Music and Brain Lab
School of Digital Humanities and Computational Social Sciences
Korea Advanced Institute of Science and Technology (KAIST)
As Music Information Retrieval (MIR) technologies evolve, their potential lies not only in analyzing acoustic features but in deeply understanding the human experience of music. In this talk, I will share work from our laboratory exploring how people perceive, enjoy, and create music, and how these insights can inspire the design of more human-centric MIR systems. Drawing on cognitive and physiological studies, we show that signals such as EEG and heart rate can reveal individual differences in music preference and expertise. We also extend this perspective to diverse populations, including individuals with hearing impairments and cochlear implants. While our work has so far focused on understanding how these listeners experience and emotionally respond to music, we see this as a first step toward imagining music generation and recommendation systems that adapt to their needs—making music more accessible and engaging for all. Finally, we investigate how shared music experiences can enhance social bonding and enjoyment, and discuss how these dynamics might be incorporated into MIR platforms. By weaving together cognitive, physiological, and social dimensions of music experience, I will open a discussion on how next-generation MIR technologies can put human values, personalization, and inclusivity at the center.
Kyung Myun Lee is an Associate Professor at KAIST, where she directs the Music and Brain Lab and holds a joint appointment in the Graduate School of Culture Technology. She received her Ph.D. in Music Cognition from Northwestern University after earning degrees in Musicology and Psychology from Seoul National University. Her research focuses on the neural processing of music, interdisciplinary studies in music cognition and information retrieval, enhancing online concert experiences, and predicting music emotion and preference using biosignals such as EEG and EMG. She previously served as President of both the Asia-Pacific Society for the Cognitive Sciences of Music and the Korean Society for Music Perception and Cognition, and is currently Associate Editor of the journal Music Perception.