The motivation for this workshop arose out of the shared sense that something is deeply unsettled. We are witnessing renewed authoritarian tendencies globally and the consolidation of power among a small group of tech oligarchs. One of the prominent — and troubling — domains of application of technologies, including robotics, is warfare, where both remotely piloted and autonomous drones have emerged as a new and destructive class of weapon. However, even in the domains ostensibly oriented toward benign or supportive functions, robotic systems are frequently appropriated in ways that consolidate the power of large technology corporations and the individuals who control them. This often carries significant social and environmental costs, including the displacement of human labor and the intensification of ecological harms. In relation to these socio-technical conditions, Brian Merchant has described a contemporary "Luddite renaissance,"* a resurgence of grassroots collectives, organizations, and clubs undertaking refusal, sabotage, and collective resistance to technologies that deepen exploitation and oppression.
These socio-technical and political dynamics together generate a pervasive affective atmosphere that seeps into our professional field, Human-Robot Interaction (HRI): everything feels suspended, though nothing stands still. The crisis we sense globally resonates within our own research practices, shaping what we take to be possible, purposeful, necessary, or inevitable. Tracing the roots of this global and professional situation is less about finding a single cause than recognizing the overlapping forces that bind the global and the local, the professional and the personal, into a shared, palpable tension. Lauren Berlant calls such moments a "situation"**: a state in which something that will matter is already unfolding amid the ordinary activity of life. For HRI, this situation poses a pressing question: how can the field break from a model of "business as usual" that reproduces and amplifies existing inequities, and instead cultivate practices that enable more equitable and affirmative futures for those with whom—and for whom—we design and build robotic systems, but also for ourselves as researchers, practitioners and citizens?
We see this workshop as a way to collectively experiment with alternative trajectories for HRI, ones that open paths to different forms of inhabiting the present and foregrounding more desirable futures. This requires that we explicitly attend to the politics embedded both within robotic technologies — but also our epistemic practices — recognizing that technical design decisions are entangled with social, economic, political, and cultural forces.
*https://www.bloodinthemachine.com/p/the-luddite-renaissance-is-in-full
** https://www.dukeupress.edu/cruel-optimism
is a postdoc at the IT:U Interdisciplinary Transformation University, Linz. Her work weaves together social and critical theories to examine the deployment and impact of robots in urban spaces.
is a Professor in Computer Science at the University of Copenhagen. He is interested in interactional perspectives on robots and robots design, and the use of robots for harmful purposes.
is an artist and researcher in the Creative Robotics department at the University of Arts Linz. He explores the relationships between humans, artificial intelligence and robots, aiming to make alternative ones bodily experienceable. Emanuel´s work has been exhibited at the Smithsonian Arts + Industries Building in Washington, D.C., the Science Gallery Melbourne, and the ArtScience Museum in Singapore.
is a design researcher and PhD student at Chalmers University of Technology. Her work is at the intersection of design and human-robot interaction, with a strong interest on ethnography and critical perspectives including unmaking.
is an Associate Professor in the School of Computer Science at the University of Birmingham. Her research interests include robot planning in HRI, cultural robotics, and the contentious politics of AI. She is a co-founder of the Critical Cultural Robotics Network and co-leads research on the contentious politics of AI and its alternatives at the University of Birmingham.