The screenplay, which was written in the 1980s, sparked a bidding war until it was finally purchased by Carolco Pictures for US$3 million.[12][13] Eszterhas, who had previously been the creative force behind several blockbuster films such as Flashdance (1983) and Jagged Edge (1985), managed to complete the script in just 13 days.[14] However, Verhoeven had suggested changes to the script that Eszterhas strongly disagreed with, including a lesbian sex scene that Eszterhas deemed "exploitative".[4] With Verhoeven unwilling to budge, Eszterhas and producer Irwin Winkler left the production.

The recent filming of "Basic Instinct," a record $3 million thriller screenplay by Joe Eszterhas, turned into a basic street brawl. Dozens of demonstrators were arrested after trying to disrupt moviemakers from Carolco Pictures.


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He suggested revisions to the screenplay to tone down what appeared to be date rape; to include lines making Douglas's character a politically correct cop who utters, "A lot of the best people I've met in this town are gay"; and to delete sexist and ageist remarks of an old-time police officer.

"The whole notion that you can write something that will hurt someone is a horrifying thought," says Eszterhas. "I have learned to weigh very carefully the societal impact of an action or line in a screenplay when it's delivered by a star with the international stature of Michael Douglas."

Two original hand-typed pages by screenwriter Joe Eszterhas explaining the genesis of his screenplay for the thriller Basic Instinct (Carolco Pictures, 1992), titled "Basic Greed" at the top center in ink in Eszterhas's hand. Eszterhas typed the pages on his beloved Olivetti Lettera 35L manual typewriter, on which the computer-averse scribe famously wrote many of his screenplays, including Basic Instinct and the cult classic Showgirls (United Artists, 1995). The document is typed on the reverse sides of Eszterhas's wife Naomi Baka's stationary. 


In addition to having notable fame as a provocative, record-breaking screenwriter, Eszterhas is one of Hollywood's most legendary raconteurs. This document presents his inimitable recounting of one of the entertainment industry stories for which he is most iconic, directly from his own hands.


In the document, Eszterhas writes that he was inspired to write a screenplay that would send seismic waves throughout the entertainment industry when he read an article in the Los Angeles Times stating that writer Shane Black received a new record price in Hollywood for his screenplay The Last Boy Scout (Geffen Pictures, 1991). Eszterhas had held the record for a screenplay price in Hollywood since 1980, and had since broken his own initial record. Wishing to remain undefeated, he decided to stretch himself by exploring, for the first time, one of his favorite genres-film noir-through his own provocative lens, with modern sexual explicitness. He writes:


"The piece wrote itself, I improvised all the way through, I made no notes for myself, no plotline. I just started to put things down as the characters spoke to me."


His script, originally called Love Hurts (after a novel-within-the-film), follows Nick Curran (Michael Douglas) a tortured detective trying to solve the murder of a wealthy man who was brutally murdered with an ice pick during sex while tied to his bed with a white silk scarf. Nick becomes entangled with the man's girlfriend, Catherine Tramell (Sharon Stone), a brilliant novelist who has written a book about a woman who murders her lovers using the same method.


Eszterhas writes:


"I had...written three movies where women were manipulated by men they loved--Jagged Edge, Betrayed, and Music Box. I thought it would be fun to flip the dynamic: a movie about a man being manipulated by a woman who is brilliant, omnisexual, and evil."


In the document, Eszterhas describes how, in a chess game worthy of Catherine Tramell herself, he leaked the script to his friend Mike Medavoy who ran Orion Pictures. Medavoy's near-immediate offer of $1 million allowed Eszterhas's agents to launch a bidding war which won him the sum of $3 million, far outshining The Last Boy Scout's $1.75 million.


When the film, directed by Paul Verhoeven, was released in theaters, it was a critical success and became the biggest worldwide hit of 1992, grossing $352 million. Stone astonished audiences as a femme fatale unlike any they'd ever seen, one equally smart and almost impossibly sexy, proud to have kinky relationships with both men and women. The sequence where she attends her police interrogation wearing a short dress without underwear, and outsmarts everybody in the room, has become one of the most iconic in film history.


Basic Instinct has lost none of its power to generate enthusiasm and conversation, inspiring a new slate of rave reviews and think pieces in celebration of its 30th anniversary, which brought with it an accompanying 4K Blu Ray special edition release. This document commemorates where it started.


Includes a DVD of the film.


Originally entitled Love Hurts, it became Basic Instinct on the morning its auction effectively began, as the screenplay was sent to every production outlet in Hollywood. The plan was to try and get them to outbid each other, to drive the price up. The plan worked.

Only one studio wanted the screenplay initially, with significant changes to the plot required. However, some small changes to the script changed his fortunes and suddenly every studio wanted to buy the script.

For an exhaustive look at the minimum amount of money paid for scripted work, the WGA site has this handy PDF that explains it all. There are high and low ranges, pay for an original screenplay, final drafts, if a screenwriter produces scripts for a TV show that runs less than 30 minutes, and more.

He was promised $2 million upfront to write Showgirls, plus another $1.7 million if the movie was made. It was made and flopped spectacularly. Eszterhas sold another screenplay (Jade) for seven figures too, but it also failed miserably at the box office.

Going by a standard writer agreement in the film industry, writers are usually given a 12-week time frame to start and finish a script. So most professional screenwriters complete a first draft of a screenplay within 12 weeks (just under 3 months).

After a studio bidding war, Joe Eszterhas was given 3 million dollars for his spec script Basic Instinct. How long did it take Eszterhas to write a 3 million dollar screenplay, which was subsequently turned into a classic film that took in $352.9 million at the box office and turned Sharon Stone into a movie star?

First things first, the majority of scripts don't sell, and if they do, it's usually not for the kinds of prices you'll see on this list! That's just the honest truth. I'm not saying you'll never sell a spec script to a major studio or producer, or you won't sell it for a great price, because you may. I just want to emphasize that the following list of high-priced spec screenplays are outliers. They're not the norm in the film industry. Read on to learn more about some of the world's most expensive screenplays!

The bigger hurdle may be getting someone to read through your original screenplays. Oftentimes, unless solicited, it's unlikely you'll find any of the major Hollywood players willing to sit down and read your entire script. If you're not at a place in your career where you have a screenwriting manager, agent, or entertainment attorney, you may consider entering your original script in screenwriting contests to get eyes on it. You can also upload (for a fee) a spec screenplay to online script libraries such as The Blacklist. Here, a script reader will rate your movie script, and if it ranks high enough and the right people take notice, you may just find yourself and your expensive screenplay on this very list in the future!

Writer/director Creevy first turned heads in U.K. industry circles after his first movie, Shifty, was nominated in 2008 for a BAFTA award and five British Independent Film awards. He later secured a best screenplay prize at the Stockholm International Film Festival.

In this article, we will explore five simple ways to improve your screenwriting. From reading screenplays to rewriting your own work, these tips will help you become a better screenwriter and bring your stories to life on the page.

The things you're about to read might seem like basic skills, but I cannot tell you how few people I see trying to break in that are even attempting some of them. If you already do all five, then you are well on your way to being a professional writer.

Read screenplays:Read as many screenplays as you can get your hands on, especially those of successful movies in your genre. This will give you a sense of the structure, pacing, and formatting of screenplays, as well as an understanding of what works and what doesn't. The more you read, the better you will write. It's that simple.

Remember to read screenplays, watch movies, write regularly, seek feedback, and rewrite your work. With persistence and effort, you can master the art of screenwriting and create compelling stories that captivate audiences. So, keep writing, keep learning, and keep striving for greatness.

Studio Warner Bros. immediately commissioned Black to write a script for what would become Lethal Weapon 2. Black toiled to finish the story, and the eventual screenplay met with praise for the writing and derision by the studio as too dark. Taking some time off, Black then decided to write a spec script, a dark action-thriller called The Last Boy Scout.

William Goldman began his writing career in academia. He studied poetry and literature at Colombia University before getting his Masters degree. When he set out to start a career, he began by writing novels. His first, The Temple of Gold, became a bestseller, and helped him transition to drama as well. After writing several other successful novels and stage plays, he began work on Marathon Man. The novel, a thriller about Nazi war criminals living in South America, became a runaway hit, prompting Goldman to adapt the novel to a screenplay. The subsequent film also became a huge success, granting ailing actor Laurence Olivier a comeback and scoring an Oscar nomination. be457b7860

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