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"The Wee German Lairdie" is a Scottish folk song probably ridiculing George I, King of Great Britain to the discontent of the Jacobite rebels, who instead recognised James Francis Edward Stuart as king, from the formerly ruling House of Stuart.[2] Though taking place around 1715, the song first appears in writing in 1810, in Robert Cromek and Allan Cunningham's Remains of Nithsdale and Galloway Song, recalling a song of several versions that was allegedly sung prior.[3][4] James Hogg, however, mentions "an older collection" in the first volume of his 1819 compilation The Jacobite Relics of Scotland.[5]

According to the The Jacobite Relics, the song was "sung to many different tunes in different districts of the kingdom". Hogg claimed that the most popular tune at the time was the one written by him, but printed alongside it an older tune which he described as "more in character".[6]

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The elector of Hanover, George I came from the Holy Roman Empire to a new land of which he was now king, was alleged to have spoken only a minimal amount of English.[10][11] The song suggests he was an avid gardener, something that isn't commonly (if at all) attested of him in surviving literature.

The notion of the song ridiculing George I in particular comes from its mid-19th century publications and commentary thereof.[4][12][13][14] Though unlikely, the time between the death of George I in 1727 and the song's first verified written appearance in 1810 suggests the possibility of it actually being about said king's son and successor, George II, involved in the Jacobite Rising of 1745.

This dark pilsner has, over the years, become a clear sign that Christmas is upon us. The annual launch in Denmark, known as 'J-day', takes place the first Friday in November and is a day of celebration across Denmark. Carlsberg employees drive around in truck to visit bars and cafs while singing the traditional Tuborg Christmas Brew song and handing out free beer to the guests to mark the start of the festive season.

Listen to Premaram Jatt Kale Pele Badale Aasapura MP3 song. Kale Pele Badale Aasapura song from album Aashapura Jagdamba is released in 2021. The duration of song is 00:04:03. The song is sung by Premaram Jatt.

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Lata recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Marathi, Hindi, and Bengali. Her foreign languages included English, Russian, Dutch, and Swahili. She received several accolades and honors throughout her career. In 1989, the Dadasaheb Phalke Award was bestowed on her by the Government of India. In 2001, in recognition of her contributions to the nation, she was awarded the Bharat Ratna, India's highest civilian honour; she is only the second female singer, after M. S. Subbulakshmi, to receive this honour. France conferred on her its highest civilian award, Officer of the National Order of the Legion of Honour, in 2007.

She was the recipient of three National Film Awards, 15 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award and many more. In 1974, she was one of the first Indian playback singers to perform at Royal Albert Hall in London, UK. Her last recorded song was "Saugandh Mujhe Is Mitti ki" released on 30 March 2019 as a tribute to the Indian Army and the Nation.

Her paternal grandfather, Ganesh Bhatt Navathe Hardikar (Abhisheki), was a married Karhade Brahmin pujari who performed the abhisheka of the Shiva lingam at the Mangueshi Temple in Goa. Her paternal grandmother, Yesubai Rane, was his Devadasi mistress from Goa. Since Deenanath Mangeshkar's parents were not married to each other, he did not inherit his father's caste and surname but instead inherited his mother's caste status. Her maternal grandfather, Seth Haridas Ramdas Lad, was from Gujarat, a prosperous businessman and landlord of Thalner. She learned Gujarati folk songs such as garbas of Pavagadh from her maternal grandmother.

She sang the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari", which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi movie Kiti Hasaal (1942), but the song was dropped from the final cut. Vinayak gave her a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar. Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal De Tu" for the Marathi film Gajaabhaau (1943). The Bollywood industry was yet to find its feet, so Mangeshkar had to first concentrate on acting, which she didn't like, as the lights and people ordering her around made her feel uncomfortable.

Initially, she is said to have imitated the acclaimed singer Noor Jehan, but she later developed her own style of singing. She brought a new signature style of singing to Indian film music, moving away from mehfil-style performances to suit both 'modern' and 'traditional' female protagonists. A soprano range voice with less volume or amplitude, she had enough weight in her voice to give definite shape to the melody of Indian film songs. Although she had limited coloratura skills in her early career, she developed better tone and pitch as she progressed in her playback career. Lyrics of songs in Hindi movies are primarily composed by Urdu poets and contain a higher proportion of Urdu words, including the dialogue. Actor Dilip Kumar once made a mildly disapproving remark about her accent while singing Hindi/Urdu songs; so for a period of time, she took lessons in Urdu from an Urdu teacher named Shafi. In subsequent interviews she said that Noor Jehan heard her as a child and had told her to practice a lot. The two stayed in touch with each other for many years to come.

One of her first major hits was "Aayega Aanewaala," a song in the movie Mahal (1949), composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala. This was a defining moment for her, and a catalyst for the recognition of playback singers in India. Before this, playback singers were seen as the vocal equivalent of a stuntman and remained invisible and uncredited. This song was such a big hit, that Radio Goa revealed her identity and she became a star in her own right. This opened the door for other playback singers to achieve the recognition they deserved.

In the 1950s, Mangeshkar sang songs composed by various music directors of the period, including Anil Biswas (in films such as Tarana (1951) and Heer (1956)), Shankar Jaikishan, Naushad Ali, S. D. Burman, Sardul Singh Kwatra, Amarnath, Husanlal, and Bhagatram (in films like Bari Behen (1949), Meena Bazaar (1950), Aadhi Raat (1950), Chhoti Bhabi (1950), Afsana (1951), Aansoo (1953), and Adl-e-Jehangir (1955)), C. Ramchandra, Hemant Kumar, Salil Chowdhury, Datta Naik, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna. She sang "Sri Lanka, Ma Priyadara Jaya Bhumi", a song in Sinhala, for the 1955 Sri Lankan film Seda Sulang. Lata Didi recorded her first Telugu song Nidhurapora Thammudaa in 1955 Telugu film Santhanam for music director Susarla Dakshinamurthi. She made her debut in Tamil playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) with the Tamil song Enthan Kannalan for Nimmi in the dubbed version composed by Naushad.

She won a Filmfare Award for Best Female Playback Singer for Salil Chowdhury's composition "Aaja Re Pardesi" from Madhumati (1958). Her association with C. Ramchandra produced songs in movies such as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Aasha (1957), and Amardeep (1958). For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmaar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959), and Chacha Zindabad (1959).

Her song Aye Maalik Tere Bande Hum which was the original composition of Vasant Desai and used in the film Do Aankhen Barah Haath on 1957, was adapted by a Pakistani school as the school anthem.

In 1961, she recorded two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev. In 1962, she was awarded her second Filmfare Award for the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, composed by Hemant Kumar.

On 27 January 1963, against the backdrop of the Sino-Indian War, she sang the patriotic song "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") in the presence of Jawaharlal Nehru, then the Prime Minister of India. The song, composed by C. Ramchandra and written by Kavi Pradeep, is said to have brought the Prime Minister to tears.

In 1963, she returned to collaborate with S. D. Burman. She had sung in R. D. Burman's first film, Chhote Nawab (1961), and later in his films such as Bhoot Bungla (1965), Pati Patni (1966), Baharon ke Sapne (1967), and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet with Kishore Kumar) and "Piya Tose" from Guide (1965), "Hothon Pe Aisi Baat" from Jewel Thief (1967), and "Kitni Akeli Kitni Tanhaa" from Talash. 006ab0faaa