Statik Selektah embarks on another trip to Honolulu for the 2nd chapter of his Hawaiian instrumental series! Once again recorded at the Laylow Hotel in Honolulu and with the help of Aloha Got Soul Records, Boston made and New York based producer has crafted another beautiful set of tracks to enjoy a beautiful day in the crystal celar waters with a fresh pacific breeze!

In the age of big-box retailers and mega-websites Instrumental Music stands as your truly unique alternative to the impersonal, no-service, no-love world. Since 1979 our staff of musicians and consultants have built long-term relationships with our customers in Ventura county by offering competitive pricing and unbeatable service. Browse our site for information then drop by our store and meet our people and actually try the gear out before you buy-it! At Instrumental, you get the guaranteed low prices you expect and the service you deserve.

Hawaiian Instrumental Music Free Download

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We asked our fans to share with us which songs remind them of Hawaii and the response was amazing. So, here it is, the all-time best Hawaiian music playlist curated by you - our fans! We've made it easy for you to listen whenever you'd like!

Mele (music) has always been a huge part of the Hawaiian culture. In fact, there are two types of mele that we talk about, especially when it comes to dancing hula: kahiko and auana. Kahiko refers to the ancient music of Hawaii, involving chanting, blowing the p, and tapping the ipu. Auana refers to modern Hawaiian music, including piano, slack key guitar, and singing.

There are so many hallmarks of each of these groups that I might write an article about how each one has uniquely contributed to what Hawaiian music is today. However, some of the commonalities between the old Hawaiian music is the use of the piano, guitar, ukulele, bass, and singers harmonizing. Every group or musician had their specialities though.

One popular Hawaiian singer, Lena Machado, had a particular talent of holding a note until anyone listening might think she was out of breath. However, Lena would hold the note for an extended period of time and NOT take a breath until she finished the phrase! Fun fact: Later on, Raiatea Helm continued this tradition in her music.

Slack Key Guitar is another type of Hawaiian music. Some people sing to slack key guitar, but often it is done without singing. To clarify, slack key is simply a different way of tuning the guitar, and artists would pick and strum to well-known Hawaiian tunes. The playlist below is one of my favorite albums of slack key guitar. In addition, here is a brief list of some of the well-known Hawaiian slack key guitar artists:

These are the current, most recent preservers of Hawaiian music and people I admire for their creativity, knowledge, and sheer talent. From speaking fluent Hawaiian, writing their own lyrics and music, and sharing their love of Hawaii with the world, these artists are truly amazing. I appreciate their contributions to preserving and evolving the Hawaiian culture and music.

Reggae music originated in Jamaica and is mostly represented by Bob Marley. Many locals enjoy listening to Bob Marley, so I thought it was only fair to feature his work here! This playlist also features some other Reggae artists.

Native to Hawaii and based in Los Angeles, he is a six-time GRAMMY Award winner, producer, composer, multi-instrumentalist, and singer-songwriter. With a touch of aloha and a refreshing world music feel, Daniel performs contemporary instrumentals and original songs in English and Hawaiian.

Listen to the first two seasons of our new podcast exploring the intersection between music and art. In this episode, hear Daniel Ho respond to Thomas Cole's Voyage of Life with an original suite.

[POP] Guitar: Fender Telecaster Autumn 1950 The world's first commercially successful solid-body electric guitar. Its simple yet effective design and revolutionary sound broke ground and set trends in electric guitar manufacturing and popular music. Introduced for national distribution as the Broadcaster in the autumn of 1950, it was the first guitar of its kind manufactured on a substantial scale and has been in continuous production in one form or another since its first incarnation.

Both recordings are considered classics.[7] Haley's version is peppier and brighter.[citation needed] It fits the definition of rock and roll as a merger of country music and rhythm and blues. Haley had started his career in country music while Turner was a blues shouter.

The film marked the rock and roll revolution by featuring Bill Haley & His Comets' "Rock Around the Clock", initially a B-side, over the film's opening credits (with a lengthy drum solo introduction, unlike the originally released single), as well as in the first scene, in an instrumental version in the middle of the film, and at the close of the movie, establishing that song as an instant hit. The record had been released the previous year, gaining only limited sales. But, popularized by its use in the film, "Rock Around the Clock" reached number one on the Billboard charts, and remained there for eight weeks. In some theaters, when the film was in first release, the song was not heard at all at the beginning of the film because rock and roll was considered a bad influence. Despite this, other instances of the song were not cut. This film is also the source of the slang term "Daddy-O". When the teacher, Mr Dadier (Glenn Ford), writes his name on the blackboard early in the film, one of the students throws a baseball and knocks a hole in the blackboard at the end of his name, Dadier becomes Dadi-O and the class erupts in laughter and calls him "Daddy-O".

The music led to a large teenage audience for the film, and their exuberant response to it sometimes overflowed into violence and vandalism at screenings. In this sense, the film has been seen as marking the start of a period of visible teenage rebellion in the latter half of the 20th century. The film was banned in Memphis, Tennessee and Atlanta, Georgia, with the Atlanta Review Board claiming that it was "immoral, obscene, licentious and will adversely affect the peace, health, morals and good order of the city." 

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Duane Eddy (born April 26, 1938) is an American guitarist. In the late 1950s and early 1960s, he had a string of hit records produced by Lee Hazlewood which were noted for their characteristically "twangy" sound, including "Rebel Rouser", "Peter Gunn", and "Because They're Young". He had sold 12 million records by 1963.

Eddy devised a technique of playing lead on his guitar's bass strings to produce a low, reverberant "twangy" sound. In November 1957, Eddy recorded an instrumental, "Movin' n' Groovin'", co-written by Eddy and Hazlewood. As the Phoenix studio had no echo chamber, Hazlewood bought a 2,000-gallon (7570-litre) water storage tank which he used as an echo chamber to accentuate the "twangy" guitar sound.

Dick Clark's American Bandstand show, January 4, 1960, featured them performing "Bulldog". Little did the Fireballs know by now that their guitar instrumental music was one of the foundational influences of the Surf music culture that was starting to make big waves. Later, coupled with a new vocalist, the Fireballs savored success in a new dimension. "Sugar Shack", a vocal released in 1963 on DOT records, was a #1 hit and the largest selling single of that year. More vocal singles and albums followed. It was a very unique transition in the music business for an 'instrumental guitar band' to become 'vocal' and retain prestige in both fields.

It is often regarded as the first surf rock instrumental and is credited for launching the surf music craze. First played in public in 1960 at the Rendezvous ballroom in Balboa, CA, it quickly reached #4 on influential Los Angeles station KFWB, and later reached #60 on the national charts.

Dale's performances at the Rendezvous Ballroom in Balboa in mid to late 1961 are credited with the creation of the surf music phenomenon. Dale successfully asked for permission to use the 3,000 person capacity ballroom for surfer dances after overcrowding at a local ice cream parlor where he performed made him seek other venues. The Rendezvous ownership and the city of Newport Beach agreed to Dale's request on the condition that he prohibit alcohol sales and implement a dress code. Dale's events at the ballrooms, called "stomps," quickly became legendary, and the events routinely sold out.

The Bel-Airs were still in high school at the time. They were best known for their 1961 hit "Mr. Moto", an instrumental surf rock song, written by guitarist Paul Johnson, that featured a flamenco-inspired intro and contained a melodic piano interlude. Their potential was cited by many, but it was an argument about use of the then new Fender reverb unit that led to their breakup. The Bel-Airs were originally formed by two guitarists, Eddie Bertrand and Paul Johnson, both 16 years old at the time they recorded "Mr. Moto". In early 1963, Eddie Bertrand heard Dick Dale using the Fender reverb unit and wanted to start incorporating heavy reverb into The Bel-Airs songs. He felt reverb was the sound that would come to define surf music. Even at 17, Johnson was something of an independent thinker and told Bertrand that The Bel-Airs had done quite well without reverb and he didn't see any reason at all to begin using it. The argument escalated until Bertrand finally left the band which then broke up for good shortly after. Johnson confirmed this story in the liner notes he contributed to The Bel-Airs reunion album released in 1986.

[POP] Fender Jaguar 1962

Introduced in 1962 as Fender's feature-laden top-of-the-line model, designed to lure players from Gibson. During its initial 13-year production run, the Jaguar did not sell as well as the less expensive Stratocaster and Telecaster, and achieved its most noticeable popularity in the surf music scene. After the Jaguar was taken out of production in 1975, vintage Jaguars became popular first with American punk rock players, and then more so during the alternative rock, shoegazing and indie rock movements of the 1980s and 1990s. 0852c4b9a8

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