Well, just finished the game, and a lil disappointed that so many good songs were left out of the game, and the KH3 worlds just had 1 song for each world. So I hope to god that Square Enix will add these songs.

I've been searching for songs that have counterpoint (two melodies layered over each other) and have been really disappointed by quantities in my search results. Songs like "Prima Donna" from Phantom of the Opera, "Down Once More" from PotO, "One Day More!" From Les Miserables. Most songs I've found are broadway, but even then a very limited number. I'd love to know about more songs with two melodies at the same time, theater and not.


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"Unchained Melody" is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955),[1] hence the song title. Todd Duncan sang the vocals for the film soundtrack.[2] It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965.[3] According to the song's publishing administrator, over 1,500 recordings of "Unchained Melody" have been made by more than 670 artists, in multiple languages.[4]

Of the hundreds of recordings made, the Righteous Brothers' version, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.

In 1954, Alex North was contracted to compose the score for the prison film Unchained (released in 1955). North had a melody he had written in the 1930s and composed and recorded the score when he was asked to write a song based upon the movie's theme.[10] North asked Hy Zaret to write the lyrics. After first refusing, Zaret and North together wrote "Unchained Melody."[11][12] Zaret refused the producer's request to include the word "unchained" in his lyrics.[13] The song eventually became known as the "Unchained Melody" even though the song does not actually include the word "unchained". Instead, Zaret chose to focus on someone who pines for a lover he has not seen in a "long, lonely time".[14] The film centered on a man who contemplates either escaping from prison to live life on the run or completing his sentence and returning to his wife and family.[14] The song has an unusual harmonic device as the bridge ends on the tonic chord rather than the more usual dominant chord.

Hatfield made a change to the song during the recording sessions. The first two takes of the song he performed it in the same style as Roy Hamilton.[10] For a third take, he decided to change the melody for the "I need your love" line in the final verse, and sang it much higher instead.[10] After this recording, Hatfield said he could do another take better, to which Medley replied: "No, you can't."[48] Medley played the Wurlitzer piano on the song and he noted that "if I knew that it was gonna be a hit I certainly would have brought in a better piano player."[45][50]

Due to the success of their re-recording, the Righteous Brothers also re-recorded other songs and released them as part of a budget-priced CD compilation by Curb Records. For the original recordings, Polydor had licensed the CD rights to Rhino Records for a premium-priced 1989 compilation of Righteous Brothers hits from various labels;[61] later in 1990, it issued its own regular-priced Righteous Brothers greatest hits CD that included the recording.[62]

English singer-songwriter Gareth Gates first performed "Unchained Melody" as a contestant in the quarter-final of the first series of the UK singing competition television show Pop Idol, which included Simon Cowell as one of the judges.[134] Gates reprised the song in the final as his personal choice,[135] but the competition was won by Will Young. Gates was signed by Cowell, and as the runner-up, Gates released the song as his first single three weeks after the winner had released his single, the double A-sided "Anything Is Possible" / "Evergreen". Gates' cover of "Unchained Melody" was released together with his versions of the same two songs released by Young, which Gates had also performed in the final.[136]

The song has been covered by many artists; according to the song's publishing administrator, over 1,500 recordings of "Unchained Melody" have been made by more than 670 artists in multiple languages. Its popularity also meant that the song is one of the highest grossing songs for its copyright holders, estimated in 2012 to be the fifth biggest earners of royalties according to the BBC's list of The Richest Songs in the World at 18 million.[196]

The song was nominated in 1956 for 1955's Oscar for best original song from the film Unchained.[197] The re-recorded version by the Righteous Brothers was nominated for a Grammy Award in 1991 in the best pop performance by a duo or group category,[198] and their original version was inducted into the Grammy Hall of Fame in 2000.[199][200] The use of the Righteous Brothers' cover of "Unchained Melody" in the film Ghost resurrected the song's popularity as it was recognized as the "most played" song of 1992 by the American Society of Composers, Authors, and Publishers (ASCAP).[201] ASCAP also announced it to be one of the 25 most-performed songs and musical works of the 20th century in 1999, and the most-performed love song of the 1950s in 2003.[13]

In 2001, the song was ranked at No. 138 in the list of Songs of the Century released by the Recording Industry Association of America and the National Endowment for the Arts.[202] In 2004, Rolling Stone placed the Righteous Brothers version of the song at number 365 on their list of The 500 Greatest Songs of All Time.[5] It was placed first in Magic 1278's 500 greatest songs of all time. It was also listed in 2004 at No. 27 in the list of the 100 top movie songs of all time in American Film institute's centenary AFI's 100 Years...100 Songs survey of songs in American cinema.[203] In 2007, the Songwriters Hall of Fame honored "Unchained Melody" with a Towering Song award that is presented to creators of a song "that has influenced the culture in a unique way over many years."[204][205]

The role of left and right temporal lobes in memory for songs (words sung to a tune) was investigated. Patients who had undergone focal cerebral excision for the relief of intractable epilepsy along with normal control subjects were tested in 2 recognition memory tasks. The goal of Experiment 1 was to examine recognition of words and of tunes when they were presented together in an unfamiliar song. In Experiment 2, memory for spoken words and tunes sung without words was independently tested in 2 separate recognition tasks. The results clearly showed (a) a deficit after left temporal lobectomy in recognition of text whether sung to a tune or spoken without musical accompaniment, (b) impaired melody recognition when the tune was sung with new words following left or right temporal lobectomy and (c) impaired melody recognition in the absence of lyrics following right but not left temporal lobectomy. The different role of each temporal lobe in memorizing songs provides evidence for the use of dual memory codes. The verbal code is consistently related to left temporal lobe structures, whereas the melodie code my depend on either or both temporal lobe mechanisms, according to the type of encoding involved.

Although Mermaid Melody Pichi Pichi Pitch is comparable to any shjo title, the anime's songs are used not only as opening/ending songs, but are also used as battle songs and image songs. There are 32 songs and approximately 50 background themes in the whole series. Each episode has at least one battle/image song performance.

The two basic elements of music that define melody are pitch and rhythm. Melody is a succession of pitches in rhythm. The melody is usually the most memorable aspect of a song, the one the listener remembers and is able to perform.

It is absolutely essential to the craft of songwriting that the writer sing the melody, feel it in the voice, reach for the high notes, and focus on experiencing the relationship between the lyric and the melody. Much of melody writing done for instruments, especially for the piano, is difficult or impossible to sing. The following are to be considered when writing for the voice:

The lead sheet format reflects the importance of the melody. Harmonic voicings, texture, and orchestration are not found in lead sheets. The lead sheet solely contains the melody, the lyric, and the harmony notated with chord symbols.

4. Each syllable of the lyric should be placed directly under the note or notes to which it is sung. Spacing of the music is determined by the length of words and syllables. Improper alignment of lyric to melody is a common mistake that should be avoided, as shown here:

Back in 1973, Genesis recorded Firth of Fifth, credited to the full group, but written mainly by keyboardist Tony Banks. The opening piano solo, lasting just over a minute, is a good example of an instrumental based on chords, with only the merest notion of a melody:

I ordered your e-books, and I am absolutely loving them. I've only very recently started writing songs (I've written four...but all within the last week!), and the information you offer is incredibly useful. So, thank you!

The words to our national anthem have nothing to do with consumption of alcohol, but the melody that Francis Scott Key had in mind when he wrote those words did originate decades earlier as the melody for a song in praise of wine.

Many sets of lyrics have been written to the melody that Key chose for his verses that eventually became our national anthem. In fact, by 1820, eighty-four were written in the United States alone. Unlike most common melodies, we know who wrote the original words, music, and why! e24fc04721

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