The Wave (Prelude)

The prelude introduces a synchronous synthesis of physical and electronic sounds, the human movement, and a programmable process of visual under the algorithmic rules of the structure of waves. 

Mimicry I

Mimicry “in evolutionary biology, is a similarity of one organism, usually an animal, to another that has evolved because the resemblance is selectively favoured by the behaviour of a shared signal receiver that can respond to both”. For the performance the first part of Mimicry meets the sound on an archetypal state. The percussion instruments were the first acousmatic instrument where the humans started to experimented with rythm and expression. 

Mimicry II

On the second part of Mimicry, the species are investigating the world as an extention of their body actions’. The delayed  silhouette (projected image) develops an internal communication model, over time. The flute as another ancient musical instrument triggers a symbiotic environment of the visual with the physical expressions.

Parasitism

Parasites and Host, two lives and two deaths. The parasite benefits damaging the host and they die when the host die. The body and its beauty are transformed to a nutrition, for an unexpected symbiotic specie. 

The first part of Parasitism illustrates the lives of both species, the last moments of the host and the first moments of the parasites. 

The second part of “Parasitism” illustrates the death scence. 

Neutralism

At the end the scene of Neutralism is closing the play. The drummer with the percussion instruments discharges the intense atmosphere, fading out the volume of the audiovisual information. Biology does not accept that the Neutralism can exist in Symbiotic relations.

Antagonism

Using audio and visual programmable environments, the image sequence of a dancing scene and the melody of a trio string, are being transform to an intense spectacle, developing an antagonistic atmosphere to the audience.