"Heavy Love Affair" is a funk song recorded by American soul singer Marvin Gaye. Released as the second and last single off Gaye's last Motown album, In Our Lifetime, in 1981, the song was based on Gaye's real-life emotional crisis after being separated from his wife at the time. In some parts of the song, Gaye knows that he's a major female attraction but still feels the warmth of his lost love saying "lots of ladies love me/but it's still a lonesome town" bringing that point clearer in the next verse saying "you got me looking for love (again)". The song became one of his lowest-charted Billboard hits on the R&B side reaching just #61 there becoming the final release of Gaye's on the Tamla (Motown) label before he left the label for Columbia the next year. The musical background of this song originally came from the song, "Life's a Game of Give and Take" from Marvin's aborted 1979 release, Love Man

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Love songs have been at the crux of popular music since its inception. From Shakespearean sonnets to Rodgers and Hammerstein to the Beatles and beyond, it remains the most relatable and universal lyrical motif out there. However, heavy music has had a somewhat bizarre relationship with the concept of the love song over the years.

Results:  When the read counts are low or highly variable, the maximum likelihood estimates for the LFCs has high variance, leading to large estimates not representative of true differences, and poor ranking of genes by effect size. One approach is to introduce filtering thresholds and pseudocounts to exclude or moderate estimated LFCs. Filtering may result in a loss of genes from the analysis with true differences in expression, while pseudocounts provide a limited solution that must be adapted per dataset. Here, we propose the use of a heavy-tailed Cauchy prior distribution for effect sizes, which avoids the use of filter thresholds or pseudocounts. The proposed method, Approximate Posterior Estimation for generalized linear model, apeglm, has lower bias than previously proposed shrinkage estimators, while still reducing variance for those genes with little information for statistical inference.

Success for the Packers on offense when it comes to handling the Chiefs pressure packages starts with the offensive line, but it is going to require a total team effort. For the offensive line, this all starts with their pre-snap communication, identifying responsibilities and where potential pressure could be coming from. Josh Myers recently discussed the importance of taking note of what personnel the defense is in, what the front looks like, and then communicating those calls effectively when facing a heavy blitzing team.

A few years ago a study found that kids with the highest IQs are disproportionatelyattracted to heavy metal. The reason is that the themes of alienation, frustration, and even pain, match the experience of a smart young person struggling to fit in and make sense of the world.

For all of his chest-thumping machismo, Philip Anselmo always presented a shred of sensitivity and on Pantera's Vulgar Display of Power, he welcomed listeners into his love-torn mind. "This Love" finds the singer embattled, struggling to process his emotions and unsure if he's been hurt, or if he caused the pain to both parties himself.

"I'd been the tempting one / Stole her from herself / This gift in pain / Her pain was life / And sometimes I feel so sorry / I regret this the hurting of you / But you make me so unhappy / I'd take my life and leave love with you"

Even Black Sabbath felt the temptation to use love as a lyrical device on their ominous, haunting debut. While the true meaning of the title of "N.I.B." remains veiled, what is for certain is that it is a love song about the devil. And there's a little devil in everyone, right?

For all of the unrequited love and misery expressed in HIM's lyrics, we forget that those awful feelings had to stem from something that was once positive. It's on "Right Here in My Arms" that the leather-tongued Ville Valle and his crew give us a feel-good rocker that works perfectly on V-Day.

It took 30 years into their professional career for Iron Maiden to finally write a love song. Of course, the song takes place as the end of days threatens the world; in the song, a couple make a suicide pact, preparing their fallout shelter for the inevitable moment. The star-crossed lovers took their poison a little too early, unaware that the world didn't end after all.

What list of love would be complete without the presence of the scathingly sarcastic, charmingly witty, blackhearted romantic Peter Steele? On "Love You to Death," the hulking Type O Negative frontman deployed verbal "Caution: Wet Floor" signs as his baritone croon pined for a lifetime of submission and worship.

"I beg to serve, your wish is my law / Now close those eyes and let me love you to death / Shall I prove I mean what I'm saying, begging / I say the beast inside me's gonna get ya, get ya, get..."

Life on the road can lead to endless opportunities to find love... or lust. Mainly lust. But, who knows how many meant-to-be moments were ruined by tour bus load out times and the other various hurdles of international dating? On this Animal Magnetism track, the Scorpions are wary of starry-eyed lovers who profess their feelings, knowing that they're bound to encounter the same thing at each tour stop.

"I look in your eyes, I really think you're fooling me / You're pretty and nice, it doesn't matter don't you see / I'm falling in love, it happens to me every day / I'm falling in love, love just seems to slip away"

From the band who authored "Animal (Fuck Like a Beast) comes "L.O.V.E. Machine," a less egregious but still reprehensible track all about carnality. Make no mistake, this song is more about hot and wild lovin' than pure, inseparable love, but when things are going steady and the bloodflow increases, W.A.S.P. have the soundtrack to your night.

This is a song that was probably written in under 10 minutes. There's no lip-biting sexiness, no toe-curling double-entendres, just straight up lovestruck emotions from Ratt. Is there anything more innocent than catching a flash of someone and swelling with affection? For all of glam's debaucherous days, this one kept it nice and PG.

Yeah, the band who wrote "Sisterfucker" actually managed to conjure something genuine and touching on the lyrical front. "Ruptured Heart Theory," on paper, isn't the most amorous, but in Eyehategod's world this is practically a Michael Bolton jam. Heartache drives the song, but in a longing way and for a caustic New Orleans sludge group, that's just the only way they know how to show it.

"That's the game we're playing goes on and on / I never say: You go my way / My life is full of hurt and pain / But this time I'll do it fine / I'm standing here beside you near / Please hold me tight for just one night / Baby look at me, I'm for... / Baby can't you see, believe in me"

For all of his chest-thumping machismo, Philip Anselmo always presented a shred of sensitivity and on Pantera's Vulgar Display of Power, he welcomed listeners into his love-torn mind. \"This Love\" finds the singer embattled, struggling to process his emotions and unsure if he's been hurt, or if he caused the pain to both parties himself.

\"I'd been the tempting one / Stole her from herself / This gift in pain / Her pain was life / And sometimes I feel so sorry / I regret this the hurting of you / But you make me so unhappy / I'd take my life and leave love with you\" e24fc04721

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