Castaneda, with Carol Tiggs, Florinda Donner-Grau and Taisha Abelar, created Cleargreen Incorporated in 1995, whose stated purpose was "to sponsor Tensegrity workshops, classes and publications.". Tensegrity seminars, books, and other merchandise were sold through Cleargreen.[13]
After Castaneda stepped away from public view in 1973, he bought a large multi-dwelling property in Los Angeles which he shared with some of his followers, including Taisha Abelar (formerly Maryann Simko) and Florinda Donner-Grau (formerly Regine Thal). Like Castaneda, Abelar and Donner-Grau were students of anthropology at UCLA. Each subsequently wrote a book about her experiences of Castaneda's / don Juan's teachings from a female perspective: The Sorcerer's Crossing: A Woman's Journey by Taisha Abelar, and Being-in-Dreaming: An Initiation into the Sorcerers' World by Florinda Donner. Castaneda endorsed both of these books as authentic reports of the sorcery experience of don Juan's world.[16]
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The veracity of these books, and the existence of don Juan, was doubted from their original publication,[6] and there is now consensus among critics and scholars that the books are largely, if not completely, fictional.[9][10][11]
Castaneda himself asserted that his books, and the sorcery world they described, had their framework in ancient Toltec shamanic knowledge, and had nothing to do with Yaqui culture. In this regard, Castaneda's teacher, Juan Matus, was not a "Yaqui" sorcerer, but a seer and "man of knowledge" in energetic truths that transcended all cultural frameworks. Castaneda claimed that his publisher had demanded the subtitle of "A Yaqui Way of Knowledge" to his first published work, The Teaching of Don Juan, a subtitle that Castaneda felt was inappropriate and misleading. From the publication of his first work in 1968 until his death thirty years later, Castaneda always maintained, both publicly and privately, that his works were accounts of actual experiences and real people, and were not fictional. The fact that his twelve titles have sold over twenty-eight million copies, and still sell tens of thousands of copies a year, would indicate that those interested in the perspective of the world that Castaneda's books present find his reporting of value./>
Scholars have also debated "whether Castaneda actually served as an apprentice to the alleged Yaqui sorcerer don Juan Matus or if he invented the whole odyssey."[9] Castaneda's books are classified as non-fiction by their publisher, although there is consensus among critics that they are largely, if not completely, fictional.[21][22][6]
I doubt you'll find an anthropologist of my generation who regards Castaneda as anything but a clever con man. It was a hoax, and surely don Juan never existed as anything like the figure of his books. Perhaps to many it is an amusing footnote to the gullibility of naive scholars, although to me it remains a disturbing and unforgivable breach of ethics.[6]
Upon first reading, the content of this book may seem very farfetched. There is talk of shapeshifting, being in two places at once, escaping death, undead beings, and ghostly companions from other realities. But being a practitioner of raja yoga, and having recently read books such as Psychology and Alchemy by CG Jung, Israel Regardie, and The Secret of the Golden Flower, the explanations and methods are surprisingly plausible to me. Not everything is to be taken literally of course. Much of what Don Juan has to impart are convenient metaphors for mental states, and some of the terminology is there simply for consistency and visualisation purposes.
What is your opinion about his work and Don Juan's philosophies? I began to read his books last year and I really have to say that they changed my life. Not only did don juans teachings help correct some negative aspects about my character but it also helped inspire my artwork and give me hope and further understanding about my confusion with spirituality and my mortality.
According to Carlos, who wrote these books as though they were an accurate account of his life, his teacher recognized him as a leader of sorts amongst seers and that he had some sort of connection to the unknown.
Not that any of these debates mattered to Carlos Castaneda, the one person in the world that could have shed light on the argument. Even though his books had made the author such a popular public figure, Carlos rarely exposed himself to public scrutiny.
In fact, for all the fame that his books elicited, almost everything known about Carlos was little more than speculation, some media sources even going so far as to suggest that the cover portrait Carlos used for his books was just a surrogate.
The second volume in the Don Juan books finds Carlos returning to Mexico and to the teachings of Don Juan seeking an experience unlike any Western Civilization has ever seen. Carlos rips apart the veil between this reality and the world of magic.
If Carlos books are fiction, he must be credited with being one of the most vividly imaginative writers ever. If there are factual aspects within them, they have been interwoven with some elaborate stories. My own view having read most of the books a number of times is that Carlos has discovered some Shaman knowledge and incorporated it into the writing. Also have experienced being in what Carlos calls The Energy Body a number of times. During lucid dreaming, we humans are replicated in this dream state but with different laws of physics that apply to that state of being. Always wanted to make films about the books in order to explain some of the concepts that Shamans teach others.
If this name draws a blank for readers under 30, all they have to do is ask their parents. Deemed by Time magazine the "Godfather of the New Age," Castaneda was the literary embodiment of the Woodstock era. His 12 books, supposedly based on meetings with a mysterious Indian shaman, don Juan, made the author, a graduate student in anthropology, a worldwide celebrity. Admirers included John Lennon, William Burroughs, Federico Fellini and Jim Morrison.
Under don Juan's tutelage, Castaneda took peyote, talked to coyotes, turned into a crow, and learned how to fly. All this took place in what don Juan called "a separate reality." Castaneda, who died in 1998, was, from 1971 to 1982, one of the best-selling nonfiction authors in the country. During his lifetime, his books sold at least 10 million copies.
Castaneda was viewed by many as a compelling writer, and his early books received overwhelmingly positive reviews. Time called them "beautifully lucid" and remarked on a "narrative power unmatched in other anthropological studies." They were widely accepted as factual, and this contributed to their success. Richard Jennings, an attorney who became closely involved with Castaneda in the '90s, was studying at Stanford in the early '70s when he read the first two don Juan books. "I was a searcher," he recently told Salon. "I was looking for a real path to other worlds. I wasn't looking for metaphors."
The books' status as serious anthropology went almost unchallenged for five years. Skepticism increased in 1972 after Joyce Carol Oates, in a letter to the New York Times, expressed bewilderment that a reviewer had accepted Castaneda's books as nonfiction. The next year, Time published a cover story revealing that Castaneda had lied extensively about his past. Over the next decade, several researchers, most prominently Richard de Mille, son of the legendary director, worked tirelessly to demonstrate that Castaneda's work was a hoax.
In spite of this exhaustive debunking, the don Juan books still sell well. The University of California Press, which published Castaneda's first book, "The Teachings of Don Juan: A Yaqui Way of Knowledge," in 1968, steadily sells 7,500 copies a year. BookScan, a Nielsen company that tracks book sales, reports that three of Castaneda's most popular titles, "A Separate Reality," "Journey to Ixtlan" and "Tales of Power," sold a total of 10,000 copies in 2006. None of Castaneda's titles have ever gone out of print -- an impressive achievement for any author.
Today, Simon and Schuster, Castaneda's main publisher, still classifies his books as nonfiction. It could be argued that this label doesn't matter since everyone now knows don Juan was a fictional creation. But everyone doesn't, and the trust that some readers have invested in these books leads to a darker story that has received almost no coverage in the mainstream press.
Castaneda, who disappeared from the public view in 1973, began in the last decade of his life to organize a secretive group of devoted followers. His tools were his books and Tensegrity, a movement technique he claimed had been passed down by 25 generations of Toltec shamans. A corporation, Cleargreen, was set up to promote Tensegrity; it held workshops attended by thousands. Novelist and director Bruce Wagner, a member of Castaneda's inner circle, helped produce a series of instructional videos. Cleargreen continues to operate to this day, promoting Tensegrity and Castaneda's teachings through workshops in Southern California, Europe and Latin America.
Runyan wrote that "the University of California Press, fully cognizant that a nation of drug-infatuated students was out there, moved it into California bookstores with a vengeance." Sales exceeded all expectations, and Quebec soon introduced Castaneda to Ned Brown, an agent whose clients included Jackie Collins. Brown then put Castaneda in touch with Michael Korda, Simon and Schuster's new editor in chief.
In his memoir, "Another Life," Korda recounts their first meeting. Korda was told to wait in a hotel parking lot. "A neat Volvo pulled up in front of me, and the driver waved me in," Korda writes. "He was a robust, broad-chested, muscular man, with a swarthy complexion, dark eyes, black curly hair cut short, and a grin as merry as Friar Tuck's ... I had seldom, if ever, liked anybody so much so quickly ... It wasn't so much what Castaneda had to say as his presence -- a kind of charm that was partly subtle intelligence, partly a real affection for people, and partly a kind of innocence, not of the naive kind but of the kind one likes to suppose saints, holy men, prophets and gurus have." The next morning, Korda set about buying the rights to "The Teachings." Under his new editor's guidance, Castaneda published his next three books in quick succession. In "A Separate Reality," published in 1971, Carlos returns to Mexico to give don Juan a copy of his new book. Don Juan declines the gift, suggesting he'd use it as toilet paper. A new cycle of apprenticeship begins, in which don Juan tries to teach Carlos how to "see." be457b7860
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