"I am currently seeking representation for my latest work of Real Magic Dark Fantasy and Science Fiction. As a writer dedicated to the craft of cosmic dread and weird fiction, my goal is to secure a partnership with a literary agent who shares a passion for the genre. I am fully committed to the traditional publishing path, aiming to bring these stories of existential terror and eldritch mystery to a wider audience through a professional publishing house. My focus remains on building a long-term career within the horror community, supported by the editorial and industry expertise that a traditional partnership provides."
Project 1 is the Malcosilicon: A Historical Horror Epic
Elevator Pitch:
Malcosilicon is a finished work of historical fiction that tracks the blood-soaked lineage of four cursed "vane prints" from the sparks of the 1871 Great Chicago Fire to the gritty oil booms of 1970s Wyoming. It is a story of occult obsession, tracing how a single act of arson and murder ignited a century of madness involving history's most infamous mystics.
The Four Prints:
The First Print: Bound in cheap blue, it trailed the life of the enigmatic Madame Blavatsky.
The Second Print: Disguised as a black grimoire, it found its way into the hands of Aleister Crowley.
The Third Print: A counterfeit grimoire used by Anton LaVey, later stolen during the schism that birthed the Temple of Set.
The Fourth Print: A lethal relic that kills any who attempt to profit from it, eventually surfacing within a reclusive Colorado cult.
The Protagonist’s Journey:
The narrative culminates with Jim in 1969. An outcast from the Golden Dawn and the OTO, Jim’s descent through the Berkeley occult scene leads him to a desperate ritual. His search for the elusive fourth print takes him from a desert cult to the lawless oil fields of Rock Springs, Wyoming, where the book's curse finally catches up to him.
Project 2 is; The Gatewalker Trilogy
A Real-World High Magic Epic set in the 1980s American West
Overview:
The Gatewalker Trilogy is a dark, gritty exploration of survival through the lens of ancient Sumerian and Egyptian magic. Set against the backdrop of Rock Springs, Wyoming, during the turbulent 1980s, it follows the life of Ken—a child born into abuse who finds his only solace in the forbidden pages of the forth vane print. Unlike traditional fantasy, this series is rooted in "high magic" systems, utilizing the chaos of Sumerian ritual, the order of Kabbalistic words of power, and the ancient Egyptian Book of the Dead and written with the grit of a coal boom town.
Book 1: The Ladder of Lights (complete)
The journey begins with five-year-old Ken. After acquiring the fourth book of the Malcosilicon, Ken discovers he has a prodigy’s mind for translation. He reconstructs the corrupted texts of the Necronomicon to summon the Sumerian goddess Nisaba, who becomes the only source of love in his fractured world. This volume follows Ken’s grueling ascent through the first six "Gates" of the Ladder of Lights, blending the innocence of childhood with the terrifying discipline of occult mastery.
Book 2: The Wentin Ghost (complete)
Deeply rooted in local Wyoming legend, Book 2 tackles the "Wentin Ghost"—a spectral omen that kills those who see it three times. Having first seen the ghost at age five, Ken must now face his third encounter while preparing for the dangerous Seventh Gate. When his intended "Anchor" is distracted by the town's historical scars—from the Chinese Massacre to the Blairtown mine fires—Ken is forced to choose a new path. The novel climaxes in a desperate battle of wills where Ken defeats the ghost but emerges fundamentally changed.
Book 3: The Reconciliation (complete)
The trilogy concludes through the eyes of Sue, Ken’s Anchor. After Ken completes the Seventh Gate, he is no longer entirely human. Sue, struggling against her traditional Wiccan upbringing, must dive into the depths of the Egyptian Book of the Dead and the Kabbalah to bridge the gap between Ken’s newfound divinity and his fading humanity. It is a story of cosmic reconciliation, testing whether love and ancient order can survive the raw, chaotic power of a Gatewalker.
Project 4, well my favorite piece is basic funny Sci-Fi with a super odd twist.
The Universe According to Dan in 77k words
“So this is like a floating whore house that got abandoned and given to a charity case that’s now selling drugs to make ends meet? Sounds like Detroit!”
The "Morale Ship" Tech:
So imagine of Hunter Thompson had a space craft instead of a Caddy...
The Materializer: A device capable of simulating any food on Earth, which Dan uses exclusively for premium bacon cheeseburgers and Vodka "in its familiar coffin."
Tonk (The Tonka Truck): A super-intelligent ship AI that is forced to spend its processing power downloading the "old blues" and managing Dan’s protein-to-alcohol metabolism ratios.
The Brittle Brich: An "infested" sentient plant that is legally protected, making the ship a self-righteous, woody nightmare for the crew.
Key Themes for the Site:
The Reluctant Hero: Dan isn't exploring the stars for science; he’s looking for a remote control and a "Dead Martini."
Cosmic Bureaucracy: The idea that a sex-bot ship was repurposed for a refugee crisis is a hilarious take on "Interstellar Charity."
Naked PTSD: Use Dan’s rant about privacy and motels to highlight his "unreliable narrator" charm—he’s a man who finds a way to be the victim even when he's on a mile-long spaceship.
The Present: A high-stakes diplomatic/sexual encounter with an alien Queen that Dan successfully de-escalates (or ruins) by being a boring, talkative drunk.
The Flashbacks (The "Steps to the Stars"):
The "Nut-Hut" Escape: Fleeing California in a stolen Fiat.
The Cheney Pardon: Watching a lawyer get shot in the face during a drunken hunting trip and getting a presidential pardon for it.
Kidnapped as a space slave to mine Space Meth but shoots his kidnapper
The Olive Run: A mission to Earth for martini garnishes that ends in "Bolivian marching powder" and a cosmic misunderstanding.
The Space IRS: Fighting off the ultimate intergalactic evil—the tax man.