Houppelande

(Nov 2017)

Introduction

I am perpetually cold. I have horrible circulation, and seem to just not generate heat. As some of you might know, I also live in Carolingia, which is the Boston area. It can get cold here. We sometimes have outdoor events in the spring or fall where it snows, or its just freezing out. Honestly, anything below 60 is freezing to me. Yes, I grew up around here. I clearly didn't adapt well... or at all really. So, I needed warm garb. Layers. And I wanted it to be pretty damn it.

So, in come all the Burgundian gowns.

Inspiration

Pennsic a few years ago I found this lovely brushed green wool. It was surprisingly soft, and had what almost looked like a velvet nap to it. I had also acquired a black silk linen blend from Sewfisticated, and wasn't quite sure what to do with either. When I finally decided to make a Burgundian Houppelande, I thought those two fabrics would go together quite nicely as outer fabric and lining. Because of the nap on the wool, I did have to watch out with what direction I cut pieces in though. Looking through images, I found several examples of gowns that had narrower sleeves than usual. I liked this option, since it would make things like archery easier, and would hopefully get in the way less. I also found a few examples of gowns that seemed to open in the front below waist level... and thought it might be interesting to just split the dress all the way down the front. If the dress was open down the whole front, it would be fairly easy to take on and off and use as a layering piece, so it could essentially just become my fancy jacket. There is also enough fabric, that you probably couldn't tell if I was standing there that it was split.

Rogier van der Weydan, c. 1438(Campbell, p. 393)The Magdalen Reading (fragment of an altarpiece)
Petrus Christus, 1449(Ainsworth, p. 97)Detail from Saint Eligius (also known as "The Goldsmith's Shop)
Rogier van der Weyden, 1453-5(Vos, p. 299)Detail from St. John Altarpiece

Design

So... how to make it. Normally I would just run straight ahead... but this dress didn't lay how I would expect it to. If you look at the paintings, there are pleats that seem to go up the center of the dress up to the breast. While you might get something like that with a very full bust and tiny waist, that doesn't seem to be the case here. Since everything is belted, I can't tell if the pleats are actually set, or if they are just gathered by the belt. So I did some searching, and I found this site: https://sevenstarwheel.wordpress.com/2009/12/22/houppelande-for-12th-night-2009/ The pattern below comes from there. I originally made this houppelande a while ago... like years ago, and am only now bothering to turn my pinterest board into something more (Covid 19 Quarantine!).

When I made the garment, most of the links in the site still worked, and the full circle pattern referenced in there actually had a lot of useful information, which helped me understand the pattern posted here better. The short version of what I did is I combined that full circle pattern with this half circle pattern, so do something like a 2/3 circle. I know I cannot explain it nearly as well as the original description I read two years ago, but I will give it a try. For the full circle pattern you cut 2 large half circles and sort of draped them over a dress form, each side over a shoulder. You then had deep Vs in the front and back. For the back, you inserted a triangular godet to bring it up to the base of the neck, and left the front open (or sewed it up to the waist as it were). At the shoulders, you then completely slit the fabric from neckline down to wear the armpit would be. The shoulder seam was then sewn back up, and the sleeve was inserted. There is a reason for all this. By having that slit on the top of the shoulder where the *center* of that circle would be, the gathers all get directed to the shoulder, not the neck, which is usually where a cloak would send the gathers. To illustrate this, imagine holding a piece of fabric that is cut in a half circle. If you hold the center of the straight side (the diameter) of the circle, and let the rest hang, it wrinkles and folds to the point that is being held. In this dress, images show all those wrinkles and folds going up the bust and directed to the shoulder, so that is where the center of that circle needs to be. So, ultimately, I used that pattern as the basis for what I did, little triangular insert at the back and all.

Construction

This jacket dress was pretty much fully made on a machine. Since it is also fully bag lined, you can't see any of the machine stitching. I left large seam allowances, and didn't finish a single seam, since everything was essentially encases, and I didn't see the point (especially not with a brushed wool that was nearly felted). The only hand work came in the details... I had a bunch of fur laying around, and thought a fur collar would be good for this. I believe what I used was racoon possibly? Either way, it was pieced together and sewn on.

The belt has actually been recently updated. A friend of mine dropped of some fancy metal bits, so I chopped up the original belt I had made, and turned it into what you now see below. Originally, the belt was about twice as wide. It was a layer of reddish silk, with two interlayers of cotton canvas, backed with the same linen silk blend that the dress is lined with. The pretty colored chunk was as long as my waist circumference was, and then had two linen ties at the back that I would just tie into a bow. It was the best I could do with what I had at the time. Once I got the proper metal fittings, I split the belt in half, hand bound the edges, and then through trial and error figured out how to get the fabric and metal together. Honestly, I really like it with the proper belt. I didn't expect it to make such a difference.

Final Thoughts

Jacket dress works as expected. It is warm and cuddly, and it has gone to several Pennsics and Balfar's with me now. Unfortunately the linen lining stretched a bit so it hangs lower than the wool, but its hard to tell when I am wearing it. And honestly a stripe of black at the bottom is fine. The jacket is fairly warm, but the neckline is a bit to bulky for me to shoot my crossbow in when it is closed. If I keep the jacket open, I can make due. It doesn't look bad when left fully open either. When I originally made this, I was 40lbs heavier. This is one of the very few things I did not have to adjust after losing weight, so it obviously fits a very wide range of sizes. Luckily I didn't make the fancy belt back then, or the metal holes would have been in the wrong places!