Housewarming Song Ancient Filipino Folk Song 66

In Western cultures, birthday parties include a number of common rituals. The guests may be asked to bring a gift for the honored person. Party locations are often decorated with colorful decorations, such as balloons and streamers. A birthday cake is usually served with lit candles that are to be blown out after a "birthday wish" has been made. The person being honored will be given the first piece of cake. While the birthday cake is being brought to the table, the song "Happy Birthday to You" or some other birthday song is sung by the guests.

In Spain, this type of party is called El Aguinaldo. It is the same as in England and the United States, but the only difference is that the children who sing the carols are given tips.[4] Christmas songs are called villancicos in Spain; they are mainly sung by children at small parties.[5]

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The Yoruba religion comprises the traditional religious and spiritual concepts and practices of the Yoruba people.[101] Its homeland is in Southwestern Nigeria and the adjoining parts of Benin and Togo, a region that has come to be known as Yorubaland. Yoruba religion is formed of diverse traditions and has no single founder.[102] Yoruba religious beliefs are part of itan, the total complex of songs, histories, stories, mythologies, and other cultural concepts that make up the Yoruba society.[102]

Masquerades are an important feature of Yoruba traditional artistry. They are generally known as Egngn, singularly as Egn. The term refers to the Yoruba masquerades connected with ancestor reverence, or to the ancestors themselves as a collective force. There are different types of which one of the most prominent is the Gelede.[140][141] An Ese Ifa (oral literature of Orunmila divination) explains the origins of Gelede as beginning with Yemoja, the Mother of all the orisa and all living things. Yemoja could not have children and consulted an Ifa oracle, and the priest advised her to offer sacrifices and to dance with wooden images on her head and metal anklets on her feet. After performing this ritual, she became pregnant. Her first child was a boy, nicknamed "Efe" (the humorist/joker); the Efe mask emphasizes song and jests because of the personality of its namesake. Yemoja's second child was a girl, nicknamed "Gelede" because she was obese like her mother. Also like her mother, Gelede loved dancing.

The Yoruba are a very expressive people who celebrate major events with colorful festivals and celebrations (Ayeye). Some of these festivals (about thirteen principal ones)[144] are secular and only mark achievements and milestones in the achievement of mankind. These include wedding ceremonies (gbyw), naming ceremonies (somolrko), funerals (snk), housewarming (sl), New-Yam festival (jesu), Harvest ceremonies (kr), birth (b), chieftaincy (jy) and so on.[142] Others have a more spiritual connotation, such as the various days and celebrations dedicated to specific Orisha like the Ogun day (Oj gn) or the Osun festival, which is usually done at the Osun-Osogbo sacred grove located on the banks of the Osun river and around the ancient town of Osogbo.[145] The festival is dedicated to the river goddess Osun, which is usually celebrated in the month of August (Os gn) yearly. The festival attracts thousands of Osun worshippers from all over Yorubaland and the Yoruba diaspora in the Americas, spectators and tourists from all walks of life. The Osun-Osogbo Festival is a two-week-long programme. It starts with the traditional cleansing of the town called 'Iwopopo', which is then followed in three days by the lighting of the 500-year-old sixteen-point lamp called Ina Olojumerindinlogun, which literally means The sixteen eyed fire. The lighting of this sacred lamp heralds the beginning of the Osun festival. Then comes the 'Ibroriade', an assemblage of the crowns of the past ruler, the Ataoja of Osogbo, for blessings. This event is led by the sitting Ataoja of Osogbo and the Arugba Yeye Osun (who is usually a young virgin from the royal family dressed in white), who carries a sacred white calabash that contains propitiation materials meant for the goddess Osun. She is also accompanied by a committee of priestesses.[146][147] A similar event holds in the New World as Odunde Festival.[148][149]

This song broke through right as the 1980s produced the Praise and Worship movement. Contemporary worship became mainstream with an album by Integrity Music and the rest is history. This song is still sung all over the world!

After reading Philippians chapter 2, Tim Hughes reflected on the attitude of servanthood Christ displayed and wrote the verses to the song. How do we respond to our God when we approach him? This song offers us a posture of bowing down in humility. If Christ was humble, should not our worship also reflect that, too?

There are few songs that appropriately deal the emotional and circumstances around laments. This song provides that. Not all of us are coming to a Thanksgiving service with gleefulness. Loss is a real part of our lives this side of heaven. As we bring our offering of thanks, something we need to honestly offer it in the pain our very real circumstance.

Essential worship artist Vertical Worship Band is based at the Harvest Bible Chapel in Chicago. The idea of not only thanking God for the past but also the future is present in this song. With uncertainty, we can look to the past and trust God with our future.

If you love these songs and want to listen to them all, we have created a YouTube Playlist just for you with these 30 Thanksgiving Worship Songs. Did your favorite Thanksgiving worship songs make our list? How do you plan on using these Thanksgiving worship songs at your church service? Let us know in the comments below! As you put together your service, you might also be interested in checking out these 20 Bible verses about worship.

Hey Mr Mustache, look what we've done

lived longer than we thought we could do

Through all of the games and all of our fame

We learned to stay cool from you

Hey there, Leonard and Willie on the stage

Still singing your songs pure and true

Who would have thought that time could be bought

We learned to stay cool from you

Up on the East side of Manhattan,

They're still dancing with the stars.

While over in sub prime city,

It's getting ugly in the local bars

Watching the news only gives me the blues

There's too much going wrong.

It takes the likes of me to hit the reboot key

and write a high speed drinking song.

For a license to chill

And I believe I will

Let the rat race run roll around

In the sun until

Trouble turns funny and songs get sung

With a little bit of money the night's still young

Leave me alone I 've got a license

License to chill

2004 Coral Reefer Music (BMI) & Wordfarmer Music (ASCAP) & Stairway to Bittner's Music (BMI) and Songs of Windswept Pacific (BMI) all rights on behalf of Stairway to Bittner's Music and administered by songs of Windswept Pacific.

Chorus

So now don't get me wrong

This is not a sad song

Just events that I have happened to witness

And time takes it's toll as we head for the poll

As the days grow more complicated the night life still wins

Livin' by the ocean sometimes I get the notion

To take my Jane to Alabam

We hang out in a funky little bar

They call it the Shipwreck lounge

Well, we get kinda drunk and we play rock and roll

Grabbin' everybody right down in their soul

When we get to cookin' something's still wrong

There's still something missing from them good old songs

Well the years have come and gone

Still the old song lingers on

I keep it in my heart with fond affection

Like the family good luck charm

That keeps away the harm

Creola's always there for my protection

There's something about this Sunday

It's a most peculiar gray

Strolling down the avenue

That's known as A1A

I was feeling tired, then I got inspired.

And I knew that it wouldn't last long

So all alone I walked back home, sat on my beach

And then I made up this song.

A stripped bass breaks the surface

As the sunset fades away

And our journey from the Sea of Storms

Takes us home beside the bay.

We go fishing in the ocean

We go traveling back in time

Like the song says 'teach your children'

To go fishing with their minds.

We're dashing through the snow in a one-horse open sleigh

And o'er the fields we go a-laughin' all the way

The bells on bob-tail ring, they're making spirits bright

What fun it is to ride and sing a sleighing song tonight

Sail on the horizons gotta landfall rendezvous

Captain steers a well-known course, he steers straight & true

As he trims the sheets, he sings a song

He learned on boats and bars

Sailor spends his Christmas in a harbour 'neath the stars

From his driftwood castle

Comes a song I've heard before

A scratchy gramophone cuts to the bone

"La Vie En Rose" arpeggios

So the dream begins

And the song is amplified

Buy the Beaujolais, on Bastille day

He dances in the tide

I live in a silver mine and I call it Beggar's Tomb

I've got me a violin and I beg you call the tune

Any body's choice, I can hear your voice

Oh oh all I want to know how does the song go

Chorus:

Please don't say manana if you don't mean it

I have heard your lines for so very long

Don't try to describe the scenery if you've never seen it

Don't ever forget that you just may wind up in my song.

Chorus:

So please don't say manana if you don't mean it

I have done your lines for so very long

Don't try to describe a Kiss concert if you've never seen it

Don't ever forget that you just may wind up being gone

And I hope Anita Bryant never does one of my songs. be457b7860

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