"Headlines" is a song by Canadian rapper Drake. It is the second single from Drake's second studio album Take Care.[2][3][4] The song, produced by Matthew "Boi-1da" Samuels, and Noah "40" Shebib, first premiered on Drake's blog October's Very Own on July 31, 2011,[5] and was sent to all radio formats in the US on August 9, 2011. It was released on iTunes and Amazon on August 9, 2011 in the U.S.[1] The song debuted and peaked on the Billboard charts at number 13, becoming one of his highest charting songs at the time of release. It was re-released to US Top 40/Mainstream radio on October 18, 2011.[6]

On July 18, 2011, Drake told The Invasion Radio Show that he was mixing a new single. Drake also revealed the name of the single on July 18 when posting the lone word "Headlines" on his Twitter account.[7]

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In an interview with Billboard, Drake talked about "Headlines" saying, "By no means is it the best song on my album, it's really just the song for this moment, right now." Drake talked about why he released the song as the first single saying: "I always try to put forth a song with a message. A lot of people pick their single by what's the strongest song. I don't really do that. I like to make sure that the content is very relevant to right now." Drake also said, "I want people to party to it but at the same time the fans, the people that care about my career, the people that follow me, will hear a message in it."[8] Drake told MTV News in early September that "Headlines" was the perfect tune to launch the project: "I think it's great; the purpose of that record was solely to deliver a message", he said. "I could've gone with the record that was sort of super radio-friendly, but I really just wanted to talk to the people with the first record."[9]

The first live performance of "Headlines" took place at Caesars Windsor in Windsor, Ontario, Canada on August 4, 2011.[10] On October 15, Drake made his Saturday Night Live debut in an episode hosted by Anna Faris and was set to perform "Headlines" as the musical guest of the week.[9] On November 20, 2011, Drake sang "Headlines" at the American Music Awards of 2011. On December 31, 2011, Drake performed on Times Square a Medley of "Headlines" with Make Me Proud and The Motto.

The music video was directed by La Mar Taylor and Hyghly Alleyne, both related to The Weeknd's "XO" crew. It officially premiered on October 2, 2011 on Vimeo.[11] It doesn't feature anyone from Young Money, but has appearances by T-Minus, Noah "40" Shebib, The Weeknd, Boi-1da and Kromatik. It was shot in Canada, mainly in Toronto, Drake's home town. No narrative is followed, yet Drake is depicted rapping in different environments : in the centre field of Toronto's Rogers Centre (as the stadium's scoreboard is lit up with the title of his November 15 album, Take Care);[12] in front of a rundown building with the letters "OVOXO" (the name of Drake's crew: "October's Very Own" or "OVO" standing for Drake and "XO" standing for The Weeknd) sprayed in graffiti by 'Mer' on the wall; in the glass elevator of the C.N. Tower, going up, allowing few symbolic interpretations in relation to Drake's ascension to fame, the main topic of the song; at the head of a dining table, puffing on a cigar, Drake being dressed with an unprecedented retro as well as geeky style, with a knitted jumper and vintage half-tainted glasses; and most notably in front of Toronto's historic Guild Park, surrounded by his crew. The video shows obvious traces of sponsorship by Nike sportswear.

The song debuted on the Hot R&B/Hip-Hop Songs chart at number 98[19] and has since reached number two on the chart. The following week, it debuted at number 13 on the Billboard Hot 100.[20] On the week of October 15, 2011 "Headlines" reached the top of the Hot Rap Songs chart which was his 10th time overall achieving this. With the ascension of "Headlines", Drake became the artist with the most number one's of all time on the chart; tied only with rappers Diddy and Ludacris.[21] The single was eventually certified quadruple platinum by the Recording Industry Association of America (RIAA) for sales of over four million digital copies in the United States.

Even though headlines are never mentioned in the lyrics, the title suggests that Drake has realized his success and impact in the rap game: he knows that his releases are big news, worthy of a headline.

Just kidding. You came really close to getting rid of us that easily. Hence why you haven't heard from us for so long. But lucky for you, our man Richard Zielinski recently reached out to share a poem he had written.... What's that? You don't remember Big Z? Well stop what you are doing right now and re-introduce yourself to one of the most legendary characters from our trip.

Welcome back. Felt good to re-live an ol' notquitelc blog post didn't it?... Well, now that we're all caught up on the King of Ste. Genevieve, we wanted to share with you the poem that Richard shared with us. We really enjoyed it and thought you may too. We also thought you would enjoy the opportunity to better get to know one of the more important figures from our trip..

Is an airplane still an airplane if it hasn't any wings? Is a caged bird still a song bird if you never let it sing? Is a mountain still a mountain if it's worn into the ground? Will you plead the next amendment when he comes to shoot you down?

Welcome aboard my wingless plane, everybody cheer! Cover up that birdcage no songs here. I'll climb that mighty mountain that's eroded through the years, And tweet your next disaster: Falling bodies, widow's tears.

Will you praise the thieves and hucksters while they deal their crooked game? And steal your Grandkids pension and cheat their way to fame? Will you turn away when the reaper knocks on that family's door And sentences them to the streets of Hell for the crime of being poor?

Well hop aboard my wingless plane, everybody cheer! Cover up that birdcage, no songs here. I'll climb that mighty mountain that's eroded through the years, And tweet your next disaster: Murdered students, classmate tears.

So don't you think that maybe we should not just go along? Find someone responsible for what has gone wrong? Yes now's the time for accusations so let me make this clear, Just be sure when you point to the fool you're not looking in the mirror.

And jump aboard my wingless plane, everybody cheer! Cover up that birdcage, no songs here. I'll scale that mighty mountain that's eroded through the years, And tweet one more disaster . . . Shot up churches, angel tears.

(Now this next part should be said with an exaggerated Southern/Texan accent) My name is Richard Zielinski and this is the first ,thing I wrote on my new smart aleck phone. So I e-mailed it to my good friend Trent Fontenella and told him that I thought I had written the perfect social/political folk protest song for the two-thousand and teens. Well he messaged me back and said that he didn't think I had because I never said nothin' about Mama, the greedy tax fueled money grab by the one-percenters, the manipulation, coersion and control of the media, the blatant ignorance of the scientific fact of climate change . . . or gettin' drunk. So I decided to re-write the refrain and I'll give it to you as soon as it comes around here on my guitar . . .

So come aboard my wingless plane, first class gets free beer! Cover up that birdcage, fake news there. And look that's not erosion, that's unreasonable fear. I'll nuke one last disaster, burnt crisp babies, mother's tears

Then, the two researchers input the scans into a machine-learning algorithm, which combed through the thousands and thousands of data points to sort the data into different human body shapes. The algorithm assigned those shapes a numerical value, giving Baek and Song quantitative shorthand for the variety of features that factor into our physical appearance.

Using data visualization, Baek and Song correlated those numerical values with different body shapes and parts and with the demographic information they collected. That is how they arrived at the more exact measures of income loss or gain.

Now, Baek and Song are working to get even more granular, looking at how particular traits like muscularity correlate to economic advantages or disadvantages. They also want to broaden their data, which was centered on scans from America and Europe, to look more specifically at the effects of race and skin color, and even of changes in skin tone within races.

Though their work on the beauty premium deservedly made headlines, Baek and Song are equally excited about other uses of their research. Baek, for example, envisions mapping different tumor shapes, helping physicians determine if smoother or more jagged shapes are associated with different outcomes in cancer treatment.

Clothing and shoe manufacturers particularly invested in fit, such as Nike, could also benefit from the technology, creating materials that better conform to the human foot or body and improve performance.

I also wrote a number of questions I have for Gundersen about his songs. After the show I asked if he would be the headliner of the next episode of The Song Show, the quarterly talk show that I host at the Rendezvous. He agreed.

Gundersen will be joining controversial emcee Fatal Lucciauno, who is making his second appearance on the Song Show following the release of his second full-length album, as well as Robert Deeble, a powerful veteran songwriter who recently emerged from the shadows to release Heart Like Feathers, his first proper album in seven years.

Headlines (Friendship Never Ends) is the thirteenth track from their compilations album Greatest Hits. This would be the last song that The Spice Girls released as a quintet. This is the last Spice Girls song to feature Victoria Beckham and Mel C.

The song was initially written by Emma Bunton and Geri Halliwell with help from producers, with the other three girls adding later on. Although gossip sites claimed that Victoria Beckham had a significantly shorter solo than the rest of the girls, a spokesperson denied the accusation, saying that the parts were divided equally. In fact, it is Melanie Brown with an almost non-existent solo part. Her lone solo can be found at the very end, where she sings "'Cause I'm giving it all/Yeah, I'm giving it all to you." Additionally, during the solos of Halliwell and Beckham, Bunton harmonizes and Brown provides backup vocals ("ahhh..."). Along with her solo, Beckham is the only girl to sing in between the second chorus (with the exceptions of the lines "Say you love me and I'll say I love you too" and "Just remember what simple words can do"). Beckham is also the only Spice Girl to sing the song's subtitle of "Friendship never ends." 152ee80cbc

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