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"People ask, 'What's an office of nightlife? What's it do, throw parties?'" says Andrew Rigie, chair of New York's Nightlife Advisory Board and executive director of the New York City Hospitality Alliance, an advocacy group for some 24,000 nightlife establishments and hotels in that city. "No, we're really addressing some very serious issues. We can play a key role in fostering an environment that allows a vibrant nightlife to grow."

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That helps explain why these night mayor-type positions are emerging now. More cities are trying to develop vibrant nightlife to become more attractive places to live and work. Downtowns have increasingly become mixed-use environments, existing as office and retail centers by day and turning into residential and cultural centers at night. But this has created some challenges that didn't exist a decade or so ago. Such as downtown residential developments next to music venues. Or rising rents pushing out popular, long-established watering holes. Or ride-hailing services causing traffic jams after events.

Take San Francisco, for instance. It was one of the pioneers of the nighttime role, with a position created in 2013, so it's been on the leading edge of using the position as a planning liaison. One issue involved new residential developments occurring in entertainment corridors. Ben Van Houten, the city's business development manager for nightlife, coordinated a process involving city government agencies and elected supervisors that led to the city adding an extra planning review for developments proposed close to music venues. This review offers sound-mitigation suggestions for the developers, such as thicker exterior walls and placing bedrooms as far away as possible from the music venue.

When night mayors talk about "nightlife," they don't just mean bars and nightclubs. Nightlife also encompasses restaurants, theaters, concert halls; a number of businesses and institutions that remain open at night, like hotels, gas stations, and hospitals; and night-shift workers and those on the roads, such as Uber and delivery drivers.

Resonance Consultancy, a firm in Vancouver, B.C., publishes annual rankings of "America's Best Cities" based on some two-dozen factors. It has found that a city's ranking is strongly correlated with the quality of its nightlife.

The emergence of night mayors is one small piece of cities' growing acknowledgment and appreciation of that fact. The actual role of the nighttime ambassador-advocate is still evolving. So far, there's been no single or common approach to its structure. Some jobs are part of a city government office; others are part of a downtown-related agency. Some are part of a nightlife team; others are one-person shops. Some work a combination of daytime and nighttime hours; others are more focused on regulatory or government relationships, resulting in traditional nine-to-five hours.

"The voice for nightlife should not be limited to party politics," says Alan Miller, cofounder of London's Night Time Industries Association, a business advocacy group. "You want a diplomat, someone seen as robust and strong, not someone seen as a 'yes' person."

Select a neutral individual as a nightlife coordinator who will oversee planning and management of your social districts. This person will serve as a liaison among key stakeholders serving on a commission or task force to communicate key information, resolve conflicts, and facilitate implementation of next steps.

"Some of the most innovative solutions in nighttime management came out of proactive planning," says Jim Peters, president of the California-based Responsible Hospitality Institute, which consults with cities on nightlife strategies and hosts annual summits on nighttime economy management.

"I feel like I am helping the city of Pittsburgh accommodate and adapt to being if not a 24-7 city then an 18-hour one," Harnden says. In some cities, proactive planning has also been used in the nightlife advocacy side of the nighttime management role. Iowa City's nighttime mayor routinely helps visiting groups plan their nights out downtown. In Seattle, nightlife business advocate Scott Plusquellec has taken that responsibility one step further by involving hotel concierges.

"I'm trying to expand the concept of nightlife beyond just white people going to dance clubs so the hotels can send guests out on a more individualized and authentic experience in the city," Plusquellec says. "It's really about seeing nightlife as an asset that makes the city a better place to visit, and live, for everyone."

As it happens, one of the challenges that nighttime managers sometimes run into is with their city's planning department. A few nighttime ambassador-advocates observe that city planning doesn't always keep up with the evolution of urban nightlife.

"There's sometimes a gap or something lacking in the planning tools," says Brian Block, AICP, who is Austin's nightlife advocate with the title of entertainment services manager within the city's economic development department. Austin has started revising its Land Development Code, and Block says, "I'd like to see more focus and involvement in city planning specifically around nightlife."

Founders from the Center for Sex and Culture, Robert Lawrence and Carol Queen, will "discuss the colorful history of Golden Gate Park and the cultural contributions that put free love on the map," and away from presentations, guests will be able to create some psychedelic patterned art of their own to take home.

Before Brandon Voss created his multidisciplinary creative agency, Voss Events, the nightlife entrepreneur was earning a business degree and working as a bartender in some of Manhattan's biggest gay clubs. In a whirlwind story that reads like the plot from a movie, Voss is the protagonist flanked by the most impressive cast of characters. After the economic recession deterred the then investment banker from his burgeoning career in finance, his next venture came up sooner than he could expect. It turned out the years he spent working in the clubs gave him the insight to adapt to a coming shift in the landscape of queer media and entertainment. "I knew everybody from the nightlife industry from my time working there while in school," Voss says.

Throwing a series of weekly parties and returning to the LGBTQ nightlife scene he had become rooted in, Voss' timing coincided with the birth of a cultural movement. When RuPaul's Drag Race premiered in 2009, Voss was approached by Viacom to produce a crowning event for the season finale. While the show's prize package was initially very limited due to budget, a publicity contract was worked in to benefit the winning queen.

Some nights we would leave Florent and head to the East Village to keep dancing at Save the Robots, an afterhours spot that went on long into the day. I remember a night I spent with a German boy there with red dreadlocks, making out and fucking on the couches. That German boy would end up moving in with me for a month. One night, standing on the Brooklyn Bridge, he turned to me and said "I fucking love the US. I fucking love New York City. Everything is so fucking wild here!"

I spent my 30s and early 40s struggling with a heroin addiction that began back in 1989. I spent 23 years struggling with addictions of all kinds; I would put down heroin and pick up speed, alcohol, pills, and more, which would all eventually lead back to heroin. I began to avoid the nightlife scene I once knew. I didn't believe partying had anything to do with my drug addiction; the truth is, I was an addict. Whether in the clubs of New York City or on a farm in Idaho, I would have been an addict all the same. I was a drug addict because I was a drug addict. But I needed the time and the space to get clear, away from the clubs and people I had spent most of my life partying with. I needed to find out who I was as a sober man.

But what I found as I began my nightlife adventure was something amazing. No one looked at me as some kind of loser. No one cared if I got high or not. No one cared about my age or HIV status. People go out to have fun. And as long as I was having fun, they were happy.

Some 20 years after the peak of the New York club scene, nightlife is seeing a return to that radical individualism I found in my youth. I found a thriving underground queer nightlife that is giving young and older queer people around the country and world a place to explore who they are. It's somewhere they can come together in the face of regimes like the Trump administration, rebelling against a conservative agenda set on destroying the very freedom we experience in these spaces. It's somewhere they can rise against all those larger, systemic ways society aims to judge and hate them. A place that's wholly theirs, just like we once had in New York.

Today's queer nightlife throws its arms open to outcasts and the marginalized, giving those beautiful people at the fringes of our society a place to thrive. DJs are proving that they aren't defined as artists by age, gender, or beliefs. And a slew of promoters and artists from around the world are proving that the best nightlife is diverse nightlife.

And Noah kissed me and held me on the dance floor at Savage, surrounded by all those dancing kids, and at that moment, all I could think to myself was fuck being afraid, and fuck the terrorists and the conservatives who want to control who and how I love, because there is a strength and power in loving someone, and they can't tamp that down.

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