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"A few years ago, I took my first road trip by myself to Big Sur. I was going through a difficult relationship, I missed my brother and was just going crazy. And I had taken some magic mushrooms with me. As I was driving up there, I was listening to instrumental music and classical music and singing over it out loud and talking to myself. I was recording everything on my voice memo. It wasn't even with an album or anything in mind; it was just for me. I just started doing that often. After Big Sur, I started hiking and writing and taking pictures. I formed a habit of escaping and going on these trips. I still do it and I find that it really helps me. Psychedelics aided in that. While recording new songs for this project, I revisited the notebook that I had been keeping. The song 'LSD' pretty much sets you up for the trip."

I think they can coexist for sure. I actually just watched the Goop thing on Netflix, and they did psilocybin therapy, which is basically microdosing with a therapist in a group setting. That's how I tried when I did magic mushrooms: I would microdose. It wasn't like I wanna hallucinate, it really helped me come out of a deep depression, and it doesn't have any addictive properties. So it was something I had an experience with and I feel like I'm in a different, more appreciative place because of that experience. I look at trees different, I look at other people different. And I think yeah, if you work with professionals in that field, in a setting that is controlled, medical professionals and sound healing professionals, I think that would be really cool to see them work together, for sure. I also think that with sound baths and sound healing experiences, a lot of people say that it felt like they were high, almost. It's cool to experience it just purely in that way. I think songs on this album, they have the bowls in them sort of as an introduction to the sound healing because a lot of the songs are not sound healing songs, but they have that sound healing element that you may or may not pick up on. But it's there.

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So since ten purchased songs from an album equals the sale of one copy of the album, if someone buys a 20-song album, that counts as two album sales, and so on. Actual sales are pretty straightforward like that.

So we can see that the longer the album, the fewer people have to play the its songs to equal an album sale. This means that to sell a copy of, say, the 45-song Heartbreak on a Full Moon, only 34 people (really 33.333 people) have to stream it. No matter how interminable the album is, we can all agree that 34 people is a stunningly low bar for a well-known celeb like Chris Brown to clear. 006ab0faaa