PROGRAM

Balakirev: In Bohemia

Tchaikovsky: Romeo and Juliet

  Intermission - please enjoy refreshments in the Lobby

Respighi: Fountains of Rome

Neilsen: Saga Dream

Bax: Tintagel

The Kirkland Civic Orchestra is an all-volunteer classical symphony orchestra offering free concerts in the Seattle area. We perform at locations in the Eastside community and in the Seattle Area approximately four times a year.

The Kirkland Civic Orchestra is a 501(c)(3) non-profit volunteer organization. Your donations buy music, rent rehearsal space, and bring concerts to life! 

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About the director

James has been a professional musician since 1982.  He has degrees in Vocal Performance and Choral Conducting as well as study toward a Masters of Arts in Musicology from California State University at Los Angeles. In 1983, James made his conducting debut with the Pasadena Chorale and Orchestra with his orchestration of ‘Rejoice in the Lamb’ by Benjamin Britten.

James has studied conducting with Roger Wagner, William Hatcher and Sergio Siminovich and specializes in music from the Medieval to Baroque periods. Locally, he conducted the Anton Bruckner Symphony No. 4 in E-flat Major and Vaughan Williams 3rd symphony in the Northwest Mahler Festival reading sessions in 2004 and 2014, and has sung with the Tudor choir. James served as the Assistant Conductor for the Lake Union Civic Orchestra for the 2009-2010 and 2010-2011 seasons.

James’ leadership of the Kirkland Civic Orchestra started in 2004, during the time when the orchestra was then called the Microsoft Orchestra. He is currently a Senior Software Engineer in the Azure division.

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Pyotr Tchaikovsky 

Pyotr Ilyich Tchaikovsky, one of the most celebrated composers of the Romantic era, was born on May 7, 1840, in Votkinsk, Russia. His influence on the world of classical music stems from his exceptional ability to infuse emotional depth and expressiveness into his compositions. Tchaikovsky's works often exhibit a fusion of Western European classical traditions with distinctly Russian melodies, reflecting his profound understanding of both musical styles. His remarkable talent for crafting memorable melodies and orchestrating grand, sweeping compositions has solidified his position as one of the most revered composers in history. 

Tchaikovsky's legacy is particularly tied to his ballet compositions, with "Swan Lake," "The Nutcracker," and "Sleeping Beauty" standing as some of the most beloved and widely performed ballets in the classical repertoire. The rich and evocative melodies within these works, combined with his brilliance in orchestrating dramatic narratives, have ensured the enduring popularity of his ballets, captivating audiences across generations and continents. 

In addition to his ballets, Tchaikovsky's symphonies and concertos showcase his mastery of orchestration and an ability to convey complex emotions. The intense emotional depth in works such as his Symphony No. 6, "Pathétique," and his Violin Concerto in D major demonstrates a remarkable capacity to express a wide range of human sentiments, from joy and exuberance to melancholy and despair, often through sweeping, grandiose musical gestures and poignant, lyrical themes. 

Tchaikovsky's music continues to hold a significant place in the classical music canon, captivating audiences worldwide with its emotional intensity, melodic richness, and exceptional orchestration. His profound impact on the development of Russian classical music and his enduring contributions to the Romantic era ensure that his legacy remains firmly entrenched in the hearts of music enthusiasts and performers alike. 

Romeo and Juliet Overture 

Tchaikovsky's "Romeo and Juliet Overture" is a seminal work in the orchestral repertoire, inspired by the tragic tale of William Shakespeare's iconic star-crossed lovers in the city of Verona. Composed in 1869, this musical masterpiece reflects Tchaikovsky's remarkable ability to evoke profound emotional depth through his rich orchestration and poignant melodic themes. The overture captures the essence of the ill-fated love story, expertly weaving together moments of tender affection, tumultuous passion, and heart-wrenching despair. 

In the opening bars, Tchaikovsky introduces the delicate love theme, a tender and melancholic melody that embodies the blossoming romance between Romeo and Juliet. As the composition unfolds, the music transitions into a whirlwind of emotional turbulence, vividly portraying the fierce feud between the Montagues and Capulets. Tchaikovsky's masterful handling of orchestral dynamics and thematic development heightens the tension, effectively conveying the escalating conflicts and fateful events that ultimately seal the lovers' tragic destiny. 

Throughout the piece, Tchaikovsky's orchestration exhibits a rich tapestry of musical colors and textures, creating a vivid and evocative soundscape that vividly depicts the tumultuous events of the story. The dramatic climax highlights the fateful demise of the two lovers, with powerful and sweeping orchestral gestures that convey the tragedy and heartache of their untimely deaths. Tchaikovsky's poignant use of harmonic shifts and dynamic contrasts serves to underscore the intensity of the narrative, leaving the listener with a lasting emotional impression. 

"Romeo and Juliet Overture" remains a timeless testament to Tchaikovsky's unparalleled ability to translate complex human emotions into music, along with the enduring power of Shakespeare's tale. Its enduring popularity and continued presence in the concert hall underscore its status as a cherished and influential work in the classical repertoire, resonating with audiences across generations and cultures. Tchaikovsky's poignant portrayal of love, conflict, and fate in this overture continues to captivate audiences and serve as a poignant reminder of the universal themes of passion, tragedy, and the enduring power of love.

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Ottorino Respighi 

Ottorino Respighi, the Italian composer, musicologist, and violinist, remains renowned for his richly orchestrated works that vividly evoke the grandeur of ancient Rome and the Italian landscape. Born on July 9, 1879, in Bologna, Italy, Respighi developed a profound fascination with early music and Italian musical heritage, which greatly influenced his compositional style. His compositions often exude a sense of lavish romanticism and a keen appreciation for colorful orchestration, cementing his position as a leading figure in the Italian musical renaissance of the early 20th century. 

Respighi's trilogy of orchestral tone poems, "Fountains of Rome," "Pines of Rome," and "Roman Festivals," represents some of his most notable contributions to the orchestral repertoire. These works, characterized by their vivid depictions of Roman landscapes, exhibit Respighi's masterful orchestral technique and his ability to evoke the essence of ancient Rome through a rich tapestry of orchestral colors and dynamic musical narratives.

Beyond his Roman trilogy, Respighi's diverse body of work includes numerous operas, chamber music, and vocal compositions, all of which display his profound understanding of Italian musical traditions. His meticulous attention to detail and his skillful integration of ancient musical forms into a contemporary context showcase his deep reverence for the musical legacies of the past, while simultaneously embracing the stylistic innovations of his time. 

Respighi's legacy as a prominent figure in Italian music is evident in the enduring popularity of his works, which continue to captivate audiences with their evocative imagery and sumptuous orchestrations. His commitment to reviving the essence of Italian musical heritage and his remarkable ability to transport listeners to the ancient world through the power of music solidify his position as a trailblazing composer whose works embody the timeless spirit of Italian cultural identity.

Fountains of Rome 

"Fountains of Rome" is a captivating symphonic poem composed by Ottorino Respighi in 1916, forming part of his Roman Trilogy, alongside "Pines of Rome" and "Roman Festivals." Respighi's work serves as a vivid musical depiction of four renowned fountains in the city of Rome, Italy. Through his evocative orchestration and richly descriptive musical language, Respighi masterfully brings to life the grandeur and majesty of these iconic landmarks, allowing listeners to embark on a sonic journey through the historical and cultural tapestry of Rome. 

The composition opens with the delicate and ethereal sounds of the "The Fountain of Valle Giulia at Dawn," evoking a sense of tranquility and serenity as the sun begins to rise over the city. The subsequent movement, "The Triton Fountain in the Morning," is characterized by its lively and spirited orchestration, symbolizing the energy and vivacity of the city as the day unfolds. Respighi's use of dynamic shifts and intricate harmonies effectively captures the playful and dynamic nature of the fountain. 

The third movement, "The Trevi Fountain at Noon," represents the crowning jewel of the piece, depicting the iconic Trevi Fountain in all its resplendent glory. Respighi's richly textured orchestration and grandiose melodies mirror the splendor of the fountain, immersing the listener in the opulence of the Roman landmark. Finally, "The Villa Medici Fountain at Sunset" concludes the piece with a serene and nostalgic tone, capturing the peaceful ambiance of the fountain at the close of day. 

Through "Fountains of Rome," Respighi demonstrates his profound admiration for the city of Rome and its cultural heritage, infusing the composition with a sense of reverence and admiration for the city's rich history and architectural marvels. His skillful orchestration and evocative musical storytelling highlight the enduring beauty and significance of these iconic landmarks, allowing audiences to experience the timeless allure and grandeur of Rome through the power of music. "Fountains of Rome" continues to captivate audiences worldwide, serving as a testament to Respighi's mastery of orchestral color and his ability to paint vivid musical portraits of the world around him. 

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Carl Nielsen 

Carl Nielsen, the Danish composer, conductor, and violinist, is celebrated for his significant contributions to the Nordic musical tradition. Born on June 9, 1865, in a small village near Odense, Denmark, Nielsen demonstrated exceptional musical talent from a young age. His works, characterized by their bold and innovative style, reveal a profound exploration of the complexities of human experience and the natural world. Nielsen's compositions often reflect a blend of Romanticism and modernism, showcasing his unique ability to merge traditional forms with adventurous harmonies and rhythms. 

One of Nielsen's most renowned works is his Symphony No. 4, "The Inextinguishable," a powerful and dynamic piece that captures the essence of the human spirit's resilience in the face of adversity. Inspired by the destructive forces of World War I, the symphony is a testament to Nielsen's ability to convey profound emotional depth through orchestral grandeur and intricate thematic development. The symphony's vigorous energy and dramatic contrasts reflect Nielsen's deep understanding of the symphonic form and his mastery of orchestration. 

In addition to his symphonic works, Nielsen's chamber music and concertos also display his innovative approach to composition. His Violin Concerto is recognized for its technical demands and emotional intensity, exemplifying Nielsen's distinctive blend of traditional craftsmanship and modern sensibility. Through his diverse body of work, Nielsen remains a pivotal figure in Danish music, having left an indelible mark on the classical repertoire with his unique synthesis of Nordic folk influences and contemporary musical language. 

Nielsen's profound impact on the development of 20th-century music extends far beyond his native Denmark, as his compositions continue to inspire musicians and audiences worldwide. His commitment to pushing the boundaries of musical expression, coupled with his deep reverence for the natural world and human experience, cements his legacy as a visionary composer whose works resonate with timeless emotional resonance and artistic innovation. 

Saga Dream 

"Saga-Drøm," meaning "Dream of the Saga," is a compelling symphonic poem composed by the renowned Danish composer Carl Nielsen in 1907. Nielsen's composition draws inspiration from the rich tapestry of ancient Nordic sagas, reflecting his deep connection to the mythological tales and heroic narratives of Scandinavian folklore. The work serves as a musical tribute to the adventurous and often dramatic stories found within these legendary sagas, encapsulating the spirit of courage, valor, and the mystical landscapes of the North. 

The piece unfolds with a sense of mystery and anticipation, as Nielsen skillfully weaves an atmospheric introduction that sets the stage for the dramatic storytelling to follow. Through the intricate interplay of thematic material and rich orchestration, the composition unfolds a series of vivid musical narratives, evoking the heroic exploits and legendary characters found within the Nordic sagas. Nielsen's expert use of dynamic contrasts and evocative harmonies serves to emphasize the dramatic tension and emotional depth inherent in these ancient tales. 

Nielson described his own view of the work in an interview in Politiken:  “I am so fond of the work myself. It is almost piano all the time and musically it is quite radical. It depicts the dream of Gunnar of Hlidarende, this marvelous figure from Njal’s Saga who plundered and slaughtered, yet still made of finer stuff and ahead of his time. He dreams of a brighter, better future for mankind, and I have tried, in muted tones, to give voice to the strange ideas engendered in the dream. Among other things, there are four cadenzas for oboe, clarinet, bassoon and flute that run freely alongside one another, with no harmonic connection, and without my marking time. They are just like four flows of thought, each going its own way—differently and randomly for each performance—until they meet in a point of rest, where they sort of flow into a point where they are united” 

As a significant work within the Nordic classical repertoire, "Saga-Drøm" continues to enchant audiences with its compelling storytelling and its poignant evocation of the enduring themes of heroism, adventure, and the mystical realms of the North. Nielsen's masterful portrayal of the saga's vivid imagery and emotional depth serves as a poignant reminder of the enduring power of myth and legend within the realm of classical music.

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Arnold Bax  

Arnold Bax, a prominent English composer and poet, is celebrated for his evocative orchestral works and his exploration of Celtic and romantic themes. Born in Streatham, London, on November 8, 1883, Bax developed a keen interest in literature and poetry, which greatly influenced his musical compositions. His works often incorporate rich and colorful orchestration, reflecting his deep connection to the Irish and Scottish landscapes and his fascination with the mystical and the poetic. 

Bax's compositions showcase a unique blend of late Romanticism, impressionism, and modernism, characterized by their lush harmonies, sweeping melodies, and vibrant orchestral textures. His orchestral tone poem "Tintagel" is one of his most celebrated works, exemplifying his ability to conjure a vivid musical portrayal of the rugged Cornish coastline, its legendary tales, and its haunting natural beauty. Through his masterful orchestration and poetic sensibility, Bax transports listeners to an otherworldly realm, evoking a sense of mystery and enchantment within his music. 

In addition to his orchestral works, Bax also composed a variety of chamber music, choral works, and piano pieces. His dedication to the revival of British musical tradition and his incorporation of Celtic and folk influences into his compositions highlight his significant contribution to the development of English classical music in the early 20th century. Bax's legacy endures through his unique ability to infuse his music with a sense of poetic imagery and emotional depth, captivating audiences with the timeless beauty and enchantment of his compositions. 

Tintagel  

"Tintagel" is a captivating symphonic poem composed by the British composer Arnold Bax in 1917, inspired by the mystique and rugged beauty of Tintagel Castle in Cornwall, England. Bax, known for his evocative and impressionistic style, adeptly translates the enchanting and atmospheric qualities of the coastal landscape into a richly textured and emotionally charged musical narrative. "Tintagel" stands as a testament to Bax's deep connection to the natural world and his ability to infuse his compositions with a sense of poetic imagery and evocative storytelling. 

The composition opens with a haunting and atmospheric motif that captures the essence of the castle's ancient ruins amidst the majestic and turbulent seascape. Bax's masterful use of orchestral colors and textures creates a vivid sonic canvas that immerses the listener in the mythical and ethereal ambiance of the legendary site. The sweeping and dramatic melodic lines evoke the romantic grandeur and allure of the castle, conveying a sense of awe and wonder that resonates throughout the piece. 

As the composition progresses, Bax's orchestration becomes increasingly dynamic and expressive, mirroring the ebb and flow of the ocean's tides and the dramatic interplay between light and shadow on the castle's rugged cliffs. The lush harmonies and intricate thematic development reflect the composer's deep emotional connection to the landscape, while the powerful crescendos and poignant melodic arcs underscore a sense of mystery and nostalgia that permeates the work. 

"Tintagel" serves as a testament to Bax's enduring legacy as a visionary composer who masterfully captured the essence of the natural world through the power of music. His ability to seamlessly blend elements of impressionism, romanticism, and British folk influences establishes "Tintagel" as a timeless and cherished gem in the orchestral repertoire, enchanting audiences with its rich musical imagery and evocative storytelling. Bax's evocative portrayal of Tintagel Castle continues to resonate with listeners, inviting them on a poignant and immersive journey through the magical landscapes of the British Isles.  

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Own a business? Contact the Kirkland Orchestra Treasurer at treasurer@kirklandorchestra.org  if you or your company would be interested in becoming a corporate sponsor and have your business name displayed in our future programs.

Special thanks

Matthew Kruse, Lake Washington High Band/Orchestra Director
Mark Staiff, Lake Washington High School Performing Arts Ctr, Theater Manager
Annemarie Smith, Juanita High School Band Director
Fernando Rocha, Juanita High School Performing Arts Ctr, Theater Manager
and all of our wonderful Volunteers!!

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