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To commemorate the second anniversary of his passing, we rank 10 of his best songs. An artistic emcee who was equally lyrically dextrous, he was at times contemplative, insightful and emotive, but mostly jovial in character and in his music, which made for an interesting, rich and multi-faced pool of songs to pick from.

This song represents one of the earliest moments in the SA music industry where a phrase from a song went viral and became a meme on social media. Before HHP dropped "Bosso" in 2011, one would be hard-pressed to show evidence of a song that grew legs beyond itself and what it was meant to do, instead becoming a culturally defining moment in time. He took a popular, colloquial term in Setswana slang, "Bosso" derived from the English word boss, which is meant to describe someone who inexplicably does contradicting things, bordering on impossibility or insanity quite frankly, in order to illustrate how superior they are, with the pairings of acts getting hilarious with each one mentioned. One of his great attributes was the foresight to know what would be relatable across age demographics, because "Bosso" was sung by everyone, from toddlers to the elderly, and every group in between. More importantly, it is one of his biggest hits, which incidentally came out during the latter part of his career, when the landscape of SA hip-hop was changing.

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A recurring theme in HHP's music was to always pay homage to where he came from. North West, Mafikeng is the place that birthed him and he wore it on his sleeve with the utmost pride and sincerity. While there are many iterations of Jabba showing love to his hometown and province ("Bokone Bophirima", "Mafikeng", "Mmabatho", "We Built This City" etc.), "Tlhabane/Maftown" stands out for various reasons. For one, it's a purely solo effort from Jabba and boasts some of the best production he has ever rapped on. Beyond that, it's innovative in its "road-trip" point of view, traversing Jabba and his people from Tlhabane, Mogwase and Mafikeng. These are neighbouring towns within the North West province and Jabba is boldly inviting all acquaintances who feel up to it, from Joburg to Cape Town, to join them and see how they do things down in the North West. It was a fresh angle that wasn't trite or overt, as most songs paying homage to one's origins usually are, even some of the ones made by Jabba in his career.

HHP enjoyed a highly decorated career in his lifetime. When he put out this song in 2008, it was at the height of his musical success, as well as other ventures outside of music. He would go on to win Best Hip Hop Album and Best Male at the 14th Annual South African Music Awards for Acceptance Speech in the same year; he had lucrative endorsements and most pleasantly surprising, he had won the 2007 edition of SABC 2's Strictly Come Dancing, a reality dance television show based on a British show of the same name. The song felt like a celebration of all these milestones, while acknowledging that it wasn't easy to have done all that he had up to that point. He was as sharp as ever on this sublime track by the then highly rated production collective of Octave Couplet, confidently boasting about his skill as an emcee, his irresistible charm and charisma towards the ladies, as well his business savvy that has led to his numerous deals. The song also appeared on one of SA's flagship hip-hop magazine's then-popular quarterly mixtapes, HYPE Sessions, the 21st volume aptly titled Jazzworx FM The Album.

Despite having a generally bubbly personality and coming across as a happy person in his music, there was also a cloud of gloom that would abound within it. On "Two Witnesses", he and Molemi tackle the theme of mortality, although in a triumphant manner, which almost feels like they looked forward to their own demise - or rather, they didn't fear that reality. Coming to the realisation of the certainty of death can be a sad thing, but Jabba and Mojoman look at it positively, framing it as the fulfilling prospect of meeting one's maker. An event that they believe shouldn't be avoided but instead should be embraced. It is one of HHP's most spiritual songs, revealing a side of him that shows his persistent disenchantment with all that is of this world. Adding to how poignant the song is, Molemi recited his part of the song at HHP's funeral service.

Jabba was an incredibly talented and skilled emcee, but he never sought to be the flyest or the hardest on the mic. For the most part, he only made music that was authentically himself, instead of trying to prove anything outside of that. He cared for others. "Harambe" happened through happenstance. Story has it, during a taping of the then-popular youth talk show, Take 5 that aired weekdays on SABC 1, HHP wanted to freestyle and Thaso just played a beat for him. HHP spat the lyrics that would eventually become "Harambe". Thaso was blown away. He says they did the song in under 15 minutes. A few things can illustrate better, the genius that was HHP, as him doing what is unanimously his most important song, with that greatest of ease. A song that came to represent the commemoration of the youth of 1976, who are heralded heroes for their pivotal role in the Soweto Uprising protests and demonstrations, as well as the Heroes of the broad struggle for Black Liberation in Apartheid South Africa. Its power is able to unite South Africans, as a people during any struggle, and it has become a symbol for unity and solidarity. This was HHP's legacy.

Hip Hop Pantsula is a skilled musician in the Hip Hop genre who is from the South African town of Mahikeng. His music has a distinctive sound that is both catchy and evocative, blending traditional African rhythms with modern Hip Hop beats. He is renowned for his engaging onstage appearance and exuberant performances, which have helped him amass a large following of devoted followers around the globe.

Hip Hop Pantsula, a pioneer of contemporary hip hop in South Africa, has influenced and inspired a generation of up-and-coming performers. His music reflects the trials and victories of his people and appeals to the aspirations of a whole country. He has established himself as a household name in the music business thanks to his heartfelt lyrics and contagious melodies, and his legacy still serves to encourage and inspire upcoming musicians.

In conclusion, Hip Hop Pantsula is a legendary personality in the world of Hip Hop, and it is impossible to overestimate the significance of his contributions to the style. His work is a monument to the power of imagination and expression, and he has had a huge impact on the music business. He continues to serve as an inspiration to budding musicians and a source of inspiration for his people, and his legacy will uplift and inspire future generations.

Hip Hop Pantsula, also referred to as HHP, was a gifted musician who played contemporary hip hop from South Africa. He had a number of hits, including "Music & Lights," "Our Heritage," "Ligi Soo (Remix)," "Bosso," "Harambe," "Let Me Be," "Sebentin - Remix," "Tswaka," "Mpitse," and "So Amazing."

In "Music & Lights," one of HHP's most well-known tracks, he displays his fluid flow and dance-friendly sounds. HHP uses African rhythms and melodies in the song "Our Heritage" to create a distinctive sound that honors his ancestry. Another fan favorite, "Bosso," demonstrates HHP's skill with lyrics and his capacity to convey a narrative through music.

HHP was well known for his ability to combine modern hip hop with traditional African music to produce a sound that was all his own. Not just in South Africa, but also in other regions of Africa and beyond, his music was adored. The following generation of hip hop artists in South Africa and around the world are continually motivated by HHP's legacy.

Hip Hop Pantsula, a well-known modern hip hop artist from Mahikeng, South Africa, has been releasing songs on a regular basis for more than ten years. In 2012, he published "Classic Collabs," an album that includes collaborations with a variety of musicians. His versatility and ability to work with a variety of sounds and styles are demonstrated in the album.

"Nkaofa 2.0," Pantsula's most recent single, was released in 2021 and has already drawn praise from both reviewers and fans. The song, which showcases Pantsula's ongoing artistic development, has a catchy beat and his distinctive style. Other recent songs include "#FGTBB," "Kea Jelwa," and "Do Not Disturb, Vol. 1, Pt. 2," all of which were published in 2018 and in 2014.

The socially oriented lyrics in Pantsula's music are well known; they frequently address problems like poverty, inequality, and governmental corruption. He has long been a key player in South Africa's hip-hop industry, setting an example for a new generation of musicians. He keeps demonstrating with his most recent works that he is one of the most gifted and creative musicians working today.

Over the course of his musical career, Hip Hop Pantsula has worked with a variety of musicians. There are several of these collaborations, including "Music & Lights" with PJ Powers, "Our Heritage" with Die Heuwels Fantasties, JR, and Soweto Gospel Choir, "Ligi Soo (Remix)" with King Kaka, Jay A, Mejja, and Chiwawa, "Sebentin - Remix" with Zakwe, Musiholiq, Cassper Nyovest, and Kwesta, and "So Amazing"

"Our Heritage" is a significant collaboration by Hip Hop Pantsula. Hip hop, rock, and gospel are all mixed together in the song, which honors South African heritage. Hip Hop Pantsula, Die Heuwels Fantasties, JR, and the Soweto Gospel Choir work together to create a distinctive fusion of sounds that represent the nation's broad cultural heritage.

"Sebentin - Remix" by Zakwe, Musiholiq, Cassper Nyovest, and Kwesta is another noteworthy collaboration. The song is a remix of the South African hit song's original version. The four musicians' collaboration takes the song to a new level, making it one of the most well-known hip-hop tunes in the nation.

Overall, Hip Hop Pantsula's partnerships with diverse musicians have helped South African hip hop music develop. The partnerships underscore the value of teamwork in music and the range and depth of the nation's music landscape.