After two days of work, the song had vocals, drum sounds and electric guitar. Bottrell added an acoustic guitar part using a Gibson LG-2 built in the 1940s; a robust model with a big country sound reminiscent of Gene Vincent's classic rockabilly style. Jackson became busy working on other projects, and "Black or White" languished for a few months. The song was picked up again when Bottrell's part of the album project moved to Record One in Sherman Oaks. Bottrell and Jackson felt that the song had two big gaps in the middle, and they determined to fill them. Jackson wanted a heavy metal guitar to fill one of the gaps, so he sang the part he wanted, including chord arpeggiations, to session player Tim Pierce who performed it on a Les Paul plugged into a Marshall stack. Michael Boddicker added the sound of a high-speed guitar by using a Roland sequencer, assisted by Kevin Gilbert. Bottrell blended two different bass sounds, primarily Bryan Loren playing a Moog keyboard bass, augmented by Terry Jackson playing an electric bass guitar. (Terry Jackson was unrelated to Michael Jackson. Terry was discovered by Thomas Dolby, and played bass in 1988 on Aliens Ate My Buick, co-produced by Bottrell.) Bottrell replaced some of the E-mu default rhythm samples with live drum samples taken from an Akai machine.[5]

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