Soul of Sand (Hindi: Pairon Talle) is a 2010 Indian drama film directed by Sidarth Srinivasan, about a lower caste watchman, Bhanu Kumar who stands guard at his master Lakhmichand Ahlawat's abandoned silica mine on the outskirts of Delhi.[1] It film deals with issues of caste system and land politics, feudalism and the urbanization of the Delhi NCR (National Capital Region).[2] The film had its world premiere at the 2010 Toronto International Film Festival on 12 September 2010.[3]
The film had its world premiere at the 2010 Toronto International Film Festival in September, 2010, under the Discovery section.[4] The film was also shown as International Film Festival Rotterdam as a part of HBF Harvest 2011: Bright Future section, for film produced with Hubert Bals Fund (HBF) funding. This also ensured its distribution through in the Benelux countries (Belgium, the Netherlands and Luxembourg) and a European premiere in Rotterdam.[5]
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The film is featured in the Global Lens 2011 film series, sponsored by The Global Film Initiative. Global Lens is an annual program of eight to ten narrative films from around the world. Each year, the series premieres at MoMa and then tours throughout the United States and Canada. Global Lens 2011 includes eight other award-winning narrative feature films from Argentina, Bosnia-Herzegovina, Brazil, China, Georgia, Kyrgyzstan, Iran, and Uruguay.[6]
IndiEarth: You have worked with small budget projects, such as your debut film, Swamohita. What was your experience dealing with budget constraints and how did it affect the making of the movie?
Siddharth Srinivasan, the director and producer of the critically acclaimed film Pairon Talle (Sand of Souls), was asked by a Delhi court to make room for his estranged wife Divya Bhardwaj at his house in New Friends Colony. His wife was reportedly not allowed to re-enter the house after she went to visit her mother.
Bhardwaj's counsel told the court that she was facing domestic violence by her husband and motherin-law. She also alleged that Srinivasan produced a Hindi film with financial help from her, for which she had taken huge loans. She further claimed that her husband misappropriated all the money received for the film leaving her with huge debt.
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Mumbai-based director Faiza Ahmad Khan took a crew to film these entrepreneurs making their Malegaon Ka Superman and this absolutely delightful (and film festival award-winning) documentary is the result. 589ccfa754
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