He was the leader of a light music troupe composed of Anirutta (on the harmonium), Ilaiyaraaja (on guitar and later on harmonium), Baskar (on percussion) and Gangai Amaran (on guitar).[39] He was selected as the best singer in a singing competition which was judged by S. P. Kodandapani and Ghantasala.[40][41] Often visiting music composers seeking opportunities, his first audition song was "Nilave Ennidam Nerungadhe". It was rendered by veteran playback singer P. B. Sreenivas, who used to write and give him multi-lingual verses in Telugu, Tamil, Hindi, Kannada, Malayalam, Sanskrit, English and Urdu.[42]

Balasubrahmanyam debuted as a playback singer on 15 December 1966 with the song 'Emiyee Vinta Moham' for Sri Sri Sri Maryada Ramanna, a Telugu film scored by his mentor, S. P. Kodandapani.[36][43][13] The first non-Telugu song that he recorded just eight days after his debut Telugu song was in Kannada in 1966 for the film Nakkare Ade Swarga, starring Kannada comedy stalwart T. R. Narasimharaju.[44][45] He recorded his first Tamil song "Athaanodu Ippadi Irundhu Eththanai Naalaachu", a duet with L. R. Eswari under the musical direction of M. S. Viswanathan for the film Hotel Ramba, which never released. The song "Medante Meda Kaadu" from the film Sukha Dukhalu (1968) composed by Kondandapani brought him recognition in Telugu cinema.[46]


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Other early songs he sang were duets with P. Susheela, "Iyarkai Ennum Ilaya Kanni" in the 1969 film Shanti Nilayam, starring Gemini Ganesh, and "Aayiram Nilavae Vaa" for M. G. Ramachandran in Adimaippenn.[47] His first song with S. Janaki was "Pournami Nilavil Pani Vizhum Iravil" in Kannippenn. He was then introduced to the Malayalam film industry by G. Devarajan in the film Kadalppalam.[48] As per Balasubrahmanyam, "Ye Divilo Virisina Parijathamo" from the 1973 Telugu film Kannevayasu composed by Satyam gave an amazing turning point to his singing career.[49]

Balasubrahmanyam came to international prominence with the 1980 film Sankarabharanam. The film is considered to be one of the best films ever to emerge from the Telugu film industry.[55] Directed by K. Viswanath, the film's soundtrack was composed by K. V. Mahadevan and led to an increase in the usage of Carnatic music in Telugu cinema as well as in other languages. Not a classically trained singer, he used a "film music" aesthetic in recording the songs.[56] Balasubrahmanyam received his first National Film Award for Best Male Playback Singer for his work. His first work in Hindi films was in the following year, in Ek Duuje Ke Liye (1981),[57] for which he received another National Film Award for Best Male Playback Singer.[15]

Balasubrahmanyam began to record more songs in Telugu and other South Indian languages, especially for Ilaiyaraaja with S. Janaki, the trio considered to be highly successful in the Tamil film industry from the late 1970s and throughout the 1980s. The songs were based on classical music, such as in Saagara Sangamam (1983) and Rudraveena (1988), for which both Ilaiyaraaja and Balasubrahmanyam won National Awards for Best Music Director and Best Male Playback Singer respectively.[58] South Indian actor Chiranjeevi admits that '''SPB''' voice is one of the main reasons of his success.[59]

In 1989, Balasubrahmanyam was the playback singer for actor Salman Khan in the blockbuster Maine Pyar Kiya.[60] The soundtrack for the film was very successful and he won a Filmfare Award for Best Male Playback Singer for the song Dil Deewana. For much of the next decade, Balasubrahmanyam continued as the "romantic singing voice" on the soundtracks of Khan's films.[61] Notable among these was Hum Aapke Hain Koun..! which became the highest-grossing Hindi film of all time.[62] Balasubrahmanyam's duet with Lata Mangeshkar, "Didi Tera Devar Deewana", was very popular. This solidified Balasubrahmanyam as one of the biggest playback singers in India.[63] SP Balasubrahmanyam became identified as Salman Khan's voice in the 90s just like Kishore Kumar became Rajesh Khanna's voice through the 70s.[64][65]

Balasubrahmanyam recorded three songs for A. R. Rahman in the latter's debut film Roja. He had a long-time association with Rahman right from Roja. Other popular songs include "July Maadham" from Pudhiya Mugam, which also marked the debut of singer Anupama,[67] "Mannoothu Manthayilae" from Kizhakku Cheemayile which was a folk number and he almost sang all songs in the musical love story Duet and "Thanga Thaamarai" from Minsara Kanavu which fetched him, the sixth and latest of his National Film Awards for Best Male Playback Singer to date.[68][69]

Balasubrahmanyam's association with Hamsalekha began after the latter's successful venture Premaloka in Kannada. Balasubrahmanyam sang the most songs for Hamsalekha in Kannada. He received his fourth National Film Award for Best Male Playback Singer for the song "Umandu Ghumandu" from the Kannada film Ganayogi Panchakshari Gavayi (1995), which was a Hindustani classical music-based composition by Hamsalekha.[58]

In May 2020, SPB crooned a song on humanity titled "Bharath Bhoomi" which was composed by Ilaiyaraaja as a tribute to the people such as police, doctors, nurses and janitors who have been significantly working amid COVID-19 pandemic.[72] The video song was officially unveiled by Ilaiyaraaja through his official YouTube account on 30 May 2020 in both Tamil and Hindi languages.[73][74]

He entered into Telugu cinema with Ahuti (1950), a Telugu-dubbed version of Junnarkar's Neera aur Nanda (1946). Some of the songs, such as "Hamsavale O Padava", "Oogisaladenayya", "Premaye jannana marana leela", scored by Saluri Rajeswara Rao, were major hits.[9] Sri Sri was a screenwriter for several Telugu films. He was one of the best film songwriters in India, he has penned lyrics for over 1000 soundtracks in Telugu. He was a great asset to the Telugu film industry.

Devi has worked on over 100 films over the span of 21 years. He began his music career in 1997, by composing one of the eight tracks in the studio album Dance Party.[11] He composed the soundtrack of Anandam in 2001, by which he made breakthrough in Tollywood and Telugu music. In the same year, he made his Tamil debut by composing the film score and singing two songs of Badri.[12] Devi also choreographed a song in the 2015 film Kumari 21F.[13][14]

Devi made his breakthrough with the soundtrack album of the film Anandam in the same year, marking his first collaboration with director Srinu Vaitla. He has written and sung the song "Premante Emitante" and lent his vocals for another song titled "Monalisa". Idlebrain stated that, "music of the film is good though some of the tunes are inspired by 'back street boys' work. Background music is impressive. Devi Sri Prasad has got a chance to work with a fulltime love story, which has scope for good music".[21] This is his first major successful film album. In the same year, he composed film score for a Tamil film Badri. This marks his debut in Tamil cinema.[22][23]

His next releases in 2006 were all romantic films. Of these, coming-of-age film Bommarillu was the biggest hit. The music of the film received positive response from critics. "Appudo Ippudo", "Nammaka Thappani" and "Bommani Geesthe" became chartbusters of the year.[36] A critic from IndiaGlitz stated: "Bommani Geesthe is a quaint and quite folksy start. Something that Devi Sri Prasad hardly ever tries in recent times. After you listen to this, you would want him to try something similar again and again. His instrumentation, especially the violin ensemble, is in one word superb. The violin rendition of the film's theme in between is very beautiful. A good one in the album."[37] It became one of the most sold Telugu music albums of the year. A repository of Indian songs has recommended the feel-good soundtracks to the audiences. Devi composed a classic traditional-style music album for Pournami for the first time. The track "Bharata Vedamuga" helped DSP prove his classical talent as well. It was an evergreen chartbuster and is recognized as most fine works performed by Chitra, DSP, Sirivennala, and Charmi, as well.[38] A critic writing an article titled 'Six best compositions of the music director' to The Times of India included soundtracks of the films Anandam, Kalusukovalani, Manmadhudu, Varsham, Nuvvostanante Nenoddantana and Arya.[39] All these works made him to win further more accolades.

In 2009, he has five album releases. Devi with his regular collaborator Sukumar, collaborated for the film Arya 2, which is spiritual sequel to his previous film Arya (2004). He also composed for the film's dubbed versions in Hindi, Malayalam and Tamil.[46] The tracks "Ringa Ringa", "Uppenantha Prema" and "My Love Is Gone" topped the music charts. Although the film received mixed reviews, the song "Ringa Ringa" received a cult status.[47] He received various nominations for his work. The song's music was re-used by Devi in the 2011 Hindi film Ready due to its popularity.[48] The same year devi got a decent hit in Tamil with the film Kanthaswamy. Devi made Vikram to sing as many as four songs in the album.[49] Pavithra Srinivasan of Rediff.com cited that "Kanthaswamy's music is not Devi Sri Prasad's best."[50] The song "Excuse me, Mr. Kandasamy" been into a controversy after its release. Advocate V. Elango claimed that he had written five lines of the song. Finally, the controversy was over, after film's team won the case.[51]

He has four album releases in 2012, two action films Gabbar Singh and Julayi, one fantasy film Damarukam and a drama film Sarocharu. The six-track album of Julai was released on 6 July 2002, which became a chartbuster. In the UK, the BBC Asian Network radio station officially play listed the track "O Madhu" on 14 July 2012 marking it as the first Telugu song to be play listed there.[59] He danced alongside Allu Arjun in a song of the album. Devi received various awards and nominations for his work in the film Gabbar Singh. As the years pass, "Kevvu Keka" song received cult status. The song featuring Malaika Arora has huge popularity.[60] A critic wrote that "DSP keeps the acoustics at the right level, like a seasoned engineer."[61] Cheruku Raja of India Herald cited DSP on Sarocharu music album that "DSP's magical tunes are missing to core in the audio of this film."[62] Critics gave mixed reviews for DSP's 50th film Damarukam.[63] His composition of score was praised, but ten-track album got mixed response, except for few romance-styled songs.[64] e24fc04721

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