Thousands of years ago, five African tribes war over a meteorite containing the metal vibranium. One warrior ingests a "heart-shaped herb" affected by the metal and gains superhuman abilities, becoming the first "Black Panther". He unites all but the Jabari Tribe to form the nation of Wakanda. Over centuries, the Wakandans use vibranium to develop advanced technologies and isolate themselves from the world by posing as an underdeveloped country. In 1992, Wakanda king T'Chaka visits his brother N'Jobu, who is working undercover in Oakland, California. T'Chaka accuses N'Jobu of assisting black-market arms dealer Ulysses Klaue with stealing vibranium from Wakanda. N'Jobu's partner reveals he is Zuri, another undercover Wakandan, and confirms T'Chaka's suspicions.

While Shuri heals Ross, T'Challa confronts Zuri about N'Jobu, as Erik was wearing a necklace that belonged to him. Zuri explains that N'Jobu had grown disillusioned with Wakanda's isolationism and planned to share Wakanda's technology with people of African descent around the world to help them conquer their oppressors with the help of Klaue. Before T'Chaka could arrest N'Jobu, the latter attacked Zuri and forced T'Chaka to kill him. T'Chaka ordered Zuri to lie that N'Jobu had disappeared and left behind N'Jobu's American son N'Jadaka to maintain the lie. This boy grew up to be Erik, a black ops U.S. Navy SEAL who adopted the nickname "Killmonger". Meanwhile, Killmonger kills Klaue and takes his body to Wakanda. He is brought before the tribal elders, revealing his identity to be N'Jadaka and stating his claim to the throne. Killmonger challenges T'Challa to ritual combat, where he kills Zuri, badly injures T'Challa, and hurls him over a waterfall. Killmonger ingests the heart-shaped herb and orders the rest incinerated, but Nakia extracts one of them. Killmonger, supported by W'Kabi and his army, prepares to distribute shipments of Wakandan weapons to operatives around the world.


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The production team was inspired by Ta-Nehisi Coates's run on Black Panther, who was writing the comic at the same time as they were working on the film. Of particular inspiration was Coates's poetic dialogue, Brian Stelfreeze's art, and "some of the questions that it's asking".[106] The film was also inspired by the comic runs of Jack Kirby, Christopher Priest (which Coogler felt most influenced the film), Jonathan Hickman, and Hudlin. Characters for the film were picked from throughout the comics based on what worked for the film's story.[38] The ceremonial betrothal aspect of the Dora Milaje was not adapted from the comics for the film.[10] Coogler had hoped to include Spider-Man villain Kraven the Hunter early in the process because of a scene in Priest's run that had T'Challa fighting Kraven, but the rights to the character were not available due to Sony Pictures owning all rights to Spider-Man characters.[116] Donald Glover and his brother Stephen made some minor contributions to an early draft of the script, developing the relationship between T'Challa and his younger sister Shuri.[117] Moore noted that an early script had more scenes outside of Wakanda to explore "what it means to be African and African-American in the world a bit more", and hoped these could be revisited in a later film, particularly a "super cool" sequence that was storyboarded before being cut.[118] Coogler and Robert Cole had considered including the Golden Age black hero Eli Bradley / Patriot for a while, but they ultimately excluded him to focus on Wakanda.[119] Eli Bradley was eventually featured in the Disney+ miniseries The Falcon and the Winter Soldier (2021), portrayed by Elijah Richardson.[120]

The costumes for T'Challa combined his role as king and as the head of the military, including combining a kente cloth cloak with military boots.[10] Carter also used distinct colors and patterns for each of Wakanda's tribes, such as green with shells for the River Tribe based on the Suri; blue with wood for the Border Tribe; black with royal purple for the Black Panther and the Royal Palace;[10][24] plums and purples for the Merchant Tribe in reference to the Tuareg; and ochre for the Mining Tribe inspired by the Himba.[24] Three out of every five people in Wakanda go barefoot. The Wakandans wear "normal" clothes outside of the country, with the colors of their costumes kept consistent.[10] Overall, Carter created 700 costumes for the film, working with "an army" of illustrators, designers, mold makers, fabric dyers, jewelry makers and more.[135]

ILM was primarily responsible for creating the digital urban environments of Wakanda. ILM VFX supervisor Craig Hammack compared this work to his time on Tomorrowland (2015), but noted the additional challenge of not just building a futuristic city, but also one that was culturally appropriate. He explained that African culture has a "certain amount of earthy material qualities that make things difficult to design as a futuristic city," which would typically use much steel and glass. ILM looked to real life examples that blend modern architecture with natural environments like One Central Park in Sydney and The Pearl of Africa Hotel in Kampala, but also had to "depart from a strict understanding of physics and go into a movie cheat world" at times to produce the desired look. Hammack was also inspired by the architecture of Uganda, where he spent time while aerial footage for the film was being shot. 60,000 individual buildings were designed and modeled for the city, which Hammack said was the first thing ILM began work on and also the last thing they were doing when the film was completed. Other things that ILM worked on during the production included set extensions and blue-screen replacements for interior sets, and the first rhinoceros shown in the film. For T'Challa's ancestral plane scenes, ILM replaced the basic set that was used with a full CG environment including an acacia tree and animated panthers. The sky was based on the Northern Lights, with this first designed for nighttime scenes before being replicated for daytime scenes in which the animators had to work hard to keep the effects visible. ILM also added additional sand for the burial sequences so Boseman could breathe during filming, and additional flames when Killmonger burns the heart-shaped herb.[145]

Marvel debuted early footage and concept art from the film at a press event in April 2017. Kyle Buchanan of Vulture praised the cinematography, costume and production design, and Black cast, saying "Black Panther doesn't look like any of the other Marvel movies ... If this is what the future of superhero movies looks like, deal me in."[105] The screened footage was the first time Marvel had shown raw dailies, which Feige said they did to show off the "highest-class cast we've had" despite editing having not yet begun.[178] A poster was released ahead of the first teaser trailer, which premiered during Game 4 of the 2017 NBA Finals.[179][180] Fans on Twitter felt the poster was poorly photoshopped,[181] and it was compared to a real-life picture of Black Panther Party co-founder Huey P. Newton.[179] The trailer received a much more positive response, with Peter Sciretta of /Film finding it unexpected and refreshing,[182] io9's Charles Pulliam-Moore calling it "every bit as intense as you were hoping it would be",[183] and Andrew Husband for Uproxx feeling the single teaser outshone the entire Homecoming marketing campaign.[180] It was viewed 89 million times in 24 hours, generating 349,000 mentions (second only to the amount the Star Wars: The Last Jedi (2017) teaser received) and "dominated the conversation on social media" over Game 4.[184][181] Per comScore and its PreAct service, the film was the subject of the most new social media conversations for the rest of the week,[185] and the second-most for the week ending June 18, behind Homecoming.[186]

Natasha Alford of The Grio called the film a "movement, a revolution in progress, and a joy to experience all wrapped into one", and called it "a master class in what it means to be proud of who you are".[288] Jamie Broadnax of Black Girl Nerds called the film a masterpiece that is "afro-futuristic and Blackity-black as hell. It's everything I've ever desired in a live-action version of this popular superhero and yet so much more."[289] Bouie said, "it is fair to say that Black Panther is the most political movie ever produced by Marvel Studios, both in its very existence... and in the questions its story raises."[284] Devindra Hardawar at Engadget was critical of the CGI, notably the digital actors used, calling them "weightless, ugly and, worst of all, incredibly distracting". Hardawar felt two "particularly disappointing" CGI shots were when T'Challa flips over a car during the Korea chase, and when T'Challa and Killmonger punch each other as they fall within the vibranium mines.[282]

Many have wondered why Black Panther means so much to the Black community and why schools, churches and organizations have come to the theaters with so much excitement. The answer is that the movie brings a moment of positivity to a group of people often not the centerpiece of Hollywood movies... [Racial and ethnic socialization] helps to strengthen identity and helps reduce the likelihood on internalizing negative stereotypes about one's ethnic group.

By late August 2018, Disney hired Academy Award campaign strategist Cynthia Swartz to create a nomination campaign on behalf of the film for the 91st Academy Awards, with Feige and Marvel Studios said to have given the film a noteworthy budget for the awards season, an obligation which Marvel didn't consider for previous films. The campaign was focused to highlight "the film's creative accomplishments and the global impact it made" in the hopes of receiving a Best Picture nomination; the campaign was not altered with the announcement of the new Best Popular Film award, which appeared to be "designed to reward blockbusters like Black Panther" in the event they did not receive a Best Picture nomination.[325] The Best Popular Film award was ultimately not implemented for the 91st Academy Awards, in order for the Academy of Motion Picture Arts and Sciences to "examine and seek additional input regarding" it.[326][327] Glenn Whipp of the Los Angeles Times felt the "blueprint" for the film's Best Picture campaign was to "communicate to Oscar voters that this is an auteur-driven superhero movie possessing a deep significance both to its director and to people historically underrepresented in Hollywood films." Another Oscar campaign consultant felt reminding the Oscar voters Black Panther "wasn't just a movie, it was a phenomenon" would help the film earn a nomination. Another said voters "want to reward good movies and they also want to reward movies that say something significant and make the industry look good." The consultants also felt if Black Panther could earn multiple nominations in the craft award categories, it would bolster its chances for a Best Picture nomination; Whipp believed that Morrison, Beachler, Carter, Friend and Harlow, and Lamar all had the possibility to be nominated for Best Cinematography, Best Production Design, Best Costume Design, Best Makeup and Hairstyling, and Best Original Song, respectively.[325] A few weeks later, Disney revealed their For Your Consideration list, with consideration in all Awards of Merit categories, aside from Best Actress and categories it was not eligible for, such as those for animation, short films, and documentaries.[328][329] be457b7860

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