At the College of Engineering, Guindy, in February 1972, he first wrote Great Bank Robbery, a skit for an intra class contest within the Guindy Engineering college for which he received the Best Writer award.[1][7][8] It was followed by scripts for his younger brother Maadhu Balaji's drama troupe at Ramakrishna Mission Vivekananda College, Chennai.[1] The first full-length play he wrote was Crazy Thieves in Paalavakkam for Natakapriya in 1976,[9] which was a runaway hit[10] and gave him the nom de plume "Crazy" Mohan.[11][12] He also wrote scripts for Tenant Commandments and One More Exorcist.[9]
After writing for other productions, Mohan decided to start his own troupe and founded Crazy Creations in 1979.[9] The troupe has since created over 30 plays with original scripts and staged over 6,500 shows all over India and abroad.[13] His play Chocolate Krishna had been staged 500 times within three years.[14] His brother Maadhu Balaji, who is an actor, plays the hero in all his dramas.
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The first feature film he worked on was K. Balachander's Poikkal Kudhirai for which he wrote the dialogues. The film itself was based on Mohan's drama Marriage made in Saloon.[10] He went on to write dialogues for several comedy films, particularly starring Kamal Haasan, which include Sathi Leelavathi, Kaathala Kaathala, Michael Madana Kama Rajan, Apoorva Sagodharargal, Indian, Avvai Shanmughi, Thenali, Panchathanthiram and Vasool Raja MBBS.[9][15] The 2006 film Jerry had a story and screenplay by Mohan and featured Mohan's entire theatre team, including its director S. B. Khanthan.[10] He has also acted in supporting or cameo roles in the films he wrote the dialogue or script for.
Crazy Mohan had garnered immense fame and adulation among fans as a writer and actor. The late comedy giant, born as Mohan Rangachari, had begun his career as a dramatist and wrote the play 'Crazy Thieves in Paalavakkam' for S. Ve. Shekher's Natakapriya. He soon founded his own drama troupe, Crazy Creations, along with his brother Maadhu Balaji, and wrote several hit plays like Alaavudeenum 100 Watts Bulbum, Chocolate Krishna, Jurassic Baby, Maadhu +2, Crazy Kishkintha, Oru Babiyin Diary Kurippu to name a notable few.
His last work as dialogue writer was for the drama "Crazy Premier League." Totally, he has penned 25 full length dramas, including Chocolate Krishna. His dramas have been staged over 6,500 times in India and abroad, including 150 plus shows in the USA.
He then started writing scripts for his brother Maadhu Balaji's drama troupe. In 1976, Mohan wrote his first full-length play called Crazy Thieves in Paalavakkam, thereby, earning the moniker Crazy to his name.
By 1979, Mohan started his own drama troupe Crazy Creations which went on to create over 30 plays that have been staged over 6,500 times till date. Some of their popular plays include Chocolate Krishna, Satellite Saamiyar, Marriage Made in Saloon and Return of Crazy Thieves, among others.
His real name is Mohan Rangachari and he was fondly known as Crazy Mohan because of his hit skit called Crazy Thieves In Paalavakkam. He then created a drama troupe called Crazy Creations. Chocolate Krishna, Maadhu +2 and Madhil Mel Maadhu were popular comedy plays, written by Crazy Mohan.
You have written comedy for television, cinema and drama. How different is each medium?
A drama is written, whereas cinema is seen. In dramas, you cannot even see your audience after the first two rows. There is no close-up or mid-shot. The acting is only in the dialogue.
Do you have a favourite between the two mediums?
I prefer drama. Drama is live. No matter how how many channels telecast a cricket match, there is nothing like watching it live from Chepauk stadium. You can also see people react live when you perform on stage.
Have you ever gotten into trouble for writing comedy?
Unless you write about politics or vulgarity, your freedom of speech will not be restricted. So I do not write politics or vulgarity. Even if I do so by mistake, Balaji will cut it out. If we have almost completed over 1,000 dramas this year with Chocolate Krishna, that is what I will call the success of Crazy Creations.
How did they get embroiled in a sordid nexus of crime? What is the fate of the other three? What is 'chocolate' in the context of the film?Ā
The plot thickens every time Krishna detects a kink in their stories -- which tend to get murkier by the minute.Ā
Chocolate is a racy thriller, and it's not the action that lends the pace. It's the suspense that is killing and keeps you on edge, until the very end.
English films buffs may experience a sense of dj vu while watching the film. For one, the format of the plot unfolds through snippets of conversation between two partiesĀ this may ring a bell. Ditto for the courtroom drama and the verdict that follows. The look and feel of the film also seem 'inspired'. Figure out the analogies for yourselves.
The SAGE Handbook of Qualitative Business and Management Research Methods provides a state-of - the art overview of qualitative research methods in the business and management field. Bringing together a team of leading international researchers, the chapters offer a comprehensive overview of contemporary uses of methods in business & management disciplines, and the challenges that emerge in looking ahead to the future. The chapters in this volume have been arranged into three thematic parts: Part One: Contemporary methods: interviews, archival analysis, autoethnography, rhetoric, historical, stories and narratives, discourse analysis, group methods, sociomateriality, fiction, metaphors, dramaturgy, diary, shadowing and thematic analysis. Part Two: Visual methods: photographs, drawing, video, web images, semiotics and symbols, collages, documentaries. Part Three: Methodological developments: aesthetics and smell, fuzzy set comparative analysis, sewing quilts, netnography, ethnomusicality, software, ANTI-history, emotion, and pattern matching. be457b7860
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