Growing up in the dusty streets of Attah Road in Nkpor-Agu, Anambra State, the brothers, Chukwuebuka Akunwafor Obiligbo, and Ifeanyichukwu Okpuozor Obiligbo could be seen present wherever people were gathered for any sort of entertainment. Street music groups were popular, and the brothers relished the noise of bottles in beer parlours on Sundays, the sound of the ogene, igba and oyo, which were played frequently in the speakeasies scattered all over Nkpor, Obosi, Onitsha, and other surrounding towns. During the festivals, Ntu and Mgbaagbogho, Umu Obiligbo observed with great interest the masquerade groups, the culture of the Nkpor people and the ogene music accompaniment of specific masks.
The basic philosophy of egwu ekpili is its constant commentary on the events of human life, concerning ego (money as symbol of success), iro (enmity), friendship, culture, etc; all part of the didactic Igbo concept of Ndumodu or advice-giving. In airplay, egwu ekpili Highlife songs are usually long-winded and could last more than 10 minutes, with a lot of storytelling bordering on morality and human vices, interspersed with proverbs. Consistent with Igbo beliefs, there is a persistent admonition to hustle hard and not lose focus in life, which mostly boils down to making money. Often, in the lyrics of the music, there is a constant iteration of the divine. The artiste never fails to announce that the music comes from God, water, or other elements of the divine.
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