By Robert Patmore
A critique of the persistence of A “silo mentality” in visual arts education, where artistic techniques are closely guarded out of fear of irrelevance. I propose a stage-based framework for fostering collaborative, human-centred learning through the "Visual Arts Penpal Network"—a cross-institutional initiative that connects students with shared expressive interests under guided mentorship.
The presentation will outline four key stages:
Deconstruction – Challenging myths of artistic isolation through critical discourse.
Infrastructure – Building safe, structured platforms for inter-school exchange.
Engagement – Facilitating apprentice-style learning and peer feedback.
Reflection – Documenting growth while preserving creative ownership.
By emphasising connection over competition, this model positions collaboration and mentorship as essential to sustaining creative relevance—resisting the narrative that artistic value must yield to technological substitution.
By Chevonnese Chevers Whyte
The demands of teaching have gone beyond delivering course materials and having discussions with students. In today's classroom, teachers are expected to be content creators, counsellors, parents, medical experts, technicians, and so much more. We are instructed to create course material that will benefit auditory, visual, and kinesthetic learners. We also see that students in the creative field are predominantly visual and kinesthetic learners. So, how do you find the time to create your course material that is palatable to various types of learners, especially creators? Perhaps the solution lies in using Artificial Intelligence, specifically Notebook LM. A tool that can be used to create videos and audio from given sources.