He recorded songs for over a thousand Hindi films and in many Indian languages as well as some foreign languages, though primarily in Urdu and Punjabi, over which he had a strong command. He recorded as many as 7,000 songs throughout his career, spanning several languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sindhi, Kannada, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, he also sang in some foreign languages, including English, Farsi, Arabic, Sinhala, Mauritian Creole, and Dutch.[10]

Rafi moved to Bombay (now Mumbai), Maharashtra in 1944. He and Hameed Sahab rented a ten-by-ten-feet room in the crowded downtown Bhendi Bazar area. Poet Tanvir Naqvi introduced him to film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.[17] Shyam Sunder was in Bombay and provided the opportunity to Rafi to sing a duet with G. M. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi...," for Gaon Ki Gori, which became Rafi's first recorded song in a Hindi film. Other songs followed.

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Rafi appeared in two movies. He appeared on the screen for the songs "Tera Jalwa Jis Ne Dekha" in film Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in the Film Jugnu (1947).[16] He sang a number of songs for Naushad as part of the chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with K. L. Saigal, from the film Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946) and a duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka". After partition, Rafi decided to stay back in India and had the rest of his family flown to Bombay. Noor Jehan migrated to Pakistan and made a pair with playback singer Ahmed Rushdi.

Kalyanji Anandji composed around 170 songs in the voice of Rafi. Kalyanji's relationship with Rafi started with the 1958 film, Samrat Chandragupta, his debut film as a solo composer.[29] Kalyani-Anandji and Rafi went on to work together for the music of the Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which featured songs like "Bekhudi Mein Sanam" and "Chale The Saath Milke".[29]

In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu.[39] Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977) and Amar Akbar Anthony (1977).[40] In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R. D. Burman.[23] He was nominated as the best singer at the Filmfare Awards for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).

Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon.[41] Some of these include Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls.

In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs".[42] The physical album was released only in India by Universal.[citation needed]

The young Anwar was classically trained by Ustad Abdul Rehman Khan, along with Mahendra Kapoor, the same teacher who was the preceptor of the legendary playback singer Mahendra Kapoor also. Anwar started singing Mohammad Rafi songs at various concerts. It was during one of those musical shows that Anwar was spotted by the music director Kamal Rajasthani, who gave him a chance to sing for his film Mere Gharib Nawaz.

Anwar made his debut as playback singer in the film Mere Gharib Nawaaz (1973) and the music director who gave him this break was Kamaal Rajasthani. Music Director Kamal Rajasthani relates that during the recording sessions of the song "Kasme Hum Apno Jaan Ki" for this film, Mohammed Rafi was so impressed that he described Anwar as the one singer who could take his place after him. Indeed, the rendition of that song shows promise, but the film, flopped very badly at the box office and the songs also did not find traction with the audience.

In 1977, comedian Mehmood and music director Rajesh Roshan hired Anwar to sing for the film Janta Hawaldar. The songs "Teri Aankhon Ki Chahat", and "Humse Ka Bhool Hui", were picturised on famous actor Rajesh Khanna. Both the film and song were superhit; hence Anwar started getting work and recognition. Here onwards, for several years, Anwar was on a roll. He sang duets alongside playback singers Lata Mangeshkar, Asha Bhosle and Alka Yagnik, under music directors Khayyam, Laxmikant Pyarelal, Kalyanji Anandji, Bappi Lahiri, Anu Malik and Dilip Sen-Sameer Sen. In a career span stretching over thirty years, Anwar sang a variety of songs including filmi songs, classical songs and contemporary ghazals, bhajans, qawwali, and Sufi songs.

With this plea to writers of songs, Majrooh Sultanpuri expressed his displeasure at the current trends in music. Winner of Dada Saheb Phalke Award for his contribution to Indian cinema and of Iqbal Sammaan for his work in the field of Urdu literature, Majrooh said he was grateful that he was recognised in both spheres — of film and ‘ilm’ — in which he had been involved for the past more than 50 years. As he has written in one of his well-known verses: Main akela hi chala tha, janib-e-manzil magar, Log saath aate gaye aur caravan banta gaya..., Majrooh today is at the stage where he has a long queue of followers.

Listening to the poet-lyricist was a jam-packed hall of music lovers who had gathered there to savour Hindi film songs of yesteryear. They also watched the trophies presented by the special invitee from Bombay to the winners of this year’s Rafi Award to the best singers: Veenu Kautish (first), Rimi Chopra (second) and Manjit Kaur (third) in the female category; and Narinder Kumar (first), Sukhdev Sagar (second) and Amarjit Singh (third) in the male category.

Kishore’s songs in “Jewel Thief”, “Kati Patang”, “Amar Prem”, “Sharmilee” and “Aradhana” are among the best Hindi songs. Take away the songs, and the films — all of them were hits — lose much of their charm or flavour. be457b7860

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