives around, most living within a few blocks of each other. Looking back, the most precious memories I cherish from my childhood are connected with holidays, like Christmas, Easter, and Assumption (Ferragosto). The extended family would all get together for never-ending lunches and dinners at these long, long tables covered with all kinds of traditional food. Everybody was happy and talking so loud that no one could possibly hear a thing. It all went on for days.

Course taught by Professor Stefano Jossa (Royal Holloway University of London and Distinguished Fulbright Chair in Italian Studies).

The course aims to focus on some of the symbolic passages in the process of nation-building in Italy in the 19th and 20th centuries, as Italy reached its unity only in 1861.

Through the study of Foscolo's Last Letters of Jacopo Ortis (1798), Collodi's Pinocchio (1880), Calvino's The Path to the Nest of Spiders (1947), and Tomasi di Lampedusa's The Leopard (1958) the course aims to give students an understanding of how and why Italy was born so late as a political entity. By focussing on the different stages of the process of Nation building in Italy, the course also aims to make students aware of how Italy's national identity developed: two books (Foscolo's and Collodi's) were written in the 19th century, and will help students to understand the pre-Risorgimento (the making of Italy), and the post-Risorgimento (the making of the Italians); whereas the other two books (Calvino's and Tomasi's) come from the 20th century, and will help students to understand the Resistenza (the making of the Republic), and the post-war Italy (the crisis of nationhood).

The course also aims to discuss the problem of the absence of a national hero in the Italian literary tradition, such as Wilhelm Tell for Switzerland or D'Artagnan for France or Robin Hood for Britain.

Benigni's parents live in the small town of Vergaio, one block from the modest stucco house his father built in 1960; they now have a larger house, which Benigni bought them in 1992 so his mother, Isolina, could have a garden. His childhood friends never left home, and Benigni returns often to see his parents and play cards with his old cronies. "If there were anger in Roberto, it would be the atavistic rage of the hungry peasant, but actually, there is no anger in him," says Franco Casaglieri, 46, who has known Benigni since elementary school. "He is not unhappy. He is a channel of joy. I don't know where it comes from, but he transmits it."

Benigni went to a rural elementary school until a local priest took note of the boy's intelligence and enrolled him in a Jesuit school in Florence. The 1966 floods closed the school and he dropped out to work as a magician's apprentice in a traveling circus. He ended his education in an all-female secretarial school and, in 1972, made his way to Rome, falling in with actors trying to make their mark on experimental theater. Giuseppe Bertolucci saw he had a raw talent and helped tame it, transforming Benigni's funny stories about Vergaio into a monologue. In 1977, they made a satiric coming-of-age movie that took Benigni's boyhood to comic extremes -- it is heavy on political message and puerile masturbation jokes.

It is the perfect encomium for a comedian's spouse, of course. Their romance began when he cast her in 1983 as the Virgin Mary in the first film he directed, "Tu Mi Turbi" ("You Move Me"). They married in 1991 and now live in a spacious apartment in the Aventino, a lush, exclusive residential neighborhood near the center of Rome. 589ccfa754

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