The song "Metamorphosis" by Interworld is about power, wealth, and success in the rap game. The lyrics describe a person who has become a successful "pimp" by controlling and manipulating others into doing their bidding, making sure that their victims and "hoes" stay "tame". He accumulates a large fortune and engages in other matters of power and money, making it rain, holding court, and even "boning other hoes". The song suggests that people who want to be successful in the rap game should be aware of the consequences and the power dynamics of the lifestyle they are striving for, and ultimately a transformation of their life and themselves.

The difference between these two manifestations of the kappa is startling. But the latter image is quite recent, and it is hardly necessary to go all the way back to the Nihon shoki to find descriptions of vicious and mischievous kappa. Indeed, most collected versions of the kappa belief from the Edo (c.1600-1867) or Meiji (1868-1912) periods reveal a grotesque and potentially deadly creature, one with some very odd and unpleasant habits. It was not until relatively recent times that this kappa of folklore underwent a metamorphosis that brought it back to life as a cute, harmless creature, the kappa of folklorism. An examination of the dynamics of this shift from folklore to folklorism reveals a great deal about how a folk interprets changes in the creatures of its imagination, as well as about the interplay of folklore, literature, art, and commercial interests; it also serves both to demonstrate and question the nature and function of folldorism.


Inter World Metamorphosis Song Download


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In this light it is not surprising that many of the organizations of kappa lovers call their groups kappamura, or kappa villages. ANDO and SEINO map out 50 such kappamura throughout Japan (1993, 210-11). Members of these kappamura vary widely, but include business people of all sorts, media interests, merchants, artists, writers, mangaka, collectors of "kappa goods," and serious researchers and folklorists. The popularity of these local organizations led to the inception in 1988 of the Kappa Renpo Kyowa Koku (Federal Republic of Kappa [FRK]). In its "letter of introduction," a statement introducing its purpose and origins, the FRK explains: "Throughout all parts of the country, those who like kappa were making independent kappa countries or villages." Relying for publicity "a great deal on television, radio, newspapers, etc. - the mass communications world," a "kappa summit" was called to bring together these independent groups. This reliance on the mass media is clearly a part of the folklorism nature of the organization, as are the stated objectives: "On the basis of charity, courage, and humor, to build a bright and enjoyable environment, to arrange through kappa the mutual friendship of citizens..." (KAPPA RENPO KYOWA KOKU 1992, 146). 006ab0faaa

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