The School founded in March 1857, was named after Sir Jamsetjee Jeejebhoy, a businessman and philanthropist who donated Rs. 1,00,000 for its endowment. Operations were managed by a committee headed by the Chief Justice of Bombay.
The School's first class was in drawing, and began on 2 March 1857. Classes were held at the Elphinstone Institution. John Griffiths became Principal of the School in 1865. He later became famous for copying the murals in the Ajanta Caves temple complex, a project which lasted from 1872 to 1891, and which the School's students assisted in.
In 1866, management of the school was taken over by the Government of India. Also in 1866, Lockwood Kipling, who had become a professor of the School in 1865, established three ateliers for (i) Decorative Paintings, (ii) Modelling; and (iii) Ornamental Wrought Iron Work, and became its first dean. He was the father of the author Rudyard Kipling, who was born on the School's campus.
In 1878, the school moved to its own building, where it is currently situated. The building was designed by architect George Twigge Molecey,[4] in neo Gothic architecture.
The School campus, including the Kipling House, better known as the Dean's Bungalow, is classified as Grade II heritage structure by the Government of Maharashtra, and underwent a restoration in 2002-2006, and again in 2008.
Drawing instruction as a subject was introduced in 1879 and a programme for training drawing teachers was started in 1893. In 1891, the Lord Reay Art Workshops (now known as the Department of Art-Crafts) were established.Â
1900s The School had an important tradition in architecture.
In 1900, the School offered its first course in architecture, taught by John Begg, later Consulting Architect of Bombay and of the Government of India. A complete 4-year programme was established in 1908 under Begg's assistant George Wittet.
In 1917, architect Claude Batley became a visiting professor; he was Principal of the School from 1923 to 1943, and is commemorated in the Claude Batley Architectural Gallery for architectural exhibitions, opened in 1996.Â
In 1896, the Draughtsman's classes, the nucleus of the Department of Architecture, were added. This Department was later organised for a 3 years Diploma Course which was duly recognised by the R.I.B.A. Board.Â
In 1910, the Sir George Clarke Studies and Laboratories were built for the advanced study of crafts, pottery being the first craft taken up for study.
In 1929, the head of the School was renamed "Director", and in 1935, the Department of Commercial Art was also started.Â
In 1937 M.R. Acharekar was appointed deputy director and continued his tenure till 1939. Shri. V. S. Adurkar was the first Indian head of the school, succeeding Claude Batley as Director in 1943.Â
Post-independence In 1958, the school was divided, with the Departments of Architecture and Applied Art becoming the Sir J. J. College of Architecture and Sir J.J. Institute of Applied Art respectively.Â
In 1981, the School became affiliated with the University of Mumbai.Â
List of Sir Jamsetjee Jeejebhoy School of Art alumni
A. R. Hye (1919–2008)
A.A. Raiba (1922–2016)
Akbar Padamsee (1928–2020), painter
Abid Surti (born 1935)
Amol Palekar (born 1944), actor
Antonio Piedade da Cruz (1895–1982), painter and sculptor
Arun Kolatkar (1932–2004)
Atul Dodiya (born 1959)
Bhanu Athaiya (born 1929), costume designer
Dadasaheb Phalke (1870–1944), film director
Francis Newton Souza (1924–2002), painter
Ganpatrao K Mhatre (1879–1947), sculptor
Govind Solegaonkar (1912–1986), painter
Homai Vyarawalla (1913–2012), photojournalist,
James Ferreira (born 1956), fashion designer
Jatin Das (born 1941), painter
Jitish Kallat (born 1974)
K. K. Hebbar (1911–1996)
Kalidas Shrestha (1923–2016)
Laxman Pai (1926–2021), painter
M.F. Hussain (1915–2011), painter
M.V. Dhurandhar, (1867 – 1944) painter, vice-principal of the school
Pralhad Anant Dhond (1908–2001), Dean of Sir J. J. School of Art from 1958
Pramila Dandavate (1928–2001), socialist leader and Member of Parliament, Lok Sabha
Prof. Sambhaji Kadam (1932–1998)
R. D. Raval (1928–1980)
R.Verman (1947–2019)
Ram V. Sutar (born 1925), sculptor
Ratnadeep Adivrekar (born 1974), artist
Reena Saini Kallat (born 1973), painter
Riyas Komu (born 1971), artist
Syed Haider Raza (1922–2016), painter
Sadanand Bakre (1920–1987), painter
Saryu Doshi (born 1932), art historian
Shashi Bikram Shah (born 1940), Nepali artist
Shivkar Bapuji Talpade (1864–1916)
Tyeb Mehta (1925–2009), painter
Uday Shankar (1900–1977), dancer
V. S. Gaitonde (1924–2001), painter
Waman Thakre (born 1932), photographer
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AIMS & OBJECTIVES
To build a close relationship between the past students of the Sir J. J. School of Art and the Alumni matter.
To help poor students financially to complete their Art Education in Sir J.J. School of Art.
To encourage interaction between Sir J. J. School of Art past students and maintain a healthy relationship for both (past and present) and the institution.
To organize Educational, Cultural and Social Activities, which will bring members, past and present students and the institution closer and create.
To organize Exhibitions, Seminars, Workshops, Talks and Lectures and all other such activities which will be beneficial to the members, the institution and the present students of Sir J. J. School of Art.
To award scholarship, prizes and to felicitate people in the following categories 1. Work in Art field, 2. Art Educational field, 3. Best Art Work. 4.Best Art Teacher. etc.
To Build a Lecturer Hall, Studio, Workshops, Library, Art Film Theater And an Art Gallery for the art Students and Artist.
To build a home for the Old Artist and a Guesthouse for the artist coming from outside Mumbai.
To help the upcoming young artist for their Art Education, who are Handicapped, Deaf-Dumb and also the roadside children's.
To start "J. J. Art Gallery" for Students and the Artist on the pavement, outside Sir J. J. School of Art.
To print Public Issues and circulate Pamphlets and other Literature for carrying out the objectives of the Association.
To safeguard promote and further the status and acts as would foster love and liking for the Sir J. J. School of Art, amongst the People and in the field of Art in India and Abroad.