If I Download A Show On Netflix Where Does It Go

In 2010, Netflix acquired the rights to Breaking Bad, produced by Sony Pictures Television, after the show's third season, at a point where original broadcaster AMC had expressed the possibility of cancelling the show. Sony pushed Netflix to release Breaking Bad in time for the fourth season, which as a result, greatly expanded the show's audience on AMC due to new viewers binging on the Netflix past episodes, and doubling the viewership by the time of the fifth season. Breaking Bad is considered the first such show to have this "Netflix effect."[64]

On October 13, 2021, Netflix announced the launch of the Netflix Book Club, where readers will hear about new books, films, and series adaptations and have exclusive access to each book's adaptation process. Netflix will partner with Starbucks to bring the book club to life via a social series called But Have You Read the Book?. Uzo Aduba will serve as the inaugural host of the series and announce monthly book selections set to be adapted by the streamer. Aduba will also speak with the cast, creators, and authors about the book adaptation process over a cup of coffee at Starbucks.[274][275] Through October 2021, Netflix commonly reported viewership for its programming based on the number of viewers or households that watched a show in a given period (such as the first 28 days from its premiere) for at least two minutes. On the announcement of its quarterly earnings in October 2021, the company stated that it would switch its viewership metrics to measuring the number of hours that a show was watched, including rewatches, which the company said was closer to the measurements used in linear broadcast television, and thus "our members and the industry can better measure success in the streaming world."[276]

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However, Netflix is now allowing a small number of its titles to be shown in educational settings. Note that they do not allow any and all Netflix titles to be shown in the classroom, only some selected documentaries. The permitted titles are ones that contain the words "Grant of permission for educational screenings" or "Educational Screenings Permission (ESP)" in their descriptions on media.netflix.com. Please see this Netflix post for further information -- -- but also note that there is no guarantee that those films are available in the Canadian version of Netflix.

Cancelation of this one is ultimately not surprising given the show pulled in significantly less viewing for it second outing than the first. It does, however, leave the show with some huge cliffhangers that we now know will not be resolved.

While I'd heard the name of the series in passing, to me, it was just one of many semi-popular Netflix series that had been canceled in recent months. I was more disappointed in 1899 and Inside Job being axed, as I'd heard good things about both series and had them high on my "To Watch Eventually" list (Note: I have a very long list, so "high" translates to ~50 shows away). Warrior Nun was, believe it or not, somewhere on that list, but far down enough that I probably wouldn't have gotten to it until after the end of the world.

I'm not going to beat around the bush here: TV has always been more for a broad audience than it has been for niche ones. Yes, there are plenty of genres to choose from and plenty of different shows with different casts of characters to watch. But, at the end of the day, TV is more beholden to ad revenue and viewing numbers than any other medium of art. You can take a risk on a one-time feature film because even if it doesn't make that much money, the movie itself has a beginning, middle, and end; the art has been created, finished, and now anyone can watch it. Books have even more freedom, especially with the advent of self-publishing and digital serialization, which make it easy to put your writing online anywhere you want for as big or as little a price tag as you desire. Even music can be created in Digital Audio Workstations (DAWs) these days and uploaded online for anyone to listen to.

But the unique elements of Warrior Nun's storytelling techniques don't stop at this introduction. Despite having a multitude of character motivations, plot threads, and mysteries introduced in just the first half of Season 1, Warrior Nun never wastes the viewer's time on something that doesn't further the plot or characters in the series. Let's be honest, here: There are a lot of TV shows that could be a lot shorter than they are. Even though I enjoy the quippy writing of Billions, for instance, a lot of it is filler that doesn't further characters or plots in any meaningful way. A 12 episode season of Billions could easily be cut down to 8. Maybe even 6, depending on which season we're talking about. And don't get me started on Seasons 7 and 8 of The Walking Dead. Filler content--stuff that doesn't do anything to directly enhance plot or characters--plagues many TV series across a wide array of channels and streaming platforms.

But Warrior Nun doesn't even consider the idea of filler content once. I can't think of a single scene throughout the entire series that wasn't necessary. Actually, I can think of more scenes that felt almost rushed. Scenes that skipped so much filler the revelations gave me whiplash. Specifically, the reveal that Father Vincent was working with Adriel at the very end of Season 1. The show wasted no time showing viewers the twist before jumping right into a battle with the new, immortal antagonist. And while I do believe this was to the detriment of the reveal's presentation, it falls in line with what the show strives to do. It does not want to waste audience's time on scenes that do not further the characters or the plot of the series. Simon Barry and team know that viewers of a fantasy action series called Warrior Nun want a roller coaster ride. If Season 1 had been a 22-episode CW production, or even had a required length of an hour per episode, the series would have taken on hours of extra scenes that would have done nothing to make the show any better. You get 10 episodes in Season 1, 8 episodes in Season 2, they never go over 50 minutes and typically stay around 35 minutes long when cutting out the credits. It's all we need.

Then, she is thrust into a world of responsibility. And she runs. When she does, Lilith and Mary chase after her, resulting in Lilith being dragged into the unseen, Hell-like dimension adjacent to Earth's own. Unable to handle the responsibility, Ava runs, leaving JC and Mary behind. Only Mary follows her. JC never appears in the series again, something that could be seen as an abrupt thread that's been left hanging, forgotten. Any other TV series would find a way to bring JC back into the plot, offering him an assortment of things to do because he's a familiar face that feels obligated to be kept around. Instead, Warrior Nun uses him as a symbol. He's important in so far as he represents everything Ava wanted her new life to be: A fun romp where "responsibility" wasn't even a word in her vocabulary. But as soon as that responsibility stares her in the face--as soon as Lilith sacrifices herself to save her life--Ava is forced to face it. JC disappears just like the life on the run she wanted to have.

Warrior Nun is always portraying its story in ways that would be unusual for a typical TV series. I never really asked where JC was because I understood what he represented in the story. Just like how I didn't need to see Father Vincent have a pivotal "come to Jesus" moment when he realized everything Adriel was doing didn't entirely benefit mankind. Much like how JC's absence represented harsh change, Father Vincent having his leg broken was a key moment for his character. But it wasn't the moment he decided Adriel wasn't worth worshipping anymore. The audience never sees that moment. Instead, Vincent's journey back to hero status comes over the course of Episodes 5 through 7. Conversations with Christian and Adriel begin making him realize that he's been manipulated into doing something that doesn't truly serve the greater good of humanity, as his questions become danced around or twisted to serve a different purpose. Him taking the Crown of Thorns in Episode 6--the one that could be used to defeat either Adriel or Ava depending on who has it--is a symbol of his conflict. He has the power, he has the most important weapon in the story. Now he has to choose who he wants to use it against.

Warrior Nun is a layered series, in no small part because every facet of it is presented as important in ways other TV shows just don't pursue. The series is unusual in both story and in the way that story is made. And that's what makes it work so well. If Warrior Nun had been in the hands of anyone other than those who worked on Seasons 1 and 2, it never would have shone as brightly as it does. Which is, heartbreakingly enough, why Netflix was the perfect home for it. Despite canceling the series, Netflix still gave it a chance. Still gave it a budget, a place to call home. It succeeded, but for reasons beyond understanding, that success wasn't enough to warrant a Season 3. The show, despite everything that makes it so unique, engaging, and impressive, now stands to be forgotten like so many other canceled Netflix series before it.

When someone doesn't want people paying attention to something, and tells people not to pay attention to it, chances are, more people are going to pay attention to it. It helps if there's some level of negative connotation to what people aren't supposed to be paying attention to. However, the negative connotations of the Streisand effect don't always lead to negative outcomes. In the case of Warrior Nun, the attention the series received following its cancelation was the Streisand effect acting in full force, for the sake of saving the show. ff782bc1db