As the eerie October nights draw near and the moon hangs low, Netflix NFLX has unleashed a treasury of bone-chilling cinematic nightmares to haunt your screens. From the spine-tingling classics to fresh, innovative tales that'll leave you peeking through your fingers, this platform has become the ultimate haven for horror enthusiasts.

So, are you ready to dive into a universe of relentless suspense and heart-pounding terror? I've scoured the darkest corners of Netflix to curate the ultimate list of the top 20 horror films that are a must-add to your October watchlist. Prepare to be terrified, thrilled, and utterly captivated. Hopefully you find a new frightening favorite in this bunch.


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The Conference, directed by Patrik Eklund and featuring Katia Winter, Eva Melander, and Adam Lundgren, is a symphony of horror and humor, orchestrating the unsettling rhythms of a municipal gathering plunged into chaos. As accusations ignite the air with the flames of distrust, the mundane morphs into a theatre of the macabre. In its hallways, where the ordinary mingles with the ominous, a shadow stalks its unsuspecting victims, threading terror into the fabric of reality. This Swedish cinematic tale, woven with strands of intrigue and the unexpected, invites you on a journey through the realms of fear, mystery, and the curiously comedic.

Directed by McG, The Babysitter is a devilish rollercoaster of humor and horror that intertwines adolescent angst with satanic shenanigans. Leading the uproarious chaos is Samara Weaving, the enigmatic babysitter whose malevolent secrets unspool a night of bloody mayhem for her young charge, Cole (Judah Lewis). As darkness descends, the mundane transforms into the macabre, spiraling into a frenzied ballet of violence, hilarity, and unexpected alliances. With a dynamic cast that embraces the gleeful madness of this diabolical comedy-horror, each scene drips with vibrant energy and creative kills that entertain and electrify. The Babysitter promises a devilishly delightful spectacle that resonates with the chaos of teenage tribulations and supernatural slaughter.

Directed by Michael Winner and starring Chris Sarandon and Cristina Raines, The Sentinel unfolds a haunting tableau of terror where the boundaries between life and the afterlife blur ominously. As the narrative navigates through the mysterious alleys of a Brooklyn apartment, it unveils a realm shrouded in supernatural intrigue and guarded by sinister forces. The film, a formidable pillar in the horror genre, orchestrates a symphony of unsettling melodies, where each note resonates with the shadows of celestial guardians and the mysterious realms they protect. Dive into the depths of The Sentinel, where each scene is a doorway to disturbing mysteries and ethereal terror.

Directed by Beth de Arajo, Soft & Quiet crafts a terrifying landscape where the horrors of the mind manifest in the shadows of reality. Within its unsettling narrative headlined by a cast including Stefanie Estes and Olivia Luccardi, a tale of psychological disarray unfolds, portraying the struggle of a mother entrapped in societal expectations and personal demons. The film whispers tales of horror in the muted tones of everyday existence, creating a canvas where the brush strokes are laden with subtle terror and introspective darkness. Explore the realms where the silence echoes with the soft and quiet reverberations of inner turmoil.

Directed by the master of horror, John Carpenter, and featuring the talents of James Woods and Daniel Baldwin, Vampires unveils the relentless battle between the realms of darkness and the hunters sworn to vanquish them. In the scorching deserts, where the sands whisper tales of blood and eternity, a brotherhood of vampire hunters moves against the shadows. Each frame is a dance of light and darkness, where the ancient beings of the night clash with the unyielding spirits of the hunters. Embrace the gritty, raw, and visceral journey of Vampires, where the path of survival is woven with the threads of action, courage, and nocturnal terror.

In a universe curated by Lorcan Finnegan, Vivarium thrives on the eerie and the unsettling. Jesse Eisenberg and Imogen Poots navigate a labyrinth of suburban monotony that hides within its folds, realms of unending mystery and existential horror. Each scene paints the screen with hues of psychological intricacies and the peculiar realms of a simulated reality. Here, the concept of home metamorphoses into a terrarium of inexplicable phenomena and mind-bending anomalies. Wander through the echoing halls of Vivarium, where the essence of existence and the architecture of reality are artfully distorted through the lens of cinematic brilliance.

Guided by the directorial mastery of David F. Sandberg and brought to life by Teresa Palmer and Gabriel Bateman, Lights Out explores the realms where shadows whisper the tales of a haunting presence. Within its embrace, the film crafts a haunting symphony of fear, flickering between the realms of light and the depths of darkness. The atmosphere, charged with the electricity of suspense, navigates the spaces where terror lurks in the absence of light. Delve into the ominous ambiance of Lights Out, where the echoes of a haunted past shimmer in the flickering lights of cinematic horror.

Helmed by the visionary Jordan Peele and featuring Lupita Nyong'o and Winston Duke, Us plunges into the abyss of doppelgangers and the shadowy corridors of identity. With every frame, it crafts a haunting symphony of psychological terror, where the self faces the spectral echoes of its own existence. In its shadows, the film nurtures tales of suspense, unraveling the mysteries hidden in the crevices of reality and illusion. Explore the realms of Us, where the boundaries of identity blur, leaving trails of horror, mystery, and the unexplored territories of the human soul.

Brought to the screen by director Adam Randall and featuring Helen Hunt and Jon Tenney, I See You is a tapestry woven with the threads of mystery, the supernatural, and the shadows lurking within the familiar. The film delves into the realms where the walls echo with whispers of the unseen, and where the ordinary morphs into the ominous. It masterfully crafts a realm charged with suspense, unravelling dark secrets that haunt the corners of perception. Venture into I See You, where the realms of the seen and the unseen clash in a chilling ballet of suspense and horror.

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Mike Flanagan had already built a reputation as a rock-steady horror filmmaker by 2016, but the sense of "holy crap, this guy can do anything" became set in stone once he took on a prequel to a critically-derided movie about an evil ouija board and made one of the scariest movies of the last decade. Ouija: Origin of Evil takes us to the 1970s, where fake psychic Alice Zander (Elizabeth Reaser) and her two daughters, Lina (Annalise Basso) and Doris (Lulu Wilson), perform seances for paying customers in the wake of Alice's husband dying. Doris, the youngest, spices up the act with the introduction of a ouija board, but the cursed item makes things all too real when it not only sends a dark spirit into the girl's body but exposes the deep-seated evil ingrained in the Zander's house. There is, to be very clear, absolutely no reason for Ouija: Origin of Evil to be good at all, so it's a downright shock that it's this horrifying and effective. And, because it's Flanagan we're talking about here, there's also a potent dramatic heart beating underneath all those bumps in the night. --Vinnie Mancuso

There is movies on Horror section that have been on Netflix since I was a subscriber. Lots of bad Horror movies with no classics with maybe a handful of decent movies. The entire Horror section needs refreshed.

If you're looking for further proof the Duplass brothers are actually evil, here's an easy sell. Patrick Brice (also the director and co-writer) plays a videographer answering a Craigslist ad for Josef (Mark Duplass), who wants to make a movie for his supposed unborn child. I typically enjoy horror films that rely on performances to unnerve you, because they're incredibly difficult to pull off. And I've got to give it to Mark Duplass. He is, in fact, super creepy.

Before the impeccable The Haunting of Hill House series, Mike Flanagan brought us this deft adaptation of Stephen King novel Gerald's Game. Carla Gugino is immense as Jessie, a woman who goes on holiday with her husband at an isolated lake house in Alabama. When Jessie ends up handcuffed to the bed with no one to help her escape, it becomes a matter of both survival and escape. Another chapter of Flanagan's melancholy-suffused horror that surges into quiet triumph for its haunted characters.

Two movies named The Call came out in 2020. Watch the South Korean one, a time travel thriller revolving around, yep, a phone call. Twenty-eight-year-old Seo-yeon finds a phone buried in a closet in her childhood home. It rings -- and the caller, it turns out, is living in the same house 20 years earlier. Twists right up to the final moment, plus a wild cat-and-mouse chase that alters the past and present make this a must-watch.

Like a few other titles in this list, this superb psychological horror subtly doubles as an allegory for wider social themes, such as oppression. Set in 1980s Tehran, during a series of air raids known as the War of the Cities, it follows a mother and daughter haunted in their home by a mysterious evil. With echoes of The Babadook as well as its own fresh ideas, Under The Shadow is an excellent horror entry. 2351a5e196

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