This is just my opinion though and in some situations a well played guitar emulation will do the job. If a professional guitar sound is required though, personally I think it would be worth hiring someone who can play well and knows how to create the sound you want.

Yup.. no matter the sound you're using, you should play it with a guitar brain to make it more acceptable to the ears.. this is not easy.. Doug from the soundtestroom actually understands this quite well and does some demos with guitaristic qualities..


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My favourite 'guitar-like synth' is the classic DX-7 run through a guitar amp (sim).

It can sound stunningly real, if the synth wave is mostly clean, but not completely.

Many patches have interesting attack variations (or are easy to tweak that way).

I'm a horribly guitarist according to common standards, but I really enjoy my tone and articulation - and don't wanna miss the instrument interaction. 

Btw this applies to acoustic guitars as well.

Actually none of the choices for me 

I'm using pre-recorded, sliced guitar loops (mainly REX loops inside Stockholm in KORG Gadget). This gives me real performances and the option to change the riffs rhythmically and melodically to some extent.

Even on desktop, getting a real-sounding performance isn't easy although Ilya Efimov and Amplesound libraries sound quite good, as well as the RealGuitar series.

The controller is at least as important as the sound, with MPE near-essential for any kind of plausible expressiveness. I get least worst results with an Artiphon in tap mode simply playing the Artiphon app's acoustic guitar sound (which sounds absolutely dreadful on its own, but has been sampled well for MPE responsiveness) through Tonestack; the quality of the original sound isn't mission-critical if it's run through a nice crunchy distortion. But it only really works for solo lines. And acoustic, especially classical, guitar is pretty much a non-starter.

New to logic and need some help. When I play my guitar into logic from my scarlet audio interface, it produces a loud, distorted, crackly sound that I can't change even when I click on different preset sounds. It's always the same sound. I'll call it "sound X".

This happened when I opened my song project, plugged in a bass guitar for this first time and it produced this awful, unadjustable sound. I plugged my guitar in and after it just seems to be stuck on "sound X". I closed out the project, didn't save and when I open it's the same thing. I'm losing my mind. Before everything came through as intended with different guitar sounds.

I'm a songwriter, but growing tired of writing to solely electronic music. I want to get that electric guitar sound that is heard in a lot of top 40 music today, the type by producers such as Dr Luke (yawn, I know).

The problem is, I only have an acoustic guitar. Is it possible to record my acoustic guitar into Logic using my mic and then manipulating it in Logic to sound like an electric? Using amp designer or something? And if so, how would I go about doing so...

But yes generally you can to an extent try to emulate an electric guitar sound with an amp modeling plug-in such as amp designer... distorted sounds will be easier to emulate than clean sounds though.

Quite generic sounding, but great to write songs to. Do you have any tips on how best to emulate an electric guitar sound, and exactly what do you mean distorted sounds will be easier than clean ones?

I think it might be hard to make an acoustic guitar sound like that. You could roll off lows and mids, compress the crap out of it, but it still won't have that snappy Telecaster smack I'm hearing in those samples, even though it will be closer.

Your best bet might be a guitar sample instrument. Do a search on "Funk guitar samples" and listen to some of the sample tracks... most of them are loaded with licks exactly like the ones in those records, played on real electric guitar guitars.

Hello guys. I am new to audio mixing and i am over-satisfied with Cakewalk program, recording my electric guitar through my focursrite scarlett solo 3rd gen, and mostly playing solos on backing tracks etc etc. My guitar is one Esquire series by Fender.

* Your help would be appreciated by me. Thanks in advance. I am looking forward to your answer, especially if somebody plays these type of music with el.guitar and reveals me his own settings and stuff.

Generally electric guitars need a pre amp that was designed just for them. Example a guitar amp. Myself I use amps and sometimes my Zoom multi effects box. Depends on the sound I want. But definitely a tube amp if you have one gives you smooth overdrive

There's a good reason for this: You may find that at the mixing stage, the EQ'ing / compression / etc you apply to make your guitar fit in the mix, may make it sound completely awful if you solo it. This is perfectly normal - at this stage it only matters how it sounds in the mix. Most of the time you shouldn't need to go back to TH3 (i.e. try to avoid that). Just do what needs done to the track afterwards to get it to fit in the mix.



Guys, i would like to ask one more question - depending on your choices - in which levels do you put instrument (especially guitar) volume and backing tracks volume? Do you let them both to the same level or our guitar solos must be a little louder? And, how much? 0db is your volume peak, or -5, -10 db ? I'm talking for cakewalk's inside volume of recording and listening, NOT for input's volume through the audio interface (i put that close to the middle, a little bit down of middle and i'm satisfied).

* As you know, when Cakewalk's FX - AMP or Plugin's applied to input instrument (like gain etc for the guitar), volume becomes even more louder so which is (by your opinion) the hot spot between backing track and guitar? Is there any way to equalize both of these parts?

Wow this makes so much sense to me...... I often times make a guitar tone while my backing track is playing and when I return to cakewalk days later and try that same guitar tone, I always end up thinking "How the f*ck did I think this sounds good?" and then I start tediously editing it to sound good by it's lonesome and just end up being frustrated.

I cancelled the previous download of multiple packs and triggered the install of the Lennox Beatmaker Acoustic guitar pack (755M) on its own. This is probably going to take around 10 - 20 minutes based on the speed of the bar.

an approximation of Matt Bellamy's guitar tone on the first half of the "Knights Of Cydonia" solo. Had a devil of a time doing this until I read the recent GP story and figured the harmonic synth -...

A big misconception about guitar tones is that they have to be super fat. The fatter a tone is, the more it fights with other instruments in a mix. So there is a give and take. Both presets are design...

I tried to get that energic SRV Sound in this patch which should fit most rhythmic Blues/Funk guitar playing. Works best with Strat Style (single Coil) pickups in Neck position. I hope you'll have as...

Modeled after Sampa Pa Ti. I used a Gratifier Clean to model the Boogie Mark I.Carlos uses his volume on his guitar to go from clean to distorted, so try the foot pedal to go from clean to distorted...

this bank contain - stevie ray vaughan ,slash , metallica (not on kill em all) , kiss, iron maiden , EVH, some ozzy zakk wylde type of sound , eric clapton (cream) and a accoustic guitar simulator. So...

What i've noticed is that cheap guitars with cheap pickups suffer a lot in low freqs response, tending to be *muddy* or some like that, even the low output of those cheap single coil pickups doesn't...

These are some presets I recently created for my guitars: 2 for my Telecaster and 6 for my Les Paul (w/ P-90 single coils). All are pretty simple, I especially like the clean tones for the Les Paul (p...

My take on the classic tremolo guitar on Nancy's Bang Bang. Added some tape delay just for more NOISE. Panned left and tremolo timed roughly with the Kill Bill -version. I have no idea what they used...

You can make changes for your guitar, but if you think there's a sound more similar to the origanal song, please send it in e-mail to fefepeto@gmail.com. I'm playing the lead guitar, so please don'...

These presets are for those of you tuning the guitar to open D or even lower. A humbucker is taken for granted.Don't care about the names of the presets. They are just made to have fun in metal hea...

I've been developing some general sounds to play live with any of my guitars. If you find them useful. Make your own adjustments and send them back to me. All improvements are gratefully recieved. Ma...

This is basically for drums like toms/crashes but works with any sound (guitares, pianos, voices etc). It is a delay, pre-amplified by a twin and cabinet, followed by several Eqs for a more authentic ... be457b7860

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