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3D Modeling (Rhino)
3D Modeling (Rhino)
clay sculpture of Tnashkari the Wanderer
Tnashkari is much like a tree: wise and kin with the forest, but deceptively strong. I found it appropriate to sculpt him as a serene sloping figure to showcase his gentleness with creatures.
clay sculpture of Tnashkari the Wanderer
Tnashkari is much like a tree: wise and kin with the forest, but deceptively strong. I found it appropriate to sculpt him as a serene sloping figure to showcase his gentleness with creatures.
For this armature I wanted to really push the shape by making it hollow and exaggerating the slouching pose, so I made an oval torso and then wrapped in tinfoil. Unfortunately this one was less inclined to the wire, so the tinfoil was looser and created a more frail final product. But it was a learning curve and I may just need to be more careful about wrapping.
For this armature I wanted to really push the shape by making it hollow and exaggerating the slouching pose, so I made an oval torso and then wrapped in tinfoil. Unfortunately this one was less inclined to the wire, so the tinfoil was looser and created a more frail final product. But it was a learning curve and I may just need to be more careful about wrapping.
clay sculpture of Togisjacha
clay sculpture of Togisjacha
clay sculpture of Ptehaumen
An interpretation of Ptehaumen must exude confidence through his broad chest and frontal center of gravity to communicate he is a chivalrous warrior.
clay sculpture of Ptehaumen
An interpretation of Ptehaumen must exude confidence through his broad chest and frontal center of gravity to communicate he is a chivalrous warrior.
This sculpt was certainly an opportunity to learn what densities and properties were appropriate in expressing a character’s weight while respecting the limitations of their frames. I experimented here with the unity of different materials such as stoneware, cloth and vegetation.
This sculpt was certainly an opportunity to learn what densities and properties were appropriate in expressing a character’s weight while respecting the limitations of their frames. I experimented here with the unity of different materials such as stoneware, cloth and vegetation.
papiér mâché sculpture of Yuakovidari
The sculpture incarnation of Yuakovidari. She is probably 13” and made from wire armature, with a Papier mache exterior and tissue paper leaves. Originally poseable, although I had to sacrifice range of movement for stability.
papiér mâché sculpture of Yuakovidari
The sculpture incarnation of Yuakovidari. She is probably 13” and made from wire armature, with a Papier mache exterior and tissue paper leaves. Originally poseable, although I had to sacrifice range of movement for stability.
Here I explored how increasing opacities of paper interact with one another and whether they could conform to a frame. I knew for a big piece I would need a lighter material on my wire (and also my oven will not fit anything larger). I covered the wire mesh in paper towels, then papier mache and gesso which worked surprisingly enough. All in all this made for two months of work.
Fashion & Accessory Design
Fashion & Accessory Design
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