Sculptures

These figures seem to emerge from an ancient ecology where the boundaries between species have yet to settle. Root and vein, feather and leaf, shell and skin coexist within bodies suspended in continual transformation. Formed in clay, each sculpture bears the traces of its making, allowing the surface to grow organically like weathered bark, coral, or living tissue. They are less portraits than presences, quiet witnesses from a mythology still unfolding, inviting us to imagine a world in which all forms of life remain intimately connected.

White Rabbit 2026

ceramic sculpture

size: 12" h x 10" w x 6" d

Poised between stillness and motion, this elongated, hare-like figure feels as though it has emerged from a quieter realm, one where time stretches and softens. Its flowing, almost melted contours evoke both fur and fabric, as if the body is dissolving into the space around it. The gentle tilt of the head and the alert yet distant gaze suggest a being attuned to something just beyond perception, listening not with ears alone, but with its entire form.

The sculpture carries a sense of tenderness and unease in equal measure. Its seated posture is grounded, yet its features seem to drift, resisting fixed definition. This tension between presence and transformation invites reflection on the liminal—those in-between spaces where identity, memory, and matter are in flux. It becomes less an object and more a quiet witness, holding a moment of transition suspended in form.

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