Andrew Beavis
Professor Emeritus | Dept. of Physiology and Pharmacology | College of Medicine and Life Sciences
Professor Emeritus | Dept. of Physiology and Pharmacology | College of Medicine and Life Sciences
I have been a photographer for about 48 years, i.e., ever since I got my first SLR camera and saw my first black and white print appearing in the developing bath. I was drawn to it, by the ability of photography to record, people, events, objects and places, i.e., things I see or experience and would like to remember. My father was an artist and when I was growing up, I lived in a house that was full of abstract paintings. In retrospect, I believe this may be why I am especially drawn to “abstract” photography, in which the shapes colors and lines and composition of the final image are more important than the actual subject matter. The goal is to make an image that I enjoy looking at rather than recording how something actually looks. I am not “selling” the object, but the image that it inspires. Just like a person might apply cosmetics or fix their hair to accentuate their “best” features, I process my images to accentuate the components of the image that lead me to capture the image in the first place.
Photograph of the patterns in the side of an old and rusting dumpster, I found behind a Toledo car dealership repair shop. During processing I started to see the face of a cat.
One of a series of images I made of jellyfish at the Toledo Zoo.
One of a series of close-up images I made of the patterns in the side of an old and rusting dumpster that I found behind a Toledo Health Care Facility. These were clearly some kind of sea creatures, and they reminded me of the jellyfish I had seen at the Toledo Zoo the previous Xmas. It demonstrates how man-made objects can become more interesting as they interact with nature over time.
Image is close-up of reflections in a large piece of artwork by Zhan Wang at the Boston Museum of Fine Arts that he calls "Artificial Rock #...”. It is made of irregularly shaped highly polished stainless steel. Therefore, the reflection changes with small movements of the viewer and all colors originate from walls, people, etc., in the museum, and were amplified in processing.